Little Feat
Biography
Though they had all the trappings of a Southern-fried blues band, Little Feat were hardly conventional. Led by songwriter/guitarist Lowell George, Little Feat were a wildly eclectic band, bringing together strains of blues, R&B, country, and rock & roll. The bandmembers were exceptionally gifted technically and their polished professionalism sat well with the slick sounds coming out of southern California during the '70s. However, Little Feat were hardly slick -- they had a surreal sensibility, as evidenced by George's idiosyncratic songwriting, which helped the band earn a cult following among critics and musicians. Though the band earned some success on album-oriented radio, the group was derailed after George's death in 1979. Little Feat re-formed in the late '80s, and while they were playing as well as ever, they lacked the skewed sensibility that made them cult favorites. Nevertheless, their albums and tours were successful, especially among American blues-rock fans.
However, Little Feat weren't conceived as a straight-ahead blues-rock group. Their founding members, Lowell George (vocals, guitar, slide guitar) and Roy Estrada (bass), were veterans of Frank Zappa's Mothers of Invention. George had a long musical career before joining the Mothers. As a child, he and his brother Hampton performed a harmonica duet on television's Ted Mack's Original Amateur Hour. During high school, he learned how to play flute, which led to him appearing as an oboist and baritone saxophonist on several Frank Sinatra recording sessions. He formed the folk-rock group the Factory with drummer Richard Hayward in 1965. Before disbanding, the Factory made some recordings for Uni Records, but the tapes sat unreleased until the 1990s. Following the group's demise, George joined the Mothers of Invention, where he met Estrada. Zappa convinced George to form his own band after hearing "Willin'," but the guitarist was reluctant to begin a band until he participated in a brief Standells reunion.
George and Estrada formed Little Feat in 1969 with Hayward and keyboardist Billy Payne. Neither their eponymous first album in 1971 nor 1972's Sailin' Shoes were commercial successes, despite strong reviews. As a result, the group temporarily disbanded, with Estrada leaving music to become a computer programmer. When the group reconvened later in 1972, he was replaced by New Orleans musician Kenny Gradney. In its second incarnation, Little Feat also featured guitarist Paul Barrére and percussionist Sam Clayton, who gave the music a funkier feeling, as demonstrated by 1973's Dixie Chicken. The band toured heavily behind the record, building a strong following in the South and on the East Coast. Nevertheless, the group remained centered in Los Angeles, since the members did a lot of session work on the side.
Though the band was earning a cult following, several members of the group were growing frustrated by George's erratic behavior and increasing drug use. Following 1974's Feats Don't Fail Me Now, Barrére and Payne became the band's primary songwriters and they were primarily responsible for the jazzy fusions of 1975's The Last Record Album. Little Feat continued in that direction on Time Loves a Hero (1977), the double-live album Waiting for Columbus (1978), and Down on the Farm (1979). Frustrated with the band's increasingly improvisational and jazzy nature, George recorded a solo album, Thanks I'll Eat It Here, which was released in 1979. Following its release, George announced that Little Feat had broken up, and he embarked on a solo tour. Partway through the tour, he died of an apparent heart attack. Down on the Farm was released after his death, as was the rarities collection Hoy-Hoy! (1981).
After spending seven years as sidemen, Payne, Barrére, Hayward, Gradney, and Clayton re-formed Little Feat in 1988, adding vocalist/guitarist Craig Fuller and guitarist Fred Tackett. The heavily anticipated Let It Roll was released in 1988 to mixed reviews, but it went gold. Each of the group's subsequent reunion albums -- Representing the Mambo (1989), Shake Me Up (1991), and Ain't Had Enough Fun (1995) -- sold progressively less, but the band remained a popular concert attraction. On the latter album, the band traded the strongly Lowell George-esque voice of Fuller for female singer Shaun Murphy; this lineup went on to release Under the Radar in 1998 and Chinese Work Songs in 2000. Numerous compilations and live recordings peppered the next few years, followed by 2003's Kickin' It at the Barn, the group's first album for their own indie label, Hot Tomato Records. Rocky Mountain Jam arrived in early 2007. Join the Band followed in 2008 on Proper Records. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Rocky Mountain Jam
2007

