Fugazi
Biography
If history is kind to Fugazi, their records won't be overshadowed by their reputation and methods of operation. Instead of being known for their community activism, five-dollar shows, ten-dollar CDs, resistance to mainstream outlets, and the laughably fictitious folklore surrounding their lifestyle, they will instead be identified as setting a high bar for artistic excellence that is frequently aimed for but seldom achieved with great frequency. During their existence, the four-piece created some of the most intelligent, invigorating, and undeniably musical post-hardcore rock & roll. Along with their stridently underground ethics -- which were more out of pragmatism and modesty than anything else -- they gained an extremely loyal and numerous global following. To many, Fugazi meant as much to them as Bob Dylan did to their parents. Somewhat better to look at, perhaps, and certainly more accessible, but just as commanding of attention and adoration. More than anything, Fugazi inspired; they showed that art can prevail over commerce.
Drummer Brendan Canty, bassist Joe Lally, and guitarists/vocalists Ian MacKaye, and Guy Picciotto formed Fugazi in 1987. Initially a trio, Picciotto was added to the lineup after the band's first live shows. Prior to forming, the members already had deep pedigrees in the D.C. punk scene. Dischord labelhead MacKaye, who had previously been in the Teen Idles and Minor Threat, had just come from Embrace. For better or worse, Embrace, along with Picciotto and Canty's better Rites of Spring, kick-started the emocore sub-genre that would rise to prominence ten years later.
After further honing their cathartic live act and expanding their material, their first EP (Fugazi) was released in late 1988. More of an extension of Rites of Spring's thick, dynamic, varied-tempo soul-bearing than anything else, the EP featured "Suggestion," which would become the band's most well-known song. Though the course of rock history shows that loud music created by angry men tends to be of a predatory nature, "Suggestion" was an anomaly. MacKaye spoke from the female point of view, railing with frustration at how their sex is objectified. Not hampering the song's status as one of the most recognized chunks of late-'80s post-hardcore was its catchy, vaguely reggae-influenced rhythms and searing guitars.
The similarly veined Margin Walker EP followed the next year and was later coupled with Fugazi on CD as 13 Songs. Though suffering slightly from lyrical shortcomings (MacKaye and Picciotto grandstand too much), 1990's full-length debut Repeater is generally regarded as a classic. Toughening and refining the band's shockingly propulsive lockstep dynamics (see "Repeater" and "Styrofoam"), it still left several critics and a few fans wondering if the band was becoming a one-trick pony. A year later, the cynics were proven wrong with Steady Diet of Nothing, clearly the band's most challenging material to date. Branching out lyrically and limiting the finger pointing, Steady Diet also varied from its predecessors with more imaginative arrangements and less visceral qualities. Two years passed until In on the Killtaker, the band's most abrasively black-and-white record. With scabous guitars and extended stretches of discordance, some of the songs were among the band's most aggressive and angular.
At this point, the band's reputation for political correctness got a little out of hand. Word of mouth and touring was providing more new fans than ever, which was good and bad. Fugazi's energetic shows became the stuff of legend, known for the level of emotional release and Picciotto's wild stage antics as much as the band's anti-moshing stance. With the rise of the band's popularity, the venues got bigger and the ignorant crowd behavior became harder to control. There were loads of irony in clusters of bare-chested young men throwing themselves around and injuring others while the band played their often anti-violent material. MacKaye would often stop the band mid-song to calm the crowd down, occasionally offering troublemakers their money back to leave the venue.
Since the band didn't do interviews with major publications, some journalists were left to improvise and opted to take creative license. The rumor mill amongst the fan base was equally imaginative. In fact, some concertgoers might have been surprised to see the band pull up to venues in a van, not arriving by a convoy of camels. Those who spoke with bandmembers were surprised to hear that they lived in houses -- not monasteries -- with running furnaces and that their diets weren't strictly rice-based. Worse yet, the band gained a reputation for not having a sense of humor. Their records never kicked out the yucks (they weren't Ween, after all), but this was probably the most unwarranted myth of all. Those who were resourceful enough to find interviews with the band in small fanzines might have been shocked to read that MacKaye was influence by Ted Nugent as much as Jimi Hendrix. Now that takes a sense of humor.
