Gil Scott-Heron
Biography
One of the most important progenitors of rap music, Gil Scott-Heron's aggressive, no-nonsense street poetry inspired a legion of intelligent rappers while his engaging songwriting skills placed him square in the R&B charts later in his career, backed by increasingly contemporary production courtesy of Malcolm Cecil and Nile Rodgers (of Chic). Born in Chicago but transplanted to Tennessee for his early years, Scott-Heron spent most of his high-school years in the Bronx, where he learned firsthand many of the experiences which later made up his songwriting material. He had begun writing before reaching his teenage years, however, and completed his first volume of poetry at the age of 13. Though he attended college in Pennsylvania, he dropped out after one year to concentrate on his writing career and earned plaudits for his novel, The Vulture. Encouraged at the end of the '60s to begin recording by legendary jazz producer Bob Thiele -- who had worked with every major jazz great, from Louis Armstrong to John Coltrane -- Scott-Heron released his 1970 debut, Small Talk at 125th and Lenox, inspired by a volume of poetry of the same name. With Thiele's Flying Dutchman Records until the mid-'70s, he signed to Arista soon after and found success on the R&B charts.
Though his jazz-based work of the early '70s was tempered by a slicker disco-inspired production, Scott-Heron's message was as clear as ever on the Top 30 single "Johannesburg" and the number 15 hit "Angel Dust." Silent for almost a decade, after the release of his 1984 single "Re-Ron," the proto-rapper returned to recording in the mid-'90s with a message for the gangsta rappers who had come in his wake; Scott-Heron's 1994 album Spirits began with "Message to the Messengers," pointed squarely at the rappers whose influence -- positive or negative -- meant much to the children of the 1990s.
In a touching bit of irony which he himself was quick to joke about, Gil Scott-Heron was born on April Fool's Day 1949 in Chicago, the son of a Jamaican professional soccer player (who spent time playing for Glasgow Celtic) and a college-graduate mother who worked as a librarian. His parents divorced early in his life, and Scott-Heron was sent to live with his grandmother in Lincoln, TN. Learning musical and literary instruction from her, Scott-Heron also learned about prejudice firsthand, as he was one of three children picked to integrate an elementary school in nearby Jackson. The abuse proved to much to bear, however, and the eighth-grader was sent to New York to live with his mother, first in the Bronx and later in the Hispanic neighborhood of Chelsea.
Though Scott-Heron's experiences in Tennessee must have been difficult, they proved to be the seed of his writing career, as his first volume of poetry was written around that time. His education in the New York City school system also proved beneficial, introducing the youth to the work of Harlem Renaissance poet Langston Hughes as well as LeRoi Jones. After publishing a novel called The Vulture in 1968, Scott-Heron applied to Pennsylvania's Lincoln University. Though he spent less than one year there, it was enough time to meet Brian Jackson, a similarly minded musician who would later become a crucial collaborator and integral part of Scott-Heron's band. Given a bit of exposure -- mostly in magazines like Essence, which called The Vulture "a strong start for a writer with important things to say" -- Scott-Heron met up with Bob Thiele and was encouraged to begin a music career, reading selections from his book of poetry Small Talk at 125th & Lennox while Thiele recorded a collective of jazz and funk musicians, including bassist Ron Carter, drummer Bernard "Pretty" Purdie, Hubert Laws on flute and alto saxophone, and percussionists Eddie Knowles and Charlie Saunders; Scott-Heron also recruited Jackson to play on the record as pianist. Most important on the album was "The Revolution Will Not Be Televised," an aggressive polemic against the major media and white America's ignorance of increasingly deteriorating conditions in the inner cities. Scott-Heron's second LP, 1971's Pieces of a Man, expanded his range, featuring songs such as the title track and "Lady Day and John Coltrane" which offered a more straight-ahead approach to song structure (if not content).
The following year's Free Will was his last for Flying Dutchman, however; after a dispute with the label, Scott-Heron recorded Winter in America for Strata East, then moved to Arista Records in 1975. As the first artist signed to Clive Davis' new label, much was riding on Scott-Heron to deliver first-rate material with a chance at the charts. Thanks to Arista's more focused push on the charts, Scott-Heron's "Johannesburg" reached number 29 on the R&B charts in 1975. Important to Scott-Heron's success on his first two albums for Arista (First Minute of a New Day and From South Africa to South Carolina) was the influence of keyboardist and collaborator Brian Jackson, co-billed on both LPs and the de facto leader of Scott-Heron's Midnight Band.
