Jimi Hendrix
Biography
In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. Hendrix was a master at coaxing all manner of unforeseen sonics from his instrument, often with innovative amplification experiments that produced astral-quality feedback and roaring distortion. His frequent hurricane blasts of noise and dazzling showmanship -- he could and would play behind his back and with his teeth and set his guitar on fire -- has sometimes obscured his considerable gifts as a songwriter, singer, and master of a gamut of blues, R&B, and rock styles.
When Hendrix became an international superstar in 1967, it seemed as if he'd dropped out of a Martian spaceship, but in fact he'd served his apprenticeship the long, mundane way in numerous R&B acts on the chitlin circuit. During the early and mid-'60s, he worked with such R&B/soul greats as Little Richard, the Isley Brothers, and King Curtis as a backup guitarist. Occasionally he recorded as a session man (the Isley Brothers' 1964 single "Testify" is the only one of these early tracks that offers even a glimpse of his future genius). But the stars didn't appreciate his show-stealing showmanship, and Hendrix was straight-jacketed by sideman roles that didn't allow him to develop as a soloist. The logical step was for Hendrix to go out on his own, which he did in New York in the mid-'60s, playing with various musicians in local clubs, and joining white blues-rock singer John Hammond, Jr.'s band for a while.
It was in a New York club that Hendrix was spotted by Animals bassist Chas Chandler. The first lineup of the Animals was about to split, and Chandler, looking to move into management, convinced Hendrix to move to London and record as a solo act in England. There a group was built around Jimi, also featuring Mitch Mitchell on drums and Noel Redding on bass, that was dubbed the Jimi Hendrix Experience. The trio became stars with astonishing speed in the U.K., where "Hey Joe," "Purple Haze," and "The Wind Cries Mary" all made the Top Ten in the first half of 1967. These tracks were also featured on their debut album, Are You Experienced?, a psychedelic meisterwerk that became a huge hit in the U.S. after Hendrix created a sensation at the Monterey Pop Festival in June of 1967.
Are You Experienced? was an astonishing debut, particularly from a young R&B veteran who had rarely sung, and apparently never written his own material, before the Experience formed. What caught most people's attention at first was his virtuosic guitar playing, which employed an arsenal of devices, including wah-wah pedals, buzzing feedback solos, crunching distorted riffs, and lightning, liquid runs up and down the scales. But Hendrix was also a first-rate songwriter, melding cosmic imagery with some surprisingly pop-savvy hooks and tender sentiments. He was also an excellent blues interpreter and passionate, engaging singer (although his gruff, throaty vocal pipes were not nearly as great assets as his instrumental skills). Are You Experienced? was psychedelia at its most eclectic, synthesizing mod pop, soul, R&B, Dylan, and the electric guitar innovations of British pioneers like Jeff Beck, Pete Townshend, and Eric Clapton.
Amazingly, Hendrix would only record three fully conceived studio albums in his lifetime. Axis: Bold as Love and the double-LP Electric Ladyland were more diffuse and experimental than Are You Experienced? On Electric Ladyland in particular, Hendrix pioneered the use of the studio itself as a recording instrument, manipulating electronics and devising overdub techniques (with the help of engineer Eddie Kramer in particular) to plot uncharted sonic territory. Not that these albums were perfect, as impressive as they were; the instrumental breaks could meander, and Hendrix's songwriting was occasionally half-baked, never matching the consistency of Are You Experienced? (although he exercised greater creative control over the later albums).
The final two years of Hendrix's life were turbulent ones musically, financially, and personally. He was embroiled in enough complicated management and record company disputes (some dating from ill-advised contracts he'd signed before the Experience formed) to keep the lawyers busy for years. He disbanded the Experience in 1969, forming the Band of Gypsies with drummer Buddy Miles and bassist Billy Cox to pursue funkier directions. He closed Woodstock with a sprawling, shaky set, redeemed by his famous machine-gun interpretation of "The Star Spangled Banner." The rhythm section of Mitchell and Redding were underrated keys to Jimi's best work, and the Band of Gypsies ultimately couldn't measure up to the same standard, although Hendrix did record an erratic live album with them. In early 1970, the Experience re-formed again -- and disbanded again shortly afterward. At the same time, Hendrix felt torn in many directions by various fellow musicians, record-company expectations, and management pressures, all of whom had their own ideas of what Hendrix should be doing. Coming up on two years after Electric Ladyland, a new studio album had yet to appear, although Hendrix was recording constantly during the period.