As the increasing responsibilities of adulthood and outside musical involvements increased, Fugazi's recordings and tours became more sporadic. Red Medicine was released another two years after In on the Killtaker, chipping away some of the latter's abrasion in favor of more jam-oriented experiments. It certainly wasn't a wholesale junking of the band's early sound, but more a matter of wanting to do things differently. They still sounded like Fugazi, but they weren't painting themselves into a corner, either. The even wilder End Hits came in 1998, amidst rumors of the band being put to rest. Eschewing the notion, more choppy touring in support of the record continued throughout the year. In 1999, the Instrument video and soundtrack hit the shelves. The result of several years spent working on a proper Fugazi documentary, friend Jem Cohen assembled a lengthy homage to the fab four, including live performances and interviews. The soundtrack featured demos, jams, and incidental cutting room scraps, still forming an enjoyable listen that focused on the band's instrumental talents. 2001 saw release of the band's sixth proper LP, The Argument, which was simultaneously issued with the three-song Furniture EP. Outside of Fugazi, both MacKaye and Picciotto helped other bands with production. MacKaye continued to operate Dischord, and Lally began his own label, Tolotta. Picciotto also ventured into filmmaking. ~ Andy Kellman, All Music Guide
Selected Discography
the similar artists are WAY WAY OFF, for fugazi i'd expect maybe Dag Nasty and/or Cruz/Dischor d records that were probably popular during the bands mass introduction during the late 80's / early 90's ... i won't even mention some of the other recommendati o n s or "similar artists" to other bands I listen to (if they even know of them @all)
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I respect their marketing tactics, but am constantly skipping tracks that come up by them... Seems like they have the same guitar rift every song.
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WE NEED AN INSTRUMENT!! !
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One of the best rock bands ever. The later albums definitely showcased the group's talents. I still think In on the Kill Taker is their best overall album - hard hitting, deep bass grooves and passionate vocals. Long Division and Repeater probably my two favorite tracks, but that's like saying which child of yours is the favorite. Hard to do.
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Every Fugazi Album is unique in it's own way they pushed the boundary and set the standard with their instruments and their lyrics.I am glad I got to see them ten years ago.With actions and their words they became powerful force that could not be reckoned with!
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love love love fugazi!! they define the standard, and raise the artistic bar. their shows were always charged and inspiring, their albums intelligent and fiery, their standards and integrity have remained intact. i love the band for their music and for what they have always stood for!
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love this band. i like how people knock them for being a hardcore/pos t punk jam band. but i love that they possess the ability to do that. fugazi is as legit as it gets
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2 bands have the same effect on me...each with completely polar opposite approaches. Led Zeppelin and Fugazi. Both put me in an energized cell, like a battery and invigor me to walk around in this metropolitan shithole with some sense of clean. umm...i guess i like em. every record by both is compelling in different ways. one thing though, Fugazi didn't rip off unknown English folk singers for any of their material.
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Pandora please only play songs from Repeater and 13 Songs. All the other albums should be removed.
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i found out about fugazi one year too late. If I had a chance to see Fugazi, I would be content about life if I died the next day.
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mckaye says something then says he didnt say it starts straight edge then says he didn't-have you ever met one of those grubby mentally limited straight edge vegan fascists ? its not a pleasant experience.. .
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Watching them in the late 80s I used to get upset with Ian for getting upset. I wanted to have physical fun. I didn't want anyone getting hurt, but man, in some shows I saw a lot of blood. I stopped getting in the pit. I learned and matured. Now I am an old post-punk guy grateful to fugazi and others.
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i wish they would get back together soon...
this hiatus is killing me. |
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Possibly, one of the greatest bands that does not get enought recognition fo rtheir efforts! I've been and fan, follower, and admirer since I was first introduced in 1992. I hope they make another effort after the rest to hit the road once more so we can all remember and enjoy the epression which was protrayed upon us.
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holy crap this author write the oddessey about these dudes. the worst part is might as well have just said *CHOKE CHOKE CHOKE CHOKE* on teh pines.
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nklaproth says: ...I moved to DC to be closer to the center of the movement...
Now THAT is funny. |
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Great live band. Ian gets on my nerves though, too preachy. but again,
phenomenal live band. |
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I've always kinda rode the fence on Fugazi, some years I really like them other times I feel like it's like listening to a punk rock jam band. Overall pretty brilliant, if nothing else their ethics as a band set the bar for challenging the money structure of punk/indie rock. As for the comment about Ian being a punk god, somehow I think he'd feel quite different. Let's keep gods out of punk, Do we really need rock stars?
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I grew up listening to Fugazi and their message of personal responsibili t y . Don't confuse anti-establi s h m e n t behavior with a lack of regard for your fellow (wo)man. I moved to DC to be closer to the center of the movement and was able to see Fugazi play several times, most notably in the Fort Reno shows. No band has ever had the effect on me that Fugazi did. The combination of political activism, evolutionary musical stylings, and hate free angst helped make me the man I am. Thanks guys!
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I wish I had something cooler to say rather then just:
These guys rock! |
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They may be old but i want more music outta them theyre awesome!!!!
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Hi. I'm a 13-15 year old whose opinion blows because I listen to The Killers and Kanye West, so I have some learning to do.
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I once heard somebody say that Fugazi changed their life and I thought they were joking. A couple years after that, Fugazi changed the way I look at music and art in general. Now I realize that most music isn't very good -- proof that Fugazi is still promoting cynicism in today's youth. =P
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