The Flaming Lips
Biography
Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. From their beginnings as Oklahoma weirdos to their pop culture breakthrough in the mid-'90s to their status as one of the most respected groups of the 2000s, the Lips have ridden one of the more surreal and haphazard career trajectories in pop music. An acid-bubblegum band with as much affinity for sweet melodies as blistering noise assaults, their off-kilter sound, uncommon emotional depth, and bizarre history (packed with tales of self-immolating fans and the like) firmly established them as true originals.
The Flaming Lips formed in Oklahoma City in 1983, when founder and guitarist Wayne Coyne allegedly stole a collection of musical instruments from an area church hall and enlisted his vocalist brother Mark and bassist Michael Ivins to start a band. Giving themselves the nonsensical name the Flaming Lips (its origin variously attributed to a porn film, an obscure drug reference, or a dream in which a fiery Virgin Mary plants a kiss on Wayne in the back seat of his car), the band made its live debut at a local transvestite club. After progressing through an endless string of drummers, they recruited percussionist Richard English prior to recording their self-titled debut, issued on green vinyl on their own Lovely Sorts of Death label in 1985.
When Mark Coyne soon departed to get married, Wayne assumed full control of the group; in addition to remaining its lead guitarist, he also became the primary singer and songwriter. Continuing on as a trio, the Lips released 1986's Hear It Is, followed a year later by Oh My Gawd!!!...The Flaming Lips. While touring in support of the Butthole Surfers, they played Buffalo, NY, where they were befriended by concert promoter Jonathan Donahue; after a jam session with Donahue's nascent band Mercury Rev, he and Coyne became close friends, and Donahue eventually signed on as the group's sound technician.
After recording 1988's difficult Telepathic Surgery, English exited, reducing the Lips to the core duo of Coyne and Ivins; after adding drummer Nathan Roberts, Donahue adopted the name Dingus and became a full-time member in time to cut 1990's stellar In a Priest Driven Ambulance while simultaneously recording the brilliant Mercury Rev debut, Yerself Is Steam. Following a series of hopeful phone calls to Warner Bros., the company signed the band in 1991, and in 1992 their oft-delayed major-label debut, Hit to Death in the Future Head, appeared to little commercial notice; Donahue soon exited to focus his full energies on Mercury Rev, followed by the departure of Roberts.
With new guitarist Ronald Jones and drummer Steven Drozd, they cut 1993's sublime Transmissions from the Satellite Heart, which they supported by playing the second stage at Lollapalooza and touring the nation in a Ryder truck. Initially, the album stiffed; however, nearly a year after its initial release, the single "She Don't Use Jelly" became a grassroots hit, and against all odds the Flaming Lips found themselves on the Top 40 charts. They took full advantage of their requisite 15 minutes of fame, appearing everywhere from MTV's annual Spring Break broadcast to an arena tour in support of Candlebox to a memorably surreal lip-synced performance on the teen soap opera Beverly Hills 90210, where supporting character Steve Sanders (portrayed by actor Ian Ziering) uttered the immortal words, "You know, I've never been a big fan of alternative music, but these guys rocked the house!"
After the 1994 release of a limited-edition sampler of odds and ends titled Providing Needles for Your Balloons, the Lips returned in 1995 with Clouds Taste Metallic, a strikingly mature and diverse collection highlighted by the singles "Bad Days" (also heard in the film Batman Forever), "This Here Giraffe," and "Brainville." Despite the inclusion of the remarkably melodic "Psychiatric Explorations of the Fetus with Needles," "Christmas at the Zoo" (rumored to be under consideration for inclusion on an upcoming John Tesh holiday record), and the epic "Guy Who Got a Headache and Accidentally Saves the World," the album nonetheless failed to live up to the commercial success of Transmissions, and the band was once again relegated to cult status.
In 1996, the Lips' world went haywire; first, Jones disappeared to undertake a spiritual odyssey from which he did not return, then Drozd's hand was almost needlessly amputated after he was bitten by a spider. At about the same time, Ivins was the victim of a bizarre hit-and-run accident after a wheel came off of another vehicle and slammed into his car, trapping him inside. Ironically, Coyne was having car problems of his own when rumors of his latest sonic foray -- conducting an orchestra of 40 automobiles, all with their tape decks playing specially composed music at the same time -- prompted fan discussion of his possible psychological collapse. "I would try to tell people what I was doing and found that I couldn't explain it very well," Coyne later remarked about the project, dubbed the Parking Lot Experiment. "Plus, I had a sore on the side of my tongue for a week and it made me talk kind of weird. I'm sure they thought I was retarded."
By the following year, the Flaming Lips (who continued as a trio, opting not to attempt to replace Jones) were back in the studio, recording an album that, according to Coyne, would be "so different and exciting it will either make us millionaires or break us" -- in short, 1997's Zaireeka, a breathtaking and wildly experimental set of four discs designed to be played simultaneously. A previously unreleased track, "Hot Day," also appeared earlier that year on the soundtrack to Richard Linklater's film SubUrbia. A Collection of Songs Representing an Enthusiasm for Recording...by Amateurs, a retrospective of their Restless label material, followed in 1998, and a year later the Lips returned with a breathtaking new studio effort, The Soft Bulletin.
After a three-year absence from the shelves, 2002 brought several new releases, including the new record Yoshimi Battles the Pink Robots and a two-volume retrospective of the Restless years. Yoshimi won the group even more popular and critical acclaim than The Soft Bulletin, which the group maximized by spending half of 2002 appearing with Beck on his Sea Change tour as both his opening act and backing band. The Lips kept busy over the next two years by touring in support of Yoshimi Battles the Pink Robots and working on their movie Christmas on Mars. They returned to the studio in 2004 and spent much of 2005 recording; that year, the Flaming Lips documentary The Fearless Freaks and VOID video collection were both released, whetting fans' appetites for the band's 2006 album, At War with the Mystics.
In 2007, the Flaming Lips were nominated for a Grammy for Best Alternative Album for Mystics and won a Grammy for Best Engineered Album, Non-Classical. In 2008, the band's long-awaited, seven-years-in-the-making film Christmas on Mars made its debut at that spring's Sasquatch Festival in George, WA; that fall, the movie and its soundtrack were released as a CD/DVD set. During 2007 and 2008, the Lips began working on the follow-up to At War with the Mystics, taking a looser, more experimental approach than they had in several albums. The results were released as Embryonic in fall 2009. ~ Jason Ankeny, All Music Guide
Selected Discography

