Kyuss
Biography
Hailing from Palm Desert, CA, Kyuss (pronounced "kai-uss") has become something like a heavy metal equivalent to the Velvet Underground. Although they are widely acknowledged as pioneers of the booming stoner rock scene of the 1990s, the band enjoyed little commercial success during their brief existence, but their combination of sludgy, down-tuned guitars (often played through a bass amp for maximum, earth-shaking intensity), spacey jams, galloping thrash metal rhythms, and organic drums became a blueprint, often copied, but never quite replicated by countless underground metal bands.
Formed in 1990 by vocalist John Garcia, guitarist Josh Homme, bassist Nick Oliveri, and drummer Brant Bjork, Kyuss (named after a character from Dungeons & Dragons) began jamming at so-called "desert parties," in and around the isolated towns of the Southern California desert. The band gradually built a local following, signed with tiny independent label Dali Records, and released their first album, Wretch, in 1991. Under-produced and poorly financed, the album failed to capture the band's live sound and went mostly unnoticed until sporadic touring started earning Kyuss a reputation as a ferocious live unit, as well as the respect of many fellow musicians. One of these, Masters of Reality singer/guitarist Chris Goss, decided to produce the band's next effort, and the collaboration bore fruit in 1992's stunning Blues for the Red Sun. Soon hailed as a landmark by critics and fans alike, the album took the underground metal world by storm and established the signature Kyuss sound once and for all: the doom heaviness of Black Sabbath, the feedback fuzz of Blue Cheer, and the space rock of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensibility for punk rock, metal, and thrash.
Based on this sudden surge of interest, the band was signed by Elektra Records just as Dali was about to go bankrupt, and despite the loss of bassist Oliveri (he was replaced by Scott Reeder, formerly of the Obsessed), the band continued building momentum with 1994's Welcome to Sky Valley. Also recorded under Goss' guidance, the album nearly matched the brilliance of its predecessor and saw Kyuss taking the novel approach of grouping the songs into three extended suites. Still, despite such creative promise and an ever-growing fan base, personal strife had already begun tearing the band apart, and drummer Brant Bjork was the first to depart when they concluded their fall tour. Then, although they quickly recruited the jazz-trained Alfredo Hernandez to replace him on 1995's noticeably less inspired ...And the Circus Leaves Town, a final rift between Homme and Garcia finally brought Kyuss' meteoric run to a disappointing halt.
2000's Muchas Gracias: The Best of Kyuss collected rare outtakes and live recordings and effectively put a capper on the Kyuss legacy, but after a period of relative silence, each bandmember's talent began leaving its mark on a number of relevant projects. Garcia briefly worked with straightforward desert rockers Slo Burn in 1997 before reuniting with Reeder in the much more promising (but ultimately doomed) Unida, later lending his in-demand pipes to Hermano and other bands. Brant Bjork sang and played guitar in his own power trio, Che (featuring his Kyuss replacement Hernandez on drums), and released a number of solo albums while joining top fuzz rockers Fu Manchu on a full-time basis. As for Josh Homme, discounting a short touring stint as rhythm guitarist for Screaming Trees, he initially retreated into production and spent much of the late '90s collaborating with an impressive array of musicians on the eclectic Desert Sessions. Some of this material was later reworked into his next major project, Queens of the Stone Age, which saw him paired with original Kyuss bassist Nick Oliveri (who had kept busy working with Dwarves) and, at first, drummer Hernandez, as well. Ironically, by their third release (and last with Oliveri), 2002's Songs for the Deaf, Queens of the Stone Age had achieved significantly larger sales than Kyuss ever did, though it's arguable whether they've yet matched their predecessor's legendary status. ~ Eduardo Rivadavia, All Music Guide
Selected Discography
I forgot just how damn good Kyuss was. If you blinked in the 90s, you might have missed them. Shame they didn't put out more material. A hugely underrated band, you can listen to their CDs straight through and not ever skip a track due to a bad song. Simply awesome.
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I found this band's first release in a PX in 29 Palms Cali in 1992. I was a fan ever since...
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amazing band. Truly a one of a kind.