Barnstormin' Live, Volumes 1 & 2
2006

The Best Of Little Feat
2006

Barn Storming Live Volume 2
2005

Down Upon The Suwannee River (Live)
2003
I'm old school and love blues,accous t i c and vocals from bands from the late 60's and early 70's. These similar artists are all good. I'd like to hear some Marshall Tucker Band , Stevie Ray Vaughn and the like.
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very good, informative bio, I'll see the band in St Louis tomorrow night-&/18
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all excellent stuff kinda like james mcmurtry. got intro'd to this cinda stuff since 68-69
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Let's make a petition to get the greatest band of all time into the Rock n' Roll Hall of Fame.
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Having been a Feat/Lowell George fan for 4 decades, I'm just very pleased that their music is still readily available. While not listed above, their latest CD from last year is something else! Produced by Buffett, it's amazing what the contribution s of Dave Matthews, Seger, Landreth, Sam & Bela & others add to the classic "Feat" sound.
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As a High School student in the late 70's and in college in the 80's it was rre that I would miss a chance to see Feat in the Dc area . There shows were pure artistry featuring incredible stage chemistry between band members . Lowell's slide guitar backed up by Barrera and the band was a treat to hear and see . Bonnie Raitt was a frequent live collaborator joining in on Dixie Chicken .
I saw Feat again in 2007 on a small venue beach tour . There attempt to recreate the magic was just that . Th |
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Dixie Chicken and Little Feat is all a Southern Boy needs. RIP Lowell and many thanks for all the great music you left behind. Now join Skynard and all the others and Jam your butt off.
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I saw Little Feat outdoors with The Allman Bros. and The Radiators at Trout Aire in Forest Lake, MN July(?)1987. It was a very hot day with lots of great music and cold beer!!
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Feat was never the same after Lowell George. I had the great fortune to see them several times here in DC before he passed. And WHY isn't Feats Don't Fail Me Now in the selected discography above???
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I couldn't agree more, Alison. I saw Mr. George and the boys back in 1977. They played a bar in San Rafael, CA. Actually got to party with them (smoke, drink, etc.) Yes, star struck and stoned at the same time.
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Best bar band ever. Definitely want to have their entire collection if ever stranded on a desert island.
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Wait till the s**t hits the fan......... . . . . . . w h a t else is there to say......... . . . . . . . .
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THE BEST OF "WHITE-BOY FUNK"----SPA N I S H MOON MAY NOT BE THEIR ULTIMATE HIT BUT IT HAS A KICKIN' GROOVE.
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I just love Little Feat so much, this music is so invigorating . I am not one for even knowing names of bands, and don;t know who,s music is who,s/ I nam 52 yrs. old and do not know anything since THE beatles. AND dYLAN. i,M IMPRESSED now& then withn newartists ,But I never will Believe any one will live as long as some of our great musicians 7 song writers of the 60.s & 70,s. The political songs of "any ones time is the most "meaningful and important music and lyric to the generation. If only
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HEKK YEAH........ W H A T CAN REALLY BE SAID ABOUT THE FAT MAN....FEATS DONT FAIL ME EVER!!!!!!!! ! . . . . . . . M A H H H H H H H H H H H H H H H ! ! ! ! ! ! ! ! !
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Wow, how can you leave "Feats Don't Fail Me Now" off the album list. That's gotta be my all time favorite rock n'roll boogie album. I cranked that album up every day for a year. Wore out two records. Saw them at the Baltimore Civic Center while Lowell George was still alive and they kicked a**. The song "Feats Don't fail me now" was my song. Made a lot of trips to NYC and Cape Cod from Baltimore in those days for reasons better left unsaid. The "Rollin' into New York city shining in the morning
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i have to say pandora's description of little feat is OFF. they label them as a basic rock structure sound. they're not. feat fans know this band is about syncopation as much as any band ever was.
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Representing the Mambo is my favorite LF album. This band is one of the greatest live jam bands ever. Good times roll with this group!
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I was introduced to these guys in '78 by a friends older brother man what a blessing that was!! finally got to see them live in St. Louis a few years back they still got it in my book! K-she radio used to do a feats at five every saturday of course thats when radio was worth a s#it LOL
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I saw Little Feat last week at the Calvin Theater in Northampton, MA. Those guys can still kick a**! Loved the show, with the exception of Shaun Murphy. Her voice is strong, but I'm just not use to her sound with the band. My biggest complaint was that for the encore...ins t e a d of playing "Old Folk's Boogie"....o r "Fat Man in the Bathtub".... t h e y did some tune with Shaun Murphy doing the lead vocals....wh a t the f*ck? Finish with something classic and strong! Too bad...damper on the evening.
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They played here in Traverse City, MI last night at the Opera House (a very cozy, recently renovated musicians dream). They played to a packed house of very happy 50 somethings and did they rock! If you have the chance to catch one of their shows don't miss it! Roll me another one...
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FEAT FEAT FEAT .
MAN IAM STILL DIGGING MUSIC. SOBER , MARRIED,TRYI N G TO PLAY BASS. TIMELESS THE MUSIC IS TIMELESS. |
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I was 18 and in the army in Germany when i was introduced to this wonderful band while sitting around partying with my newly found friends.That was 25 years ago and I still enjoy sitting around partying with my OLDER army buddies and stomping our feet and smiling!!!!! ! ! ! !
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I don't leave home without these guys. I tend to prefer the early stuff but the rock and boogie still persist. The song writing by George should be considered great and the bands ability to jam has kept me going for a long time.
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