While outside parties did contribute to bogging down Hendrix's studio work, it also seems likely that Jimi himself was partly responsible for the stalemate, unable to form a permanent lineup of musicians, unable to decide what musical direction to pursue, unable to bring himself to complete another album despite jamming endlessly. A few months into 1970, Mitchell -- Hendrix's most valuable musical collaborator -- came back into the fold, replacing Miles in the drum chair, although Cox stayed in place. It was this trio that toured the world during Hendrix's final months.
It's extremely difficult to separate the facts of Hendrix's life from rumors and speculation. Everyone who knew him well, or claimed to know him well, has different versions of his state of mind in 1970. Critics have variously mused that he was going to go into jazz, that he was going to get deeper into the blues, that he was going to continue doing what he was doing, or that he was too confused to know what he was doing at all. The same confusion holds true for his death: contradictory versions of his final days have been given by his closest acquaintances of the time. He'd been working intermittently on a new album, tentatively titled First Ray of the New Rising Sun, when he died in London on September 18, 1970, from drug-related complications.
Hendrix recorded a massive amount of unreleased studio material during his lifetime. Much of this (as well as entire live concerts) was issued posthumously; several of the live concerts were excellent, but the studio tapes have been the focus of enormous controversy for over 20 years. These initially came out in haphazard drabs and drubs (the first, The Cry of Love, was easily the most outstanding of the lot). In the mid-'70s, producer Alan Douglas took control of these projects, posthumously overdubbing many of Hendrix's tapes with additional parts by studio musicians. In the eyes of many Hendrix fans, this was sacrilege, destroying the integrity of the work of a musician known to exercise meticulous care over the final production of his studio recordings. Even as late as 1995, Douglas was having ex-Knack drummer Bruce Gary record new parts for the typically misbegotten compilation Voodoo Soup. After a lengthy legal dispute, the rights to Hendrix's estate, including all of his recordings, returned to Al Hendrix, the guitarist's father, in July of 1995.
With the help of Jimi's step-sister Janie, Al set up Experience Hendrix to begin to get Jimi's legacy in order. They began by hiring John McDermott and Jimi's original engineer, Eddie Kramer to oversee the remastering process. They were able to find all the original master tapes, which had never been used for previous CD releases, and in April of 1997, Hendrix's first three albums were reissued with drastically improved sound. Accompanying those reissues was a posthumous compilation album (based on Jimi's handwritten track listings) called First Rays of the New Rising Sun, made up of tracks from the Cry of Love, Rainbow Bridge and War Heroes.
Later in 1997, another compilation called South Saturn Delta showed up, collecting more tracks from posthumous LPs like Crash Landing, War Heroes, and Rainbow Bridge (without the terrible '70s overdubs), along with a handful of never-before-heard material that Chas Chandler had withheld from Alan Douglas for all those years.
More archival material followed; Radio One was basically expanded to the two-disc BBC Sessions (released in 1998), and 1999 saw the release of the full show from Woodstock as well as additional concert recordings from the Band of Gypsies shows entitled Live at the Fillmore East. 2000 saw the release of the Jimi Hendrix Experience four-disc box set, which compiled remaining tracks from In the West, Crash Landing and Rainbow Bridge along with more rarities and alternates from the Chandler cache.
The family also launched Dagger Records, essentially an authorized bootleg label to supply harcore Hendrix fans with material that would be of limited commercial appeal. Dagger Records has released several live concerts (of shows in Oakland, Ottawa and Clark University in Massachusetts) and a collection of studio jams and demos called Morning Symphony Ideas. ~ Richie Unterberger & Sean Westergaard, All Music Guide
Selected Discography

