Kiss
Biography
Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. Most kids were infatuated with the look of Kiss, not their music. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. But Kiss' music shouldn't be dismissed -- it was a commercially potent mix of anthemic, fist-pounding hard rock driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s. Kiss was the brainchild of Gene Simmons (bass, vocals) and Paul Stanley (rhythm guitar, vocals), former members of the New York-based hard rock band Wicked Lester; the duo brought in drummer Peter Criss through his ad in Rolling Stone and guitarist Ace Frehley responded to an advertisement in The Village Voice. Even at their first Manhattan concert in 1973, the group's approach was quite theatrical; Flipside producer Bill Aucoin offered the band a management deal after the show.
Two weeks later, the band was signed to Neil Bogart's fledgling record label, Casablanca. Kiss released their self-titled debut in February of 1974; it peaked at number 87 on the U.S. charts. By April of 1975, the group had released three albums and had toured America constantly, building up a sizable fan base. Culled from those numerous concerts, Alive! (released in the fall of 1975) made the band rock & roll superstars; it climbed into the Top Ten and its accompanying single, "Rock 'N' Roll All Nite," made it to number 12. Their follow-up, Destroyer, was released in March of 1976 and became the group's first platinum album; it also featured their first Top Ten single, Peter Criss' power ballad "Beth." A 1977 Gallup poll named Kiss the most popular band in America. Kiss mania was in full swing and thousands of pieces of merchandise hit the marketplace. The group had two comic books released by Marvel, pinball machines, makeup and masks, board games, and a live-action TV movie, Kiss Meet the Phantom of the Park. The group was never seen in public without wearing their makeup and their popularity was growing by leaps and bounds; the membership of the Kiss Army, the band's fan club, was now in the six figures. Even such enormous popularity had its limits, and the band reached them in 1978, when all four members released solo albums on the same day in October. Simmons' record was the most successful, reaching number 22 on the charts, yet all of them made it into the Top 50. Dynasty, released in 1979, continued their streak of platinum albums, yet it was their last recorded with the original lineup -- Criss left in 1980. Kiss Unmasked, released in the summer of 1980, was recorded with session drummer Anton Fig; Criss' permanent replacement, Eric Carr, joined the band in time for their 1980 world tour. Kiss Unmasked was their first record since Destroyer to fail to go platinum, and 1981's Music from the Elder, their first album recorded with Carr, didn't even go gold -- it couldn't even climb past number 75 on the charts. Ace Frehley left the band after its release; he was replaced by Vinnie Vincent in 1982. Vincent's first album with the group, 1982's Creatures of the Night, fared better than Music from the Elder, yet it couldn't make it past number 45 on the charts. Sensing it was time for a change, Kiss dispensed with their makeup for 1983's Lick It Up. The publicity worked, as the album became their first platinum record in four years. Animalize, released the following year, was just as successful, and the group had recaptured their niche. Vincent left after Animalize and was replaced by Mark St. John; St. John was soon taken ill with Reiter's Syndrome and left the band. Bruce Kulick became Kiss' new lead guitarist in 1984. For the rest of the decade, Kiss turned out a series of best-selling albums, culminating in the early 1990 hit ballad "Forever," which was their biggest single since "Beth." Kiss was scheduled to record a new album with their old producer, Bob Ezrin, in 1990 when Eric Carr became severely ill with cancer; he died in November of 1991 at the age of 41. Kiss replaced him with Eric Singer and recorded Revenge (1992), their first album since 1989; it was a Top Ten hit and went gold. Kiss followed it with the release of Alive III the following year; it performed respectably, but was not up to the standards of their two previous live records. In 1996, the original lineup of Kiss -- featuring Simmons, Stanley, Frehley, and Criss -- reunited to perform an international tour, complete with their notorious makeup and special effects. The tour was one of the most successful of 1996, and in 1998 the reunited group issued Psycho Circus. While the ensuing tour in support of Psycho Circus was a success, sales of Kiss' reunion album weren't as stellar as anticipated. Reminiscent of the band's late-'70s unfocused period, few tracks on Psycho Circus featured all four members playing together (most tracks were supplemented with session musicians), as the band seemed more interested in flooding the marketplace with merchandise yet again instead of making the music their top priority. With rumors running rampant that the Psycho Circus Tour would be their last, the quartet announced in the spring of 2000 that they would be launching a U.S. farewell tour in the summer, which became one of the year's top concert draws. But on the eve of a Japanese and Australian tour in early 2001, Peter Criss suddenly left the band once again, supposedly discontent with his salary. Taking his place was previous Kiss drummer Eric Singer, who in a controversial move among some longtime fans, donned Criss' cat-man makeup (since Simmons and Stanley own both Frehley and Criss' makeup designs, there was no threat of a lawsuit) as the farewell tour continued. With the band scheduled to call it a day supposedly by late 2001, a mammoth career-encompassing box set was set for later in the year, while the summer saw perhaps the most over-the-top piece of Kiss merchandise yet -- the "Kiss Kasket." The group was relatively quiet through the rest of the year, but 2002 started with a bang as Gene Simmons turned in an entertaining and controversial interview on NPR where he criticized the organization and berated host Terry Gross with sexual comments and condescending answers. He was promoting his autobiography at the time, which also caused dissent in the Kiss camp because of the inflammatory remarks made towards Ace Frehley. Frehley was quite angry at the situation, leading to his no-showing of an American Bandstand anniversary show. His place was taken by a wig-wearing Tommy Thayer, but no one was fooled and the band looked especially awful while pretending to play their instruments during the pre-recorded track. The appearance was an embarrassment for the group and for their fans, but Simmons was quick to dismiss the performance as another in a long series of money-oriented decisions. The band kept touring the globe with no new album in stores, but in 2008 they returned to the studio, re-recorded their hits, and released Jigoku-Retsuden aka KISSology or Kiss Klassics. The release was exclusive to Japan until a year later when it became a bonus disc for the band's first studio album in 11 years, Sonic Boom. Produced by Paul Stanley and Greg Collins, the album was exclusively distributed in North America by the Wal-Mart chain of stores. ~ Stephen Thomas Erlewine & Greg Prato, All Music Guide
Selected Discography

