Hall & Oates
Biography
From their first hit in 1974 through their heyday in the '80s, Daryl Hall and John Oates' smooth, catchy take on Philly soul brought them enormous commercial success -- including six number one singles and six platinum albums -- yet little critical success. Hall & Oates' music was remarkably well constructed and produced; at their best, their songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave and hard rock.
Daryl Hall began performing professionally while he was a student at Temple University. In 1966, he recorded a single with Kenny Gamble and the Romeos; the group featured Gamble, Leon Huff, and Thom Bell, who would all become the architects of Philly soul. During this time, Hall frequently appeared on sessions for Gamble and Huff. In 1967, Hall met John Oates, a fellow Temple University student. Oates was leading his own soul band at the time. The two students realized they had similar tastes and began performing together in an array of R&B and doo wop groups. By 1968, the duo had parted ways, as Oates transferred schools and Hall formed the soft rock band Gulliver; the group released one album on Elektra in the late '60s before disbanding.
After Gulliver's breakup, Hall concentrated on session work again, appearing as a backup vocalist for the Stylistics, the Delfonics, and the Intruders, among others. Oates returned to Philadelphia in 1969, and he and Hall began writing folk-oriented songs and performing together. Eventually they came to the attention of Tommy Mottola, who quickly became their manager, securing the duo a contract with Atlantic Records. On their first records -- Whole Oates (1972), Abandoned Luncheonette (1973), War Babies (1974) -- the duo were establishing their sound, working with producers like Arif Mardin and Todd Rundgren and removing much of their folk influences. At the beginning of 1974, the duo relocated from Philadelphia to New York. During this period, they only managed one hit -- the number 60 "She's Gone" in the spring of 1974.
After they moved to RCA in 1975, the duo landed on its successful mixture of soul, pop, and rock, scoring a Top Ten single with "Sara Smile." The success of "Sara Smile" prompted the re-release of "She's Gone," which rocketed into the Top Ten as well. Released in the summer of 1976, Bigger than the Both of Us was only moderately successful upon its release. The record took off in early 1977, when "Rich Girl" became the duo's first number one single.
Although they had several minor hits between 1977 and 1980, the albums Hall & Oates released at the end of the decade were not as successful as their mid-'70s records. Nevertheless, they were more adventurous, incorporating more rock elements into their blue-eyed soul. The combination would finally pay off in late 1980, when the duo released the self-produced Voices, the album that marked the beginning of Hall & Oates' greatest commercial and artistic success. The first single from Voices, a cover of the Righteous Brothers' "You've Lost That Lovin' Feeling," reached number 12, yet it was the second single, "Kiss on My List" that confirmed their commercial potential by becoming the duo's second number one single; its follow-up, "You Make My Dreams" hit number five. They quickly released Private Eyes in the summer of 1981; the record featured two number one hits, "Private Eyes" and "I Can't Go for That (No Can Do)," as well as the Top Ten hit "Did It in a Minute." "I Can't Go for That (No Can Do)" also spent a week at the top of the R&B charts -- a rare accomplishment for a white act. H20 followed in 1982 and it proved more successful than their two previous albums, selling over two million copies and launching their biggest hit single, "Maneater," as well as the Top Ten hits "One on One" and "Family Man." The following year, the duo released a greatest-hits compilation, Rock 'N Soul, Pt. 1, that featured two new Top Ten hits -- the number two "Say It Isn't So" and "Adult Education."
In April of 1984, the Recording Industry Association of America announced that Hall & Oates had surpassed the Everly Brothers as the most successful duo in rock history, earning a total of 19 gold and platinum awards. Released in October of 1984, Big Bam Boom expanded their number of gold and platinum awards, selling over two million copies and launching four Top 40 singles, including the number one "Out of Touch." Following their contract-fulfilling gold album Live at the Apollo with David Ruffin & Eddie Kendrick, Hall & Oates went on hiatus. After the lukewarm reception for Daryl Hall's 1986 solo album, Three Hearts in the Happy Ending Machine, the duo regrouped to release 1988's Ooh Yeah!, their first record for Arista. The first single, "Everything Your Heart Desires," went to number three and helped propel the album to platinum status.
However, none of the album's other singles broke the Top 20, indicating that the era of chart dominance had ended. Change of Season, released in 1990, confirmed that fact. Although the record went gold, it only featured one Top 40 hit -- the number 11 single "So Close." The duo mounted a comeback in 1997 with Marigold Sky, but it was only partially successful; far better was 2003's Do It for Love and the following year's soul covers record Our Kind of Soul. The issuing of "greatest-hits" albums reached a fever pitch during the 2000s, with no fewer than 15 different collections seeing the light by 2008. Live records were in proliferation as well, with the A&E Live by Request release Live in Concert hitting stores in 2003, a reissue of their Ecstasy on the Edge 1979 concert (titled simply In Concert this time around) in 2006, and the Live at the Troubadour two-CD/one-DVD set in 2008. As far as proper studio albums go, the 2000s were lean, with only three releases -- the aforementioned Do It for Love and Our Kind of Soul, topped off by Home for Christmas in 2006. ~ Stephen Thomas Erlewine & J. Scott McClintock, All Music Guide
Selected Discography

