Living Colour
Biography
During the 1980s, rock had become completely segregated and predictable, the opposite of the late '60s/early '70s, when such musically and ethnically varied artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New York's Living Colour helped break down the doors by the end of the '80s, leading to a much more open-minded musical landscape that would eventually pave the way for future bands (Rage Against the Machine, Sevendust, etc.). The group (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first formed in the mid-'80s, with Reid being the only member with real prior band experience; he was a member of Ronald Shannon Jackson's experimental jazz outfit, and had recorded with Defunkt, Public Enemy, as well as issuing a solo album with Bill Frisell, 1984's Smash & Scatteration.
It took the fledgling band a few years for their sound to gel, as they honed their act at N.Y.C.'s famed CBGB's. But the group found an unlikely supporter in Mick Jagger, who took the band under his wing, produced a demo for the quartet, and helped them secure a record deal with Epic (just prior, Glover had to take a brief leave of absence from the band, as he landed a role in Oliver Stone's Vietnam War epic movie, Platoon). Living Colour's debut album, Vivid, was issued in the summer of 1988, yet it would take a few months for momentum to build. By the winter, the band's striking video for their anthem "Cult of Personality" was all over MTV, pushing Vivid to the upper reaches of the charts and to platinum certification. Living Colour also took home their first of several Grammy Awards, as "Cult" won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones' first U.S. tour in eight years that autumn.
Starting with Vivid and continuing on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as "Open Letter to a Landlord," "Funny Vibe," among others). The quartet regrouped a year later for their sophomore effort, Time's Up, an album that performed respectably on the charts but failed to live up to the expectations of their smash debut. An appearance at the inaugural Lollapalooza tour in the summer of 1991 kept the group in the public's eye, as did an EP of outtakes, Biscuits. Skillings left the group shortly thereafter (replaced by studio vet Doug Wimbish), as their darkest and most challenging release yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the band's large and dedicated following, as Living Colour appeared to be entering an interesting and groundbreaking new musical phase of their career. The band began writing the following year for what would be their fourth full-length, but an inability to settle on a single musical direction caused friction between the members, leading to Living Colour's demise in early 1995.
In the wake of Living Colour's split, all of its former members pursued other projects. Reid issued a solo album, 1996's Mistaken Identity (as well as guesting on other artists recordings), while Glover attempted to launch a career as a solo artist, issuing the overlooked Hymns in 1998 and finding time to appear as a VJ on VH1 and acting in the 1996 movie Loose Women. Calhoun and Wimbish remained together and launched a new outfit, the drum'n'bass-inspired Jungle Funk, who issued a self-titled debut release in 1997 (Wimbish also issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several years by the early 21st century, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing often in the New York City area. A few days before Christmas in 2000, Headfake played a show at CBGB's, and were joined on-stage by Reid, which led to rumors of an impending Living Colour reunion. The rumors proved to be true, as Living Colour launched their first tour together in six years during the summer of 2001. In 2003, Living Colour returned with a deal with Sanctuary and their most experimental release to date, Collideøscope. Two years later the rarities collection What's Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006 and the all new Chair in the Doorway in 2009. ~ Greg Prato, All Music Guide
Selected Discography
Get Stain! I don't care that the greatest hits has some of their songs, It's not the same!
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Yes. I would love to see songs of Stain, like Wall and Leave it Alone and Go Away, on Pandora.
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Hi fellow Living Colour fans, note that big chunks of "Time's Up" and "Stain" appear on the greatest-hit s comp "Pride," which we do have.
That said, are there specific songs missing from "Pride" you're really jonesing for? Best, -Ian E Pandora Listener Support |
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So Time's up failed to live up to the expectations of Vivid, right? Well, you forgot to mention that this "failure" also won a Grammy for Best Hard Rock album...whoe v e r wrote this biography was definitely biased.
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One of my prime frustrations with Pandora is their inconsistent coverage of a band's albums. I don't know if there is a problem with their record companies or what, but they're missing two great albums, Time's Up and Stained were both great! Time's up is my album favorite.
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right the f**k on, udo! reid murders the guitar.....s o r r y your experience was tainted by a taint
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I wasn't real impressed with their last album, but yah, they got back to together a few years ago. I liked the band better with Muzz Skillings, even if Doug Wimbish is a great bassist, doesn't flow the way the first couple did.
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Saw them open for The Stones in Foxborough in 1989. They rocked, even though they only got to play for 15 or 20 minutes. And to top it off, I got into a fistfight with some dude who started yelling that "n*ggers suck." Vernon Reid is a freak on the guitar.
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They're still recording and touring. Check their offical website or their myspace page. I saw them in concert at Buffalo's Guitar Fest a few years back. Awesome show.
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A turly timeless band. They had it all. As I listen to them now I can remember how they rocked by world back in the late 80's. They really need to get back together. The world needs them. Especially now.
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Phenominal band. Enjoy their music very much. Musical diversity is always a plus. Good music is color blind.
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Agreed mjsmith777, Stain was a phenomenal album. Reid is transcendent on guitar too, from jazz to metal. Just ridiculously talented.
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livivng coulor was and is sooooooooooo o o o o o o o o o o o o o underrated
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they are so much more than "cult of personality" , i love this band, my absolute favorite. "stain" is there best, but they've done 2 others since. i've seen them play 8 times! i can't help thinking of any public figure & how we make them into heroes when i hear "cult of personality" (obama, Led Zep, W bush, reagan, elvis, beatles, hitler, timothy o'leary, william f. buckley). we exalt, idolize, and lift others we love at the expense of their humanity and sometimes ours.
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Corey Glover dove off the stage backwards and landed on his head at my feet. Concert over. Sorry Corey...I was watching Vern jammin out. Heard Jagger loved these guys at CBGB's and got into em before they hit it big. Great band. Everytime.
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Why are only 2 of their discs represented here? Time's Up is a classic and Stain is brutal!!!
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"THESE GUYS TRULY ROCK"!!!!!! THEY WILL ALWAYS BE A PART OF MY COLLECTION.. . . SHOUTS OUT TO VERNON REID AND THE BOISSSSSSS.. . . . LUV U GUYS!!!!!!!! ! ! ! ! !
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One of the best hard rock/alt bands of the late 80's/early 90's!!
And they still RAWK live!!! |
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