An absolute staple if you consider yourself a metal / hard rock fan. Without every single Kyuss album in your collection, you are just a poser. Can you imagine a reunion tour, that would probably really make some waves in the rock world..... |
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Very cool bass lines - Simple but heavy and they're right in the pocket. How Homme can tune that low is a mystery - the strings are falling off his guitar.
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They should have been huge in the 90's. I regret that I didn't find them until last year. Good music - I love the heavy, fuzzed-at-ti m e s bass lines.
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Saw them in a small place one time(opening for Faith No More), kicked butt. Great show.
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Mondo Generator does have some cool stuff. The song Detroit is good, mellow for them in some ways, but a good band...I wish Homme would think about making up with everyone and do a Kyuss reunion Tour, but I seriously doubt he and Nick would ever get in the same room again, but you never know, that would be fun...
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Also check out Mondo Generator. I don't know if there on Pandora, but i got there album (cocaine rodoe) in a cut-out bin at my local music shop about 7 years ago, Nick called himself "Rex Everything". it was very punk witha little country.
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I am enjoying Kyuss as much as Queens, but I will never never get to go to a Kyuss show. Queens put on the best show I have been to , same for the Eagles of Death Metal.
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If you like Kyuss, you have to check out Electic Wizard if you have not already.
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I'm not a stoner yet I'm loving this type of music. Groovy!!!
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These guys are overlooked as an influence on modern down-tuned metal. I love cranking my guitar down to C tuning & basing it up to jam out green machine. That song rocks. They broke up for the same reasons that QOTSA changes line ups every album, Homme is pain in the a** & likes to explore, I think he's a sick front man. The Desert Session albums took time away from Kyuss & the others moved on as he did...
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Cool stuff, they opened for White Zombie & Danzig, didn't know much about them at the time, But I was turned into fan after that night. Garcia sings on an Orange Goblin song called Made of Rats.
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Dark, driven, smooth, and blues.
Not Velvet Underground as in 'H'. Maybe Jack Daniels but never Reed & Warhol. 4/5 and for me 5 is rare. |
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'' heavy metal equilivant to velvet underground' hahahahhhaha h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h a h h a h a h a h a h a h a h h a h a h a h a h a h h a h a h a h a h a h a h a h a h a h a h h a h a h a h a h a h a h a h h a ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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how come you all can't be dirty,filthy desert stoney slutts-fucck queens of stone age and tool just filthy fucckin cactus rawk-oh f**k yea-wait did they break upp ?
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Kyuss f**king rocks, Queens of the Stone Age has an annoying sound to it sometimes but it's alright. Guess you have to be in the mood...
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im pretty sure that queens of the stone age isnt trying to replace kyuss that or ever were
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I think there demise was in part on the demise of "real" radio. I 1st heard them on a radio station where each DJ actually play music they liked. Then that station got bought by Clear Channel which only uses national playlists, and the rest is history. Got to see them open for Metallica in the San Diego Desert, they rock, QOTSA will never replace the orginal Kyuss sound...
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I think I saw these guys once, but I was too stoned. I think I fell faced down in dirty dirt. It was awesome.
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the reason they were never big is because critics who care are stupid and muscians who are not stupid only care about their own music. But fans are different- the smartest by far and that's why this band is gaining momentum thirteen years after they disbanded,on pandora.
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i dont know what josh homme was thinking, kyuss was way better. except for Big Bikes, that song sucks
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Kyuss has been my favorite band for many years. Like Prong, I could never understand why they were not one of the biggest bands out there.
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ive admired this band from day one fenominal sit do a a hit spit crap but iwill tell you one thing i have not seen them live i guess i missed it the same reason ill not stop trying to miss such there the seite on stoner very worth pleaase come back very neaned on sean josh you do your thing but well missed kuddos
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I agree sancho. Kyuss was so way ahead of their time. Another under appreciated band is Clutch (imo). Both bands rock-I guess the mainstream just was not or is not ready.
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...i second what grogalien said!! One of the few original bands to emerge from the '90's, which then spawned one of the best bands of the '00's, Queens of the Stone Age. Peace!
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