Kraftwerk
Biography
During the mid-'70s, Germany's Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group's self-described "robot pop" -- hypnotically minimal, obliquely rhythmic music performed solely via electronic means -- resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated. Kraftwerk emerged from the same German experimental music community of the late '60s which also spawned Can and Tangerine Dream; primary members Florian Schneider and Ralf Hütter first met as classical music students at the Dusseldorf Conservatory, originally teaming in the group Organisation and issuing a 1970 album, Tone Float. Schneider and Hütter soon disbanded Organisation, re-christening themselves Kraftwerk (German for "power station"), beginning work on their own studio (later dubbed Kling Klang), and immersing their music in the fledgling world of minimalist electronics; their 1971 debut, titled simply Kraftwerk 1, offered a hint of their unique aesthetic in its earliest form, already implementing innovations including Schneider's attempts at designing homemade rhythm machines.
A series of lineup shifts followed, and at one point Hütter even left the group; however, by the release of 1972's Kraftwerk 2, he and Schneider were again working in tandem. Recorded without a live drummer, the album's rhythms relied solely on a drum machine, creating a distinctly robotic feel without precedent -- the concept of purely technological music was, at the time, utterly alien to most musicians, as well as listeners. A series of well-received live performances followed before Kraftwerk began work on their breakthrough third LP, 1973's Ralf and Florian; honing their many ambitions down to a few simple yet extraordinarily innovative concepts, their music began growing more and more revelatory -- even their clean-cut, scientific image was in direct opposition to the dominant pop fashions of the time. Kraftwerk's first album to be issued in the U.S., 1974's Autobahn was an international smash; an edited single version of the epic title track was a major hit at home and abroad, and in America the previously unknown group reached the upper rungs of the pop albums chart. Performed in large part on a Moog synthesizer, Autobahn crystallized the distinctive Kraftwerk sound while making the group's first clear overtures towards conventional pop structure and melody, establishing a permanent foothold for electronic music within the mainstream.
Kraftwerk resurfaced in 1975 with Radio-Activity, a concept album exploring the theme of radio communication; indicative of the group's new global popularity, it was released in both German and English-language editions, the latter appearing early the following year. Train travel emerged as the subject of 1977's Trans-Europe Express, which marked an increased movement towards seeming musical mechanization; the line became even further blurred with the follow-up, 1978's aptly titled The Man Machine, a work almost completely bereft of human touches. By this time, the members of Kraftwerk even publicly portrayed themselves as automatons, an image solidified by tracks like "We Are the Robots." Having reached the peak of their influence, however, the group disappeared from view, the first of many extended absences to follow; they did not return to action prior to 1981's Computer World, a meditation on the new global dominance of technology -- a society their music long ago predicted and pre-dated. After topping the British charts with the single "Computer Love," Kraftwerk again vanished, enjoying a five-year layoff culminating in the release of 1986's Electric Cafe. By now, however, pop music was dominated by synthesizers and drum machines, and the group's stature flagged; but for a 1991 best-of collection titled The Mix, they remained silent during most of the decade. They finally released a new single, "Expo 2000," in late 1999, and surprised fans by announcing tour dates. On the recording front, Kraftwerk celebrated the centennial anniversary of the Tour de France with a new version of their 1983 single "Tour de France," and followed with a full album (Tour de France Soundtracks) in August 2003. The live record Minimum-Maximum followed in 2005. ~ Jason Ankeny, All Music Guide
Selected Discography