Jackson left by 1978, though, leaving the musical direction of Scott-Heron's career in the capable hands of producer Malcolm Cecil, a veteran producer who had midwifed the funkier direction of the Isley Brothers and Stevie Wonder earlier in the decade. The first single recorded with Cecil, "The Bottle," became Scott-Heron's biggest hit yet, peaking at number 15 on the R&B charts, though he still made no waves on pop charts. Producer Nile Rodgers of Chic also helped on production during the 1980s, when Scott-Heron's political attack grew even more fervent with a new target, President Ronald Reagan. (Several singles, including the R&B hits "B Movie" and "Re-Ron," were specifically directed at the President's conservative policies.) By 1985, however, Scott-Heron was dropped by Arista, just after the release of The Best of Gil Scott-Heron. Though he continued to tour around the world, Scott-Heron chose to discontinue recording. He did return, however, in 1993 with a contract for TVT Records and the album Spirits. ~ John Bush, All Music Guide
Selected Discography
I saw Gil Scott Heron in Philadelphia in 1979 or 1980. Being from Cali, I had to stand up and feel his music. Philadelphia audiences are much different than Cali. I was probably the only white girl there by myself. I have listened and appreciated his music ever since. My favorite is Lovely Day. Listen to that song if you are having a bad day and it will get better.
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u really need to listen to 95 south. My album is scratched would love to down load on mp3.
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A lot of soul in this man's music. I'm still trying to find his OSIRIS album with "Angel Dust" on it...
They say out of adversity is birthed a multitude of creativity. Gil Scott has a troubled soul, but his words and music have related to many folks genuinely. Can't reproduce that kind of reality in cables and wireless digitation. |
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such sadness that has fallen upon this artist. i read an article recently that he has been unable to kick his long lived drug addition which has him looking quite frail and aged. still a powerful brotha w/a powerful message. much luv and peace Gil~
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I LOVE HIS STYLE!! I'VE BEEN LOOKING FOR AT LEAST 25 YRS. FOR THE ALBUM WITH ANGEL DUST ON IT, I BELIEVE IT WAS CALLED "CATS" CAN ANYONE HELP ME??
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One of the most inspiring and well spoken artists of all time. Funny too, wish I could meet the guy. Power to pandora for sharing his genius with us.
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one of the greats, i,ve just introduce my 22yr old grandson to him, he loves gil scott.s music
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I honor Gill Scott as a national treasure and speak of him in the same breath as I would the late Marvin Gaye. I saw a clip of Gil on You Tube recently and was deeply saddened by what I witnessed. I do hope that this genius of a man will regroup and have a peaceful existence. Love your music Gill and Good Luck, I'll always be a fan!
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If you've ever had the opportunity to wittness this giant of both real life poetry and knowledge... . . . i f was not only deeeep but sooooooooo enlighting.
The man touched people and forever will be known as a gift to the world of music. poetry and mankind. |
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i feel lucky to have been able to have heard gil at the ivanhoe theater in chicago in the late seventies and early eighties. one of the great documenters of world history in song. winter in america is one of my favs along with whitey on the moon.
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And oh I can't comment on him oh hes a legend. ppppppssssss h h h h h h please all of you need to shut the hell up oh hes so great oh hes that damb jump off the mans sack already he is getting blueballed ya heard. Oh and everyone
who commented on him besides me is GAY!!! |
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I just saw Gil last weekend, and to my wonder and amazement, he was in top form. I've loved this man since I a child, and depsite his personal challenges, I am happy to know that his genius is still intact. It don't get no bettah!
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who am i to comment on a musician of this mans caliber, a genius in his own right, I agree with LonNeer. Comment, make some new words and I'll think about another way to embarrass myself.
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No one in music is able to comment on this person. He is beyound anything anyone can say about his poetry/ music.
I feel very lucky to have heard the little Gil Scott-Heron music I have heard in my life. |
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Maybe one day, the hip-hop generation will give their grandfather his due. Seriously underrated, was just as much of a contributor to urban music as Stevie Wonder or Marvin Gaye
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I was introduced to Gil and Brian by my fraternity brothers, Richard and Wayne while I was a graduated student at ISU. Listening to his albums was like a history lesson and social commentary rolled into one. The brother had some really thought provoking music. Brother Gil we all missed you - thanks for helping us get through Reaganomics! Peace Out!
MG |
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so why don't we hear about "seacrets" album? with songs like Cane... and Madison ave. not to mention angel dust ????I guess I hve to keep listening to my album..
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the first time I heard Gil my life was influenced by his groove and direction of thought in his music. I thank Ron from Philliy while at Benedict college and the back row apartments where we partied and listened to Gil and Lonnie listen smith , for a message , peace and much blackness from the Byrdman
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