Gentle Giant
Biography
Formed at the dawn of the progressive rock era in 1969, Gentle Giant seemed poised for a time in the mid-'70s to break out of its cult-band status, but somehow never made the jump. Somewhat closer in spirit to Yes and King Crimson than to Emerson, Lake & Palmer or the Nice, their unique sound melded hard rock and classical music, with an almost medieval approach to singing.
Gentle Giant was born out of the ruins of Simon Dupree & the Big Sound, an R&B-based outfit led by brothers Derek, Ray, and Phil Shulman. After switching to psychedelia in 1967 and scoring their only major hit that year with "Kites," as Gentle Giant the group abandoned both the R&B and psychedelic orientations of the previous band; Derek sang and played guitar and bass, Ray sang and played bass and violin, and Phil handled the saxophone, augmented by Kerry Minnear on keyboards, and Gary Green on guitar. Their original lineup also featured Martin Smith on drums, but they went through several percussionists in the first three years of their existence.
In 1970, Gentle Giant signed to the Vertigo label, and their self-titled first album -- a shockingly daring work mixing hard rock and full electric playing with classical elements -- came out later that year. Their second effort, 1971's Acquiring the Taste, was slightly more accessible and their third, Three Friends, featuring Malcolm Mortimore on drums, was their first record to get released in the U.S. (on Columbia). Their fourth album, 1973's Octopus, looked poised for a breakthrough; it seemed as though they had found the mix of hard rock and classical sounds that the critics and the public could accept, and they finally had a permanent drummer in the person of John Weathers, an ex-member of the Graham Bond Organisation.
In 1974, however, Gentle Giant began coming apart. Phil Shulman decided to give up music after the Octopus tour, and became a teacher. Then the group recorded the album In a Glass House, their hardest-rocking record yet, which Columbia's U.S. arm rejected as too uncommercial. The two-year gap in their American release schedule hurt their momentum, and they weren't heard from again until the Capitol release of The Power and the Glory in 1975.
Gentle Giant released Free Hand, their most commercial album, in 1976, but then followed it up with the jarringly experimental Interview. After the 1978 double-album Playing the Fool, the group went through a seeming change of heart and issued a series of albums aimed at mainstream audiences, even approaching disco, but by the end of the 1970s their popularity was in free-fall. Minnear, who had been playing an ever-more central role since the mid-'70s, had already left the group when Gentle Giant called it quits in 1980. Ray Shulman later became a producer and had considerable success in England working with bands like the Sundays and the Sugarcubes, while Derek Shulman became a New York-based record company executive. ~ Bruce Eder, All Music Guide
Selected Discography