The W.A.N.D.
2006

At War With The Mystics
2006

The Fearless Freaks 1986-2006
2006

The Yeah Yeah Yeah Song
2006

Ego Tripping At The Gates Of Hell
2003

Fight Test
2003

Finally The Punk Rockers Are Taking Acid
2002

Yoshimi Battles The Pink Robots
2002

The Soft Bulletin
1999

1984 - 1990
1998
I can't get enough of The Flaming Lips. Holy hell, I just discovered them by chance by listening to a random album radio broadcast and now Yoshimi hasn't left my trucks cd player for 4 months. Both my wife and I are in utter amazement that we haven't discovered them until now. GO LIPS! Keeping making music!!!!!
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These guys are fantastic. As an Oklahoman, I'm dam proud of what these guys have done. They have forever changed the face of popular music, and stretched is boundries to the point of re-definitio n . Go Lips!
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if i had to pick a best album,hit to death in the future head and clouds taste metallic are really really close,but i think hit to death wins
as for the discussion about why certain bands would be associated with them,as far as beck is concerned,it s because they were his back up band for a while |
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@Brian Gahn: For me the best Lips record is a toss up between The Soft Bulletin and Yoshimi Battles the Pink Robots. Really though you can't go wrong with anyone. Just make sure you have a chance to see them live. BEST LIVE SHOW EVER!
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transmission s . they're good, they sorta sound have pink floyd vocals from the wall.nice and refreshing
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What a hilarious and thorough synopsis of this incredible band! Also, the Fearless Freaks is a must-see documentary for all Lips fans...
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Kind of has an after taste to it...tastes. . . . . M e t a l l i c . . . e v e n more so than chewing gum wrappers...
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If you've never been to a Flaming Lips concert and you have the chance to go, GO. In fact, go even if you've seen them a few times before. The F-Lips work more than just the stage with their display and sight-gags, they work the audience and impart wisdom at every concert. Short from a brush with death, it's the best way to remind you that you're alive.
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the flamming lips are comming to washington in late august and the only way im coughing up the 50$ is if its the ufo show like at sasquatch fest.
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If you want "weird" nothing beats early Butthole Surfers. "Locust Abortion Technicia" kicks this second rate College Radio Rock around the block and back again.
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my all time favorite band. when i was eleven i saved my dads beer cans until i had enough to cash them in for a nickel each and go buy my first album "Transmision s from the satellite heart"
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The official rock song of Oklahoma is "Do you realize??" not that I'm from there, I just thought that was funny and cool at the same time, cause its my official rock song as well!
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If you don't like this band you need to re-evaluate your priorities. I saw them one time and the lead singer had lost his voice completely, I'm pretty sure he was drunk, and the show was still incredible. This band really cares about putting on a great show despite the circumstance s . I remember when they were Beck's backup band. Talk about putting the cart before the horse.
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What about all the weird stage antics and production numbers?
No mention of their appearance at Witness just outside Dublin, in 2001? |
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These guys are really good. Yoshimi was a crazy album.... I really never had respect for these guys till i listened to a variety of their music.
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the listed bands are similar to the sound that the lips have been producing RECENTLY. if you go back 10 or 15 years, then of course the sound would be more like butthole surfers, sonic youth, et al. but they dont have that sound anymore, not at all. not since soft bulletin.
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Butthole Surfers, Violent Femmes, Meat Puppets, Pixies, and Sonic Youth would have to be my list
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Ok, ok, so the five bands listed are not 'similar', but who is? The five bands that remind of the Lips are (in no particular order):
The Meat Puppets The Shins (not near as good, but similar) Ween (eclectic and experimental , but that's where similarity ends) Polyphonic Spree My Bloody Valentine... ? Man, I give up. |
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You mean how is Radiohead like the Flaming Lips right. This is the band where Pandora should just play their full body of work instead of smashing other artist into the Lips psychotropic , remote glass house.
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How the heck are Flaming Lips like Radiohead?!? ! ? ! ! ! ! Pixies I can... kind of see. I mean, they're both witty and bizarre and had their height in the mid-'90s. Beck, well, also bizarre and playful lyrics, I guess. But Postal Service? Modest Mouse? RADIOHEAD??! ! ! That's just pure nonsense.
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Chainsaw, I agree. Let's just make it Jermaine Jackson, Morbid Angel, Kid 'n' Play, Billie Holiday and Deep Purple. It's not easy to pin down who to compare the Flaming Lips to, but I don't immediately associate the Pixies!
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so did Pandora just pull 5 random bands our of a hat to determine the Lips similar artists?
Probably just as well... |
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? they are similar to the beatles and postal service? i might look into them.
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The Lips have got to have the best and craziest show I have ever seen. Must see!
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