Alive! 1975-2000 (Alive II)
2006

Kiss Gold
2005

Symphony: Alive IV (Live)
2003

The Best Of Kiss: 20th Century Masters The Millenium Collection
2003

Psycho Circus
1998

Hot In The Shade
1989

Smashes, Thrashes And Hits
1988

Crazy Nights
1987

Animalize
1984

Lick It Up
1983
NO REAL TALENT HERE WITH THIS BAND FOLKS! GENE SIMMONS IS THE BIGGEST JEW DOUCHE BAG EVER! THOUGH I DO NEED TO ORDER SOME KISS TOILET PAPER SO I CAN WIPE THE SH!T FROM MY A$$ WITH THEIR FACES! LMAO!
|
||
YAY!!! Got my tickets to see them in December, El Paso!!!! I still got my concert t-shirt when I saw them in Jr. High, 1990 Hot in the Shade tour! Mean people suck!!:D
|
||
KISS SUCKS AND KISS FANS SUCK EVEN MORE!
|
||
Gene continues to be a powerhouse marketing machine with the largest record selling,reta i l giant WalMart which will sell the new disk . Great shows with the blood fire and lights- oh and the music is fairly good as well-!!
|
||
what they lacked as a talented band they more up for it in showmanship. great gimmick.
|
||
Love the new track. Paul slams and the Tommy solo is epic. Many may try to bury them but it will never happen...... G e t Ready For The SONIC BOOM people!
|
||
The best!! The new single Modern Day Delilah is classic. The album- Sonic Boom and tour will add another era to their incredible legacy. These are the good old days.
|
||
Ever since my husband showed me the KISS UNplugged DVD, I fell in love with the sound of KISS' music! Even though I started late in life(50 some yrs. old) with liking KISS, I'm glad that my husband got me interested in KISthem,that now I have quite a Collection of thier Memorabilia; DVD's,old ALBUMS, Die cast cars(with KISS Members painted on them.RUBICS cubes-lg. & sm.)and Gene Simmon's Family Jewels DVD Collection. And now that I signed up for PANDORA,I chose KISS as my most FAVORITE MUSIC
|
||
Saw them the first time they came to Portland in late 75 and, since I had been in the Army away, had not heard of them. I thought the makeup was a joke at first. I have seen them 4 times and it is always a show. I saw the original band each time, so I have no idea what the later versions were like, but I always liked Ace the best.
|
||
I WAS THE #1 TEEN HEARTTHROB IN CUDAHY,CALIF . 1974-1980 AND STILL ABLE TO GET IT HARD!EVEN SEVERELY DISABLED AND INCAPACITATE D . W A I T TILL YOU HEAR MY VOCALS,GUITA R PLAYING,ABOV E SUPERIOR INTELLIGENCE , E T C . . .
|
||
I can't be certain, but I think the graphic on the 1974 album is a bit off...Hillar y Duff? That's pretty funny!
|
||
I wish i was around in KISS's prime.!
i got "Dynasty" as a gift back in '04 for my 10th b-day...luv their music since. Especially "Duece"...KI S S is the greatest!!! |
||
KISS will always be MY band - they got me into Rock'n'Roll in the first place with their kool music and kool looks. Thank God for Ace Frehley !
|
||
The reviewers suck. This group had the look AND killer music.
Hey, Willie Nelson, you kind of sound like a guy that would fuk a person in the as* without even giving a reach around. STFU, punk as* b*tch. |
||
KISS is what Rock'n'Roll is all about ; having a ggod time - that's why they're the best ! Luv'em !!! Ace Frehley is my Idol !
|
||
These guys are long overdue for the Rock N Roll Hall of Fame. Gene, Paul, Peter, Ace, Vinnie, Eric Carr, Eric Singer, Bruce, and Tommy need to be inducted right now. If it weren't for KISS, we would not have bands who would put on a good show thru fireworks, explosions, fog, lasers, costumes, and groupies of mass sexual appeal.
|
||
Willie Nelson, this band has a lot of good songs. Some sound better played live than they do on the album records. They have as much or more good tunes as Aerosmith.
|
||
this was the first band i ever liked and got me into hard rock
awesome |
||
for as many records as these guys have, you'd think they would have more good songs. What a bunch of goons!
|
||
There has never been, and will never again be, a band like KISS. They have done so much for rock 'n roll, and popular music in general, and yet are given so little credit by the "mainstream" music media. Long live KISS, in all of its incarnations !
|
||
If you love Kiss so much...Deep Purple, Rainbow and Dio will blow your mind!!
And what's with the Hillary Duff Album Cover?? |
||
Just plain, good ol'e rock and roll. I remember them from day 1. They will be heard forever.
|
||
| report abuse |