Live At Monterey
2007

Martin Scorsese Presents The Blues: Jimi Hendrix
2003

Live At Berkeley (Live)
2003

Blue Wild Angel: Jimi Hendrix Live At The Isle Of Wight
2002

Voodoo Child
2001

Experience Hendrix - The Best Of Jimi Hendrix
1998

Blues
1994

Band Of Gypsys (Live)
1970

Electric Ladyland
1968

Axis: Bold As Love
1967
yea thats true. dude my frends dad went to woodstock cooked for janis joplin there and toured with the grateful dead
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While Hendrix is revered as a guitar god - and for very good reason - he was above all a great Bluesman.
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I'm so sorry that after all this time the long-buried idea that Jimi "died of drugs" risks resucitation by means of careless language used in discussing Jimi's death. The London corner's verdict that his death was the result of asphyxiation - - c h o k i n g on his own vomit after throwing up sleeping pills ingested before bed (and after wine). There are no other known accounts of his death but the official one: accidental and not recreational - d r u g - r e l a t e d .
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The most Impressive artist that I have ever heard! You have to study / pick apart his songs to really comprehend how extraordinar y a guitar player / songwriter that he really was. What he would do with'; power, sound effects, feedback, wow wow pedal, tremolo bar, his mind, & fingers, (all at the same time) was shear mastery. His best "Live" song Is on the album "Rainbow Bridge" (motion picture soundtrack), the song, "Hear My Train Coming" is the most impressive "Live" performance by any musicia
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WOW all of you who think stevie did hendrix better than hedrix did.... you need to shut the f**k up, jimi and stevie may play some of the same songs.... but guess what, did stevie write anything even close to what jimi did... NO... i am an artist as well(the marcy project~look on myspace if your interested) and i know that we all have our individual style. jimi invented style. jimi is a prodigy when it comes to blues guitar. ohhh yeah you cant measure someone's genious by a cover song. duh!!!!!!
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has anyone heard the live cover that stevie ray did of voodoo chile? he's the only person that even comes close to jimi's genius... period.
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R.I.P. Jimi, we will always miss you. You are still helping many of us get through our days brother!
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Jimi was at his best with his pal Buddy the band of gypsies will never be surpassed for a trio the sound they created was magic
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Hendrix was the best left-handed guitarist, and byfar the best with effects. I mean with no effects. heheh yea, a wah wahW, who was the idiot that put him with the silly monkees and he was booed of the stage, i was 14 and just stood in awe, i didnt know what to do. I saw Johnny Winter in chicago in '69 at 16 i was a little more receptive to the music. Led Z was out that yr. i think. that's when all music hell broke loose.. and hasnt stopped. Hey Joe in ;69 blew clapton and friends away bad. Joh
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god love him. If there is a god.
Jimi will not let you forget. Everything I say is self serving. |
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A large portion of his current discography namely albums released after 1997 are missing,inte g r a l music showing the new directions being explored by the master guitarist. The Studio Out-takes and the Forum concert are low grade bootlegs and don't belong here.
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I'm glad he was encouraged to sing so that the story really comes across.
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ok i am a huge supporter of the decemberists they have some great stuff but how could anyone ever say that they are better than hendrix they both have completely different styles of music which both deserve respect...u can't just go comparing musicians like that one needs to realize that everyones opinions are different and that they both are great although hendrix is more original and could out play about anyone and personally my favorite musician of all time
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Why do the message boards on Pandora always turn into flame wars? Too many people on the internet, or elsewhere for that matter, behave like they're in freaking grade school. Let's talk about the music!
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well eidas . I think you ALMOST wrote a complete sentence, so you got that going for yourself. "then we you see i duh"?? anyway, keep it up and soon you will write at a third grade level. Keep your head up eidas! Good luck!
Much love for Jimi! |
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And to answer the question no I don't think he was gay. I think he was eccentric as most geniuses are.
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Really don? Was that all necessary. If you don't want to know about his personal life than we you see something talking about his personal life then just shut your eyes. But maybe he wants to know about it. So let him find out and you can just sit in your hole and listen to the music. Dork.
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i have to disagree, I do not want to know anything about an artists PRIVATE life. The art is what matters, Nowadays some people think they need to pry into every facet of a famous persons life, that is really sad and pathetic, Let the art speak for itself and don't add to the tabloid mentality of pointless info. Inspiration comes from life, that's all you need to know.
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ummm actually, a musicians personal life has everything to do with the music he writes. thats where musicians get their inspiration, and thats not a stupid question. the guy was just wondering, and honestly, i could care less, but itd be kool to know
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No he asked a STUPID question. If he would rise to the maturity of an adult instead of a sexually retarded 14 yr old, maybe he would not be attacked.
What does someones personal life have to do with music? NOTHING! So leave out the "gay" stuff, it is not necessary. Grow up. |
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flukka, really? let go of the negativity. it is not necessary. Dig?
Good. Dork. |
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I Have Created A Station That Plays Jimi Hendrix,Led Zeppelin,Cre a m And More,Check It Out Its Called:Early metal (1966−1971)
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I didn't mean it as a negative thing, hell I don't care...appar e n t l y it's pretty negative to you though. S**t-face.
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he was a fantastic musician. holy water is right, who gives a sh@#. Whats with all the lame "gay" themes? flukka? why do you care, you dork? you nerds really need to get out more. Pathetic. every message board has some idiot making "gay" comments keep your ignorant musings to yourselves. Ya Dig?
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