Free Hand
2005

The Power And The Glory: 35th Anniversary Addition
2005

Giant For A Day!
2005

Out Of The Woods: The BBC Sessions
1996

In A Glass House
1973

Octopus
1972

Acquiring The Taste
1971
I got to see the whole band playing on the drum kit etc best "drum solo" EVER!
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I saw gentle giant.. in the early 70s.. I owned Octopus.. and I still hear some of there songs in my head.. after sooo long
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Greatest performance I ever saw in the University of South Florida gymnasium in 1976.
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My only modern complaint is the 35th anniversary reissues covers. Throughout Pandora and Amazon it makes it difficult to immediately recognize albums. The generic covers were complete letdowns for fans.
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don't miss the live one "playing the fool" for the best drum "solo" ever.. where everybody picks up sticks . .WOW
In general, the band relied on sudden and unexpected compositiona l twists and turns to stimulate their audience,... from WIKI -v |
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I can't say enough abut GG-just like infinite space! There are not enough stars to rate this great band. Remember they ranked 77th in the prestigious Record Collector poll of the Top 500 Collectable Artists. To me that is pretty impressive for being "obscure" progressive rock band. THEY WERE ONLY TOGETHER FOR 10 YEARS-SHOULD I SAY MORE! Collectively they played more than 30 instruments- e v e n in their live shows! They are a very highly respected progressive rock band. Thanks Pandora!
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"Even approaching disco"??? Give me a break--I realize Missing Piece, Civilian, and Giant for a Day are reviled by purists as more 'commercial' , whatever that means, but they're still Gentle Giant--check out "Two Weeks in Spain", "For Nobody" etc. Ya know what the word "commercial" means? That people like it!
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GG are alive and well in the hearts of their many fans, thanks Pandora for helping to keep the dream alive! Check out GG's website, buy their DVD's, there are now two, sold by the band members directly from England, I got mine in, like, four days after ordering on the web!
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Also, the bio mentioned that Aquiring the Taste was more accessible; from what I heard, it seemed to have much more atonal quality than the first. Maybe atonal is more accessible?( o h , how I wish that were so...)
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I disagree with the bio's estimation of Free Hand as their most commercial album; let's try "most polished". I'd attach the label "most commercial" to Giant For A Day, and to a lesser extent Missing Piece and Civilian.
Columbia not releasing In A Glass House was idiotic. I can see their point; but they didn't know what the hell Giant was about. |
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They didn't take themselves too seriously. The drummer wore an Oakland A's uniform. They put out a live album with the self-depreca t i n g title, "Pretentious For the Sake Of It."
We cheered as if they were conquering heroes or Olympic champions. "Great musicianship " is an understateme n t . |
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1974 GG at The Century Theater in Buffalo,NY with Nektar. Nothing before or since has come close to that experience.
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I absolutely love this site. Gentle Giant were one of my favorites as an seventh grader. Unfortunatel y , not many of my friends got it. "KISS ARMY RULES" . Nothing against KISS. I love much of their stuff. I guess this site gives all of us who had no one to discuss this band; and many others of the like. Thanks Pandora! Would love to discuss the Gentle Giant experience. Yes, because that is what it was a very special chance to get outside of anything...t h a t is pretty amazing when you are
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Interesting that so many GG fans also appreciated the Firesign Theatre; it was the same in my circle of friends back in the day. I suppose they both used multiple layers of thought as counterpoint , creating a congress of unity from apparent cacophony; both required multiple listenings to catch what was going on. Puzzles of Sound.
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Spock's Beard was a fantastic band, highly inspired by Gentle Giant. But you have to go to their older stuff with Neal Morse. Also, The Tangent has some GG inspired stuff. Nothing quite like the original though. GG always amazes me.
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Brand new to Pandora, and just read the last few comments. GG has been my favorite band (besides the Beatles, of course) since the beginning. Don't know if it's already been mentioned, but in response to the last comment, you guys need to check out Spock's Beard. Closest to GG that I've discovered so far. Awesome music. Enjoy!
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I agree with ALL of you - Gentle Giant is the most insanely talented group of musicians in the prog genre - and prog is clearly the best music. Basically Gentle Giant can't be covered unless you omit stuff/parts or add more players. Meaning 7 or more musicians to perform their 5 piece band stuff. And they do it live as well as in the studio.
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I anaylize 1000's of compositions . This one from 1972 stuck in my brain. I wake up in immediate morning with it. Why? Look at my friends..... . t h e y sor-round us.
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I'll never understand the failure to release 'In a Glass House' in the U.S. It was such a great album, and the live performances at the time were very well received (NYC). Kerry has a slightly projecting but great voice and forget his keyboard / cello skills. John Weathers - a bit Keith Moon (w/ more control) + Dave Grohl...Gary Green knew how to pull a blues riff, he was constrained in some ways, but was so essential to their sound. Ray was an amazing bassist / mlti-instrum e n t a l i s t . Derek
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I can't agree more with bil587!! GG is my favorite band, and Firesign is my favorite - well - whatever they are!
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Everybody's gotta have an all-time favorite band. Gentle Giant is mine. The frustration I feel, whenever people look at me with an empty gaze and say, "Gentle WHO?" ... is much like the feeling I get when I mention Firesign Theatre: "Fire WHAT?"
Songs like "On Reflection" and "Cogs in Cogs" are so brilliant, they give me chills. ..... |
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(continued) What do you expect from a label that forced fans to buy European import copies of "In a Glass House"? Radio ownership consolidatio n and corporatizat i o n of the industry have only made it more difficult for artists not easily catagorized. Thank god for the internet!
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(continued) The following year it was apparent that label support was waning. Gone was the sophisticate d quadraphonic sound system, stage sets and backdrop. The band however, was as strong as ever. They played a variety of both old and new selections from their catalog.
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I believe "Gentle Giant" was more the victim of clueless marketing than of an excess of inventivenes s . I saw them twice in Rochester NY. The first time was in either 1974 or 1975. They were the middle act, placed between "Angel" and the headliner, "Richie Blackmore's Rainbow". A disservice to all involved. The crowd was mostly there for GG. The audience barely tolerated "Angel" and after GG finished to an encore and standing ovation, about 1/3 to 1/2 left for home. The following year, it was
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Gentle Giant makes me giddy! These guys are Prog Giants! They are incredible muscians who haven't received due credit.
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I love progrock, and only began hearing the less "popular" prog within the past year. Gentle Giant is truly great music made by great musicians. Every time I listen, I hear something new to enjoy that I hadn't noticed before.
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This is one my favorite bands of all time. Absolutely love the live DVD - changed my "view" of the boys in the band. My 8 year old daughter recently discovered them - she loves "Funny Ways" - a personal favorite. I think it has helped to spur her practicing the violin. And Joan, I do still believe in Love and Light - happy in Tennessee :) Steve
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Anyone who can sit and listen to GG and not be in awe of their musicianship and organizing ability is insane!
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Gentle Giant were a great band; but I have a powerful feeling that they were too in love with their own inventivenes s . They had a couple of breakout albums but were apparently uninterested in playing older, more popular material and couldn't sustain an audience. Too bad because they did some great, great music. I especially like the material on Octopus.
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Welcome to Giant's world, Doctor. IMHO, they're the finest prog band (or just the finest band, period) of the 70s (if rock was "dead" in that time, GG danced with abandon on the grave). Incredible musicianship ; intricate compositions ; willingness to experiment with meter, tonality, style; considerable intensity in the performance; and a dollop of wit. Nothing before or since is Just The Same as them. It's been 28 years since they called it quits; we're poorer for that, but rich in their legacy.
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Far out! I have never heard of this band, but am a prog rock fanatic at heart and love Yes, Rush, King Crimson, Roxy, Floyd, etc. Now I have found a new group to muse upon. Gentle Giant.
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Still believe in Love and Light? Enjoy music that reflects intense emotion? Gentle Giant stirs the soul like few other artists have ever done. Be sure to share this genre with your chldren. Hope.
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I have loved GG since I was in high school in the late 70's. selfishly glad they never gained wide popularity.
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