Massive Attack
Biography
The pioneering force behind the rise of trip-hop, Massive Attack were among the most innovative and influential groups of their generation; their hypnotic sound -- a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples -- set the pace for much of the dance music to emerge throughout the 1990s, paving the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack alumnus. Their history dates back to 1983 and the formation of the Wild Bunch, one of the earliest and most successful sound-system/DJ collectives to arrive on the U.K. music scene; renowned for their seamless integration of a wide range of musical styles, from punk to reggae to R&B, the group's parties quickly became can't-miss events for the Bristol club crowd, and at the peak of their popularity they drew crowds so enormous that the local live music scene essentially ground to a halt.
When the Wild Bunch folded during the mid-'80s, two of its members -- Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall -- teamed with local graffiti artist 3D (born Robert del Naja) to form Massive Attack in 1987; another Wild Bunch alum, Nellee Hooper, split his time between the new group and his other project, Soul II Soul. The group's first single, "Daydreaming," appeared in 1990; it featured the sultry vocals of singer Shara Nelson and raps by Tricky, another onetime Wild Bunch collaborator. The classic "Unfinished Sympathy" followed, as did another compelling effort, "Safe From Harm." Finally, in 1991 Massive Attack issued their debut LP, Blue Lines; while by no means a huge commercial success, the record was met with major critical praise, and was dubbed an instant classic in many quarters. Nelson, featured on many of the album's most memorable tracks, exited for a solo career soon after, and the group then confusingly changed their name to simply "Massive" to avoid any implication of approval for the U.N.'s policy towards Iraq; in the wake of the disastrous U.S. tour that followed, many were quick to write the band off right then and there.
After a three-year layoff, Massive Attack -- their full name now properly reinstated -- resurfaced with Protection; again working with Hooper and Tricky, they also brought into the fold vocalist Nicolette, as well as Everything but the Girl's Tracey Thorn. Three singles -- "Karmacoma," "Sly," and the title track -- were released from the LP, which was also remixed in its entirety by Mad Professor and issued as No Protection. A lengthy tour followed, and over the next several years, Massive Attack's solo work was primarily confined to remixes for artists including Garbage; they also worked with Madonna on a track for a Marvin Gaye tribute album. Finally, to promote their appearance at the annual Glastonbury music festival, the group issued a new EP, Risingson, during the summer of 1997. The third full-length Massive Attack effort, Mezzanine, appeared in mid-1998; in addition to reggae singer Horace Andy, making his third consecutive LP appearance with the group, vocal chores were handled by the Cocteau Twins' Elizabeth Fraser and newcomer Sara Jay. Mezzanine became a cult hit among critics, clubs, and the college crowds, spinning successful singles such as "Teardrop" and "Inertia Creeps." A tour of America and Europe followed, but Vowles left the band after disagreeing with the artistic direction of Mezzanine. Del Naja and Marshall continued as a duo, later working with the likes of David Bowie and the Dandy Warhols, but Marshall later took a leave of absence to raise his family; producer Neil Davidge took up the slack. In February 2003, after a five-year wait, Massive Attack released their fourth album, 100th Window, including collaborations with mainstay Horace Andy as well as Sinéad O'Connor. Danny the Dog from 2004 marked the group's entry into the world of soundtracks. ~ Jason Ankeny, All Music Guide
Selected Discography
Tron, keep you dick in your pants. I don't think any music is appropriate for "banging underage girls".....s i c k o .
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nice e-thugging the troll, you are all gimptastic, and btw, massive attack sucks my chocolate balloon knot
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I love their music but man, Tron really did a number on my psyche. Everytime I listen now I think about the pervert
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I agree with Punk guy with the stars in his eyes and add that TRON should get hit by a bus.
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Yeah, I've got a little sister and I don't want a perv like TRON to ruin Massive Attack for her. F**k you dude, f**k you, stay out of Washington TRON, or I'll beat the s**t out of you.
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Great band, they do the theme for the show House. Also, WTF TRON? WTF!?!?! That is not cool dude, not cool at all!
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is this the lead gal from Everything But the Girl? Sorry, just tunned in on this??
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"Angel" featured prominently in "The West Wing" (the scene when the president's youngest daughter gets kidnapped) several years ago.
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what tv show have i heard the track teardrop on? i know ive heard it on some show
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Inertia brings me back to being 17 and exploring sesuality, sexuality and lust. which is a very important part the whole person I am. A warm summer breeze and the raw power of my comming of age. Love to hear it...tickles me from the core to my little stubby toes. I listen to it at night when my angel son is asleep.
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wow they are really good :) i think i flipped when i heard teardrop i was like omg house!
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Same here! First time I heard of them-great style of metal. Style all their own. Right on!
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i think i can learn to like this group. they do have a unique, trippy sound. they remind me of portishead alot. i hope their sound expands further than this though.
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wow-it's been awhile since i've heard the 900 ft god. love Hell with the lid off.
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I agree with dreamirium, Mezzanine is a top notch, one-of-a-kin d album. Never before, nor since, has an album been so sensual, so abrasive, so inviting, and yet so distanced as Mezzanine. The late 90's was a perfect time for this album to come out, and this album is a large chunk of the pie chart representing the essence and mood of that period. A classic that will continue to inspire for years to come. Let's hope we'll live to see another like it.
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