Minimum-Maximum
2005

Tour De France Soundtracks
2003

Tour De France 2003
2003

Expo Remix
2001

The Mix
1991

Electric Cafe
1986

Computer World
1981

The Man-Machine
1978

Trans-Europe Express
1977

Radio Activity
1975
I have this album minimum-maxi m u m . This version is not on it. This is the original. Those lying bastards. Great Song though.
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This is the part where we dancing like robots. God punishes me in mysterious ways.
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THEY HAD COMPUTERS EVEN WHEN WE DIDN'T...I DIDN'T OWN ONE UNTIL YEARS LATER MAYBE LIKE 1994......TH E Y WERE AHEAD OF THEIR TIME...WHICH WAS GOOD......PE A C E YALL!!!
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I'm the operator with my pocket calculator.. . b y pressing down a special key it plays a little melody.
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Much to my dismay, when I introduced my dork favorites Kraftwerk to my friends, and they immediately left my rock and roll world and entered the world of eclectic electronica.
I'm in a electronic metal band now...sigh. I'd prefer to sound like BMRC, but whatever, you want my to play crazy creep synth, I'll play crazy creep synth... |
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back when i was a young blade i would bust out a computer world song when all the toughs would be breaking to UTFO on the playground. I remember them being captivated by the little skinny blonde kid in the parachute pants with the killer licks.
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Growing up in the Bronx, they were part of the rap and hip-hop culture. It never was a race issue. Having German parents in a neighborhood of many races, mostly black and hispanic, Kraftwerk gave me a certain level of "street cred" and celebrity. Many fans from around the 'hood would ask me to translate lyrics to english. I've been a fan over thirty years and their sound is as fresh today as it was in 1976.
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They used to have their studio on the same street where I lived as little boy.
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What can you say? Visionaries, p i o n e e r s , musical prophets? They single-hande d l y birthed electronic music.I stand in permanent awe and respect of them.
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Totally awesome! My favorite albums are as follows:
1.Computer World 2.Electric Cafe 3.Tour De France Soundtracks First got really hooked when I heard pocket calculator, and I've loved them ever since!!!!!!! ! |
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SAW KRAFTWERK AT THE RITZ IN NYC BACK IN THE LATE 70'S EARLY 80'S. THERE ARE NO WORDS TO DESCRIBE THE CONCERT TO THIS DAY. THE ROBOTS, YES THE ROBOTS THEY CARRIED WITH THEM, PERFORMED SHOWROOM DUMMIES, COMPUTER WORLD AND POCKET CALCULATOR. THE VENUE WAS SMALL ENOUGH THAT IF YOU WERE CLOSE TO THE STAGE, YOU COULD SEE THE BAND TAKING A BREAK WHILE THE ROBOTS PERFORMED. THE CLOSEST WORD TO DESCRIBE THE ENTIRE EVENING WAS COMPLETELY MESMERIZING AND ENERGETIC.
OH! TO HAVE CONCERTS LIKE THAT AGAIN... |
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BEEN FOLLOWING THEIR MUSIC SINCE 1976......I WAS THE FIRST PERSON PLAYING NUMBERS EVEN BEFORE IT REACHED HERE IN ATLANTA..... F L O R I D A GOT IT BEFORE US....I GOT MY VERSION FROM MY COUSIN IN J'VILLE..... . . . C A T S UP HERE DIDN'T EVEN KNOW WHAT THAT WAS THEN........ . . G O ASK THOSE CATS WHO USE TO BE AT CHARLES DISCO THEY WILL TELL YOU......... . P E A C E
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Amazing music. Im so happy when I listen to this. Timeless material. I had no idea that a german electro group influenced Hip Hop so much.
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I had been exploring Electronic music for a few years, listening to Dick Hyman, Tomita and the like. I didn't find out about Kraftwerk until the mid 80's when I bought Autobahn. I think I wore the title track down to a smooth grove on the LP. They have become the standard by which I judge all other electronic music.
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great memories ;istening to these guys -way ahead of thier time. luv the style and mix
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I was born the year Autobahn came out. I fell in love with Kraftwerk when I was 16 and I still cannot resist their angular teutonic charms. "Now is the time on sprockets when we dance"!
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OMG, welcome back, old friends! Listened to you all the time in the 70s!!!! AWESOME!!!!!
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about 31yrs,my Fother had all six(6) of us boys lisen to Kraftwerk of TRANS-EUROP EXPRESS and we Loved eversince that day!!! We cant find any of their albums!!!!
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I was introduced to Kraftwerk by a friend of mine back in 1974. Needless to say I was blown away. NOTHING had ever been done like this before and I have been hooked on electronic music to this day because of having been so "fond fond fond of der Autobahn!"
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I thought I was the only one who loved Kraftwerk until I played Computer World for a bunch of my friends at a party. Now they are all hooked! Kraftwerk has become immortal!
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We had a class in high school called "Creative Writing" and the teacher played "Autobahn" {the 30 min version} as background music. Since then, I was hooked and had to listen to it as often as possible.{By the way, I aced the class.}
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Kraftwerk guaranteed my Crown of Mighty Dorkdom in the 80's...that, and Trio. Beat the heck out of listening to Loverboy I guess.
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has anyone heard any of their earlier stuff from 1970? it is completely different yet still amazing.
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