Jackson Browne
Biography
In many ways, Jackson Browne was the quintessential sensitive Californian singer/songwriter of the early '70s. Only Joni Mitchell and James Taylor ranked alongside him in terms of influence, but neither artist tapped into the post-'60s zeitgeist like Browne. While the majority of his classic '70s work was unflinchingly personal, it nevertheless provided a touchstone for a generation of maturing baby boomers coming to terms with adulthood. Not only did his introspective, literate lyrics strike a nerve, but his laid-back folk-rock set the template for much of the music to come out of California during the '70s. With his first four albums, Browne built a loyal following that helped him break into the mainstream with 1976's The Pretender. During the late '70s and early '80s, he was at the height of his popularity, as each of his albums charted in the Top Ten. Midway through the '80s, Browne made a series of political protest records that caused his audience to gradually shrink, but when he returned to introspective songwriting with 1993's I'm Alive, he made a modest comeback.
Born in Heidelberg, West Germany, Jackson Browne and his family moved to Los Angeles when he was three years old, and by the time he was a teenager, Browne had developed an interest in folk music. He began playing guitar and writing songs, which he sang at local folk clubs. Early in 1966, he was invited to join the Nitty Gritty Dirt Band, whom he had met through the L.A. folk circuit. While he was only with the band for a few months, the group recorded a handful of his songs on its first two records. By the beginning of 1967, he had signed a publishing deal with Nina Music, a division of Elektra Records; Nina helped Browne secure songs on albums by Tom Rush and Steve Noonan in 1968. During 1967 and 1968, he lived in New York's Greenwich Village, where he played in Tim Buckley's backing band. Browne also began working with Nico, who recorded three of his songs on her Chelsea Girl album. When their relationship disintegrated in 1968, he returned to Los Angeles, where he unsuccessfully tried to record a solo album and form a folk group with Ned Doheney and Jack Wilce. Browne continued to play local clubs and his reputation as a songwriter continued to grow, with Linda Ronstadt and the Byrds recording his songs. By the end of 1971, he had signed with David Geffen's fledgling Asylum Records on the strength of his widely circulated demo tape.
Jackson Browne was released in the spring of 1972, spawning the Top Ten hit single "Doctor My Eyes." Shortly after "Doctor My Eyes" reached its peak position, "Take It Easy," a song Browne co-wrote with Glenn Frey, became the Eagles' breakthrough hit. Many songs from his debut, including "Rock Me on the Water" and "Jamaica Say You Will," became singer/songwriter standards, but the album itself didn't establish Browne as a pop star, despite its hit single. On his second album, 1973's For Everyman, he began a long-term collaboration with instrumentalist David Lindley. For Everyman was a commercial disappointment, yet it consolidated his cult following.
Released in the fall of 1974, Late for the Sky expanded Browne's audience significantly, peaking at number 14 on the charts and going gold by the beginning of the following year. Browne's first wife, Phyllis, committed suicide in the spring of 1976, but in the wake of the tragedy he recorded his commercial breakthrough album, The Pretender. The record climbed into the Top Ten upon its fall 1976 release, going platinum in the spring of 1977. In the summer, Browne launched an extensive tour, recording a new album while he was on the road. The resulting record, Running On Empty (1977), was a bigger success than its predecessor, peaking at number three and launching the hit singles "Running On Empty" and "Stay/The Load-Out." With his career riding high, Browne began to pursue political and social causes, most notably protesting the use of nuclear energy.
The success of Hold Out, the 1980 follow-up to Running On Empty, was evidence of Jackson Browne's popularity. Though the album wasn't as well crafted as its predecessors, it became his only number one album upon its summer release. In the summer of 1982, "Somebody's Baby," from the soundtrack of Fast Times at Ridgemont High, became Browne's biggest hit, climbing to number seven on the U.S. charts. Divided between love songs and political protests, Lawyers in Love was another hit due to success of the hit singles "Lawyers in Love," "Tender Is the Night," and "For a Rocker." Nevertheless, the album also showcased a newly found social consciousness, which dominated 1986's Lives in the Balance. The album lacked any hit singles, yet its fiery condemnation of the Reagan era won an audience -- the album stayed on the charts for over six months and went gold.
Jackson Browne continued to write primarily political songs on 1989's World in Motion, but the record became his first album to not go gold. Browne was quiet for the next four years, working on a variety of social causes and suffering a painful public breakup with his girlfriend, actress Daryl Hannah. He finally returned with a comeback effort in the fall of 1993 entitled I'm Alive. Comprised of personal songs, I'm Alive received his best reviews since the late '70s and the record went gold without producing any major hits. In the spring of 1996, Browne released Looking East, which failed to gain the same attention as I'm Alive. In 2002, he released The Naked Ride Home. Two years later the two disc The Very Best of Jackson Browne hit the shelves as Browne was being inducted into the Rock and Roll Hall of Fame by fellow Hall of Famer Bruce Springsteen. Around this time Browne took to the road and played intimate, acoustic shows around the globe. The 2005 release Solo Acoustic, Vol. 1 was compiled from these concerts and appeared on Inside Recordings, an independent label founded by Browne. Solo Acoustic, Vol. 2 followed in 2008. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Solo Acoustic, Vol. 2
2008

