Jackie Wilson
Biography
Jackie Wilson was one of the most important agents of black pop's transition from R&B into soul. In terms of vocal power (especially in the upper register), few could outdo him; he was also an electrifying on-stage showman. He was a consistent hitmaker from the mid-'50s through the early '70s, although never a crossover superstar. His reputation isn't quite on par with Ray Charles, James Brown, or Sam Cooke, however, because his records did not always reflect his artistic genius. Indeed, there is a consensus of sorts among critics that Wilson was something of an underachiever in the studio, due to the sometimes inappropriately pop-based material and arrangements that he used.
Wilson was well-known on the R&B scene before he went solo in the late '50s. In 1953 he replaced Clyde McPhatter in Billy Ward & the Dominoes, one of the top R&B vocal groups of the '50s. Although McPhatter was himself a big star, Wilson was as good as or better than the man whose shoes he filled. Commercially, however, things took a downturn for the Dominoes in the Wilson years, although they did manage a Top 20 hit with "St. Therese of the Roses" in 1956. Elvis Presley was one of those who was mightily impressed by Wilson in the mid-'50s; he can be heard praising Jackie's on-stage cover of "Don't Be Cruel" in between-song banter during the Million Dollar Quartet session in late 1956.
Wilson would score his first big R&B (and small pop) hit in late 1956 with the brassy, stuttering "Reet Petite," which was co-written by an emerging Detroit songwriter named Berry Gordy Jr. Gordy would also help write a few other hits for Jackie in the late '50s, "To Be Loved," "Lonely Teardrops," "That's Why (I Love You So)," and "I'll Be Satisfied"; they also crossed over to the pop charts, "Lonely Teardrops" making the Top Ten. Most of these were upbeat, creatively arranged marriages of pop and R&B that, in retrospect, helped set the stage both for '60s soul and for Gordy's own huge pop success at Motown. The early Gordy-Wilson association has led some historians to speculate how much differently (and better) Jackie's career might have turned out had he been on Motown's roster instead of the Brunswick label.
In the early '60s, Wilson maintained his pop stardom with regular hit singles that often used horn arrangements and female choruses that have dated somewhat badly, especially in comparison with the more creative work by peers such as Charles and Brown from this era. Wilson also sometimes went into out-and-out operatic pop, as on "Danny Boy" and one of his biggest hits, "Night" (1960). At the same time, he remained capable of unleashing a sweaty, up-tempo, gospel-soaked number: "Baby Workout," which fit that description to a T, was a number five hit for him in 1963. It's true that you have to be pretty selective in targeting the worthwhile Wilson records from this era; 1962's At the Copa, for instance, has Jackie trying to combine soul and all-around entertainment, and not wholly succeeding with either strategy. Yet some of his early Brunswick material is also fine uptown soul; not quite as earthy as some of his fans would have liked him to sound, no doubt, but worth hearing.
Wilson was shot and seriously wounded by a female fan in 1961, though he made a recovery. His career was more seriously endangered by his inability to keep up with changing soul and rock trends. Not everything he did in the mid-'60s is totally dismissible; "No Pity (In the Naked City)," for instance, is something like West Side Story done uptown soul style. In 1966, his career was briefly revived when he teamed up with Chicago soul producer Carl Davis, who had been instrumental in the success of Windy City performers like Gene Chandler, Major Lance, and Jerry Butler. Davis successfully updated Wilson's sound with horn-heavy arrangements, getting near the Top Ten with "Whispers," and then making number six in 1967 with "Higher and Higher." And that was really the close of Wilson's career as either a significant artist or commercial force, although he had some minor chart entries through the early '70s.
While playing a Dick Clark oldies show at the Latin Casino in New Jersey in September 1975, Wilson suffered an on-stage heart attack while singing "Lonely Teardrops." He lapsed into a coma, suffering major brain damage, and was hospitalized until his death in early 1984. ~ Richie Unterberger, All Music Guide
Selected Discography
JACKIE WILSON WAS MY ALL TIME FAVORITE. HE MADE MY HEART SKIP ALL KINDS OF BEATS. HE HAD THE TALENT AND HE KNEW HOW TO US IT.