Ultimate Daryl Hall + John Oates
2004

Our Kind Of Soul
2004

Do It For Love
2003

Master Hits
1999

Change Of Season
1990

X-Static
1979

Along The Red Ledge
1978

Bigger Than Both Of Us
1976

Daryl Hall & John Oates
1975

War Babies
1974
info77184:
...maybe just ONE more edit. But seriously now, H & O are the beez' kneez!! Robert |
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When a friend asked me what my favorite group of all time is - I had to say, it's Hall & Oates. Longevity and consistency, great vocals and beats. I love these guys!
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This is for whoever chooses who you think is similar to Hall and Oates.I see absolutely NO similarity between Hall and Oats, and Journey, Player, Tears for Fears or Phil Collins. Other than all of these bands had their hay days in the 80's and that they're rock bands. This is very poor judgment on your part and takes this genome project of yours and makes it laughable.
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Everyone knows H&O for their great R&B/Soul/Pop sound but on their "War Babies" album, Todd R. took them down the progressive rock road. Except for 1 song, it's like nothing else they ever did. If you like T.R.& Utopia and H&O, then you have to listen to this. "War Babies" is one of my hidden jewels.
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I am 39 years old and I still act like a teenager when I hear Hall and Oates, Duran Duran, Wham!, Billy Idol, and The Police. Pandora you definitely rock.
I Love the 80's!!!! |
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I love there music, even now it helps me get the days and help me relax....... . . . . . I am 39 years old, I recall hearing there music as a child
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i heart hall and oates. great composers, musicians and showmen. the total package. folks like justin timberlake and robin thicke owe a debt to these cats for making "blue eyed soul" so cool.
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I remember as a kid out on the back porch of my home in Kentucky singing along to this song, I loved the sax parts on this song .
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I don't think these guys get the credit and respect they deserve. Blue Eyed Soul forever!!
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H&O's live album from the 1970s, "Livetime," was electric in places, particularly the extended, soul-drenche d version of Sara Smile. Wish we could add that album, even though I don't think Daryl or John particularly cared for it.
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I love this music. I gren up watching my sister's enjoy Hall & Oates. I am 10 years younger then them and I love this music like it was of my era.
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Loved this music in the 80's and still enjoy it on the rare occasion that I listen to it, Kiss on my List probably my favorite song by them.
I recall loving Voices through Big Bamm Boom albums when I was in high school. |
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HI HALL AND OATES :
I LOVE YOU GUYS. BUT THERE SOMETHING I VE GOT TO TELL YOU. PRESIDENT PAID A COMPLEMENT TO THE SONG YOU MAKE MY DREAMS COME TRUE. BUT I THINK DARRYL FELT PISSED OFF. BECUASE ALL HE HOPED WAS THAT THE PRESIDENT HAD PAID FOR THE SONG. AND I AM WATCHING YOU UUUUU, ALL NIGTH, AND WATCHING YOU UUUUUU, ALL NIGHT LONG. THANK FOLKS FOR PLAYING SO MANY HITS SINCE THE 70'S. YES, AND I DO RESPECT ARTISTS BELONGINGS AND PAY FOR THEIR SONGS. SINCERELY, FREDY |
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These guys are the most successful duo in pop music in history - more important, however, is that they are innovators - their sound distinct. One amazing fact: they ARE NOT IN THE ROCK AND ROLL HALL OF FAME. I don't know what the Hall of Fame decision-mak e r s are smoking, but it's making them dumb...REALL Y dumb.
D in Oregon |
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They are so awesome I can listen to them all night. Odd though looking at all the albums I don't see one album I listened to alot and it isn't there did they use differant album covers for just one or if they change them from place to place. Daryl went off on his own a while. but went back after a little time of BUT together they awesome and will love there harmonys and daryls tone sexy voice love ya
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Love Hall and Oates. One of the great long term groups in spite of some later reviews.
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I saw Hall & Oates twice in the 1975-76 time frame (before MTV)the show at the Columbus Agora was one of the best concerts I ever saw...very memorable. The band was really tight.
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Starting your day with a good heeping-help i n g serving of Hall'n'Oats will give you the energy and strength to make it through the rest of the day.
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I really good -- and not widely known -- album is Daryl Hall's solo LP produced by Robert Fripp called Sacred Songs. Very soulful. Some songs about make you wanna cry. It was made in the late 70s or early 80s but the record company sat on it for quite awhile before releasing it.
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This has so much soul I love their tunes being an African American female I am really into this group like no other! I love their lyrics and hooks the whole deal! I'll listen to them until the end of time!
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daryl's solo album--the 3rd part trilogy w/ fripp & gabriel was one the best I've ever heard
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