Solo Acoustic, Vol. 1
2005

The Very Best Of Jackson Browne
2004

The Naked Ride Home
2002

Looking East
1996

I'm Alive
1993

Lives In The Balance
1986

Lawyers In Love
1983

Running On Empty
1977

The Pretender
1976
Late for the Sky may be one of the best written albums of all time. Just saw his accoustic show live. He played everything.
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I credit his music with getting me through high school.... I had a friend in Jackson Browne and I've never forgotten it
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his early 70's was by far the best. while he did put out some good songs after that, most of the stuff was mediocre.
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the pretender-th e quintesentia l underlying unhappy with something but I just can't figure out why song
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I cannot get enough of Jackson Browne. I love every song of his. I wish that I could get more of his songs to play on my Jackson Browne station.
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Jackson brown is the voice of 'every man". his performance at the R&Rhall of fame induction is stellar!
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I want to hear That Girl Could Sing it's on Hold Out, can you get it on for me?I would appreciate it, if not thats o.k. I love this site. Great job, anyway. Thanks. The Boulevard is on this one as well.
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1978 Montreal - what a concert! his voice will last forever in my ears and heart forever. Memories - anytime I hear a song from him brings back great times - thanks for the talent.
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Jackson Browne toured with Joe Walsh in the early 70's. They did a show in Murfreesboro TN and Jackson was booed off the stage because the only song they wanted to hear was Funk 49. Leaving the stage he promised never to return. The first time I saw him in concert was at the Grand Ole Opry in 1975. He was blown away by the accoustics and I've been blown away ever since.
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the man is one of the most brilliant writers of lyric you could ever listen to. please sit back and drink in his creative and inspirationa l music. I know his work has helped with my own personal demons and writing.
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This man's songwriting and soul have carried me through many of my dark times, reaching through and providing me with the feeling that we are all trying to figure out how to live with grace and integrity. It ain't easy. He is a true bodhisattva.
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saturate and for everyman were my childhood soundtrack, and i get goosebumps now when i hear anything from those albums.
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i love jackson. i saw him play for free the 1st time at the washington dc mall on a "sun" day to promote solar energy 1977. it was actually a wednsday. he played a full set, includding the load out.
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I clicked on Majek Fashek, but through the genome I was introduced to "It Is One" from the Looking East album. And I really enjoyed the song. Inspirationa l !
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still holds up after all these years...espe c i a l l y for everyman.... a n d late for the sky...less successful is when he gets political, but the ballads and the melodies of songs like "for a dancer" and late for the sky remain soulful...
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You see,God did create mankind.Icou l d have come from a monkey,but Jackson Browne,no God made this man.
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Running on Empty got me through my college intercollegi a t e road trips. The Pretender, Late for the Sky and For Everyman.... . . j u s t got me through. He will always reign!
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I have always loved his music, it comes from the heart of me. What else can I say......... . . . g r 8 f u l a d y @ g m a i l . c o m
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Jackson Browne's first four albums are the soundtrack of my college years. I wrote a paper for a poetry course on the epic poem comprised of For Everyman, Before the Deluge, and The Fuse.
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I first saw Jackson in 1974 at the San Diego Civic Center . . . never stopped listening. He's a superb musician and social commentator. David Lindley makes his music soar, he's the cherry on top!
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Probably the very best song songwriter of our time. If you listen closely It's easy to understand that not only can he touch the heart, but he can also identify with the issues of the heart.I've been a devoted listener for 36 years.
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If i were to own just one Jackson Browne CD it would have to be For Everyman. I always tend toward the earliest material of an artist. Late for the Sky would be my second choice.
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There are albums missing here...Where ' s 'Hold On, Hold Out', and the one with 'Down On the Boulevard?' They may be the same album, circa 1979-1982.
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I've seen Jackson many times, but nothing compares to hearing him play live. All his albums are great,but if you want to buy one album, I recommend the "Solo Acoustic, Vol.1." For your second purchase, I recommend "I'm Alive."
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