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Right, he was underrated and very talented. Michael Jackson modeled after him in many ways. Jackson was open about it too.
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My Mom grew up with Jackie Wilson. My dad laughs, remembering how women would just lose control when he came on TV or performed. I never quite understood it, though. Then I caught a play a couple years ago, chronicling Wilson's life. The actor playing him was absolutely on target with the moves, the voice, the "excitement. " I fell in love right then and there and have been a hug fan since. You all are right on target when you say music back then was "real." THAT was entertainmen t !
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Jackie was the MAN. No-one really can compare to that tremendous voice and stage persona. I saw an old performance of him on an Ed Sullivan DVD and he tore it UP! I was born TOO LATE! One of the greats.
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Bebopgranny,
I strongly agree with you, with one exception. I grew in the late 70's and 80's and rap was not what we hear today. Groups like Whoodini , Fresh Prince (Will Smith) had positive messages, however I understand in total your view. Hey this 60's, 70's and early 80's music is GREAT! I now have kids of my own that are aspiring muscians (Bass and drum players) all they listen to is OLE SKOL!!! |
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Brother Saleem: I agree that todays music is garbage and no harmony or feeling in the songs. The oldies are what it is about and you can really enjoy dancing and whatever with a little Jackie,James , S m o k ey an on and on
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i agree with you bebopgranny. music should be happy, or at least not violent. =)
my dad played a tape with some of his music on it when i was a kid. i still love it! =p |
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I saw Jackie Wilson here in Richmond in the middle 60s. The absolute best live show I ever saw.
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I could listen to this kind of music 24/7. Brings me back to the good ole days when I use to go to the sock hops. They don't make music like this now days. We need to start having this kind of music again. It soothes the heart & soul. No wonder there is so much hatered in the world, just listen to the songs of today. Take rap for instance. They don't speak of love, but speak of crimes,drugs , k i l l i n g s . Terrible...B r i n g back the 50's & 60's music. ANYONE AGREE WITH ME????
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Jackie Wilson released an album in the early 60s titled YOU AINT HEARD NOTHING YET. It was a collection of Al Jolson songs...and it was quite good. I haven't been able to find it anywhere. Ever come across it?
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Few could outperform him in terms of stage presence, I remember watching him on American Bandstand as a kid. I would love how he would jump down the stage when singing the bridge of "Lonely Teardrops" and the whole crowd went wild. Best songs: Lonely Teardrops, Higher and Higher.
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Awesome... love the artists from this era, my mother grew up to him. And many others like him. The people of this era and in the music industry where pioneers and they had a strength with them that must not go unforgotten.
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this was my mama's booyyy!!! we still have these artist 45's. i love to listen to him also, along w/ Sam Cooke.
Great performers!! ! ! |
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My late grandfather was a huge fan of Jackie Wilson. I grew up listening to his music. He was truly one of the great ones. His music will contine to inspire artists for a long time to come.
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great performer - great voice - I saw him perform New Orleans, in 1974- one of the very best
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Mr.Excitemen t and a true showman that gave you a show and more witha voice and moves that you cannot see today-smooth as smoot can be. Gone but not forgotten
and whose music is always now and on time. |
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jackie was the first singer who I saw in person on stage live he was smoking i think he was the best singer i ever heard besides nat king cole even to day I iisten to other singers jackie is still the best talent wise
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Oh! How I wqish I could've been back there when Jackie's type of music was made.. I feel some of the BEST music was made in the 50's & 60's.
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Ive enjoyed Jackie Wilson's music ever since I was a little girl when my parents listened to it.
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seen jackie wilson in new york city the best show i have ever seen i'm 64 i was about 14 at the time
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Jackie Wilson....si m p l y the greatest entertainer, vocalist, showman EVER & I saw them all but he was the man!!!!
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Jackie Wilson is by far one the finest voices there has ever been. His music will never die.
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