Ministry
Biography
Until Nine Inch Nails crossed over to the mainstream, Ministry did more than any other band to popularize industrial dance music, injecting large doses of punky, over-the-top aggression and roaring heavy metal guitar riffs that helped their music find favor with metal and alternative audiences outside of industrial's cult fan base. That's not to say Ministry had a commercial or generally accessible sound: they were unremittingly intense, abrasive, pounding, and repetitive, and not always guitar-oriented (samples, synthesizers, and tape effects were a primary focus just as often as guitars and distorted vocals). However, both live and in the studio, they achieved a huge, crushing sound that put most of their contemporaries in aggressive musical genres to shame; plus, founder and frontman Al Jourgensen gave the group a greater aura of style and theater than other industrial bands, who seemed rather faceless when compared with Jourgensen's leather-clad cowboy/biker look and the edgy shock tactics of such videos as "N.W.O." and "Just One Fix." After 1992's Psalm 69, which represented the peak of their popularity, Ministry's recorded output dwindled, partially because of myriad side projects and partially due to heroin abuse within the band, but the band continued to resurface through the rest of the decade.
Ministry were formed in 1981 by Alain Jourgensen (born October 8, 1958, Havana, Cuba); he had moved to the U.S. with his mother while very young and lived in a succession of cities, eventually working as a radio DJ and joining a new wave band called Special Affect (fronted by future My Life with the Thrill Kill Kult leader Frankie Nardiello, aka Groovie Mann). Featuring drummer Stephen George, Ministry debuted with the Wax Trax! single "Cold Life," which -- typical of their early output -- was more in the synth pop/dance style of new wavers like the Human League or Thompson Twins. The album With Sympathy appeared on the major label Arista in 1983 and followed a similar musical direction, one that Jourgensen was dissatisfied with; he returned to Wax Trax! and recorded several singles while rethinking the band's style and forming his notorious side project the Revolting C**ks.
In 1985, with Jourgensen the only official member of Ministry, the Adrian Sherwood-produced Twitch was released by Sire Records; while not as aggressive as the group's later, more popular material, it found Jourgensen taking definite steps in that direction. Following a 1987 single with Skinny Puppy's Kevin Ogilvie (aka Nivek Ogre) as PTP, Jourgensen once again revamped Ministry, with former Blackouts bassist Paul Barker officially joining the lineup to complement Jourgensen's rediscovery of the guitar; fellow ex-Blackouts William Rieflin (drums) and Mike Scaccia (guitar), as well as vocalist Chris Connelly, were heavily showcased as collaborators for the first of several times on 1988's The Land of Rape and Honey. With Jourgensen and Barker credited as Hypo Luxa and Hermes Pan, respectively, this album proved to be Ministry's stylistic breakthrough, a taut, explosive fusion of heavy metal, industrial dance beats and samples, and punk aggression. Released in 1989, The Mind Is a Terrible Thing to Taste built on its predecessor's artistic success, and In Case You Didn't Feel Like Showing Up was recorded on its supporting tour, introducing other frequent Ministry contributors like drummer Martin Atkins (later of Pigface) and guitarist William Tucker (as well as featuring a guest shot from Jello Biafra). Jourgensen next embarked on a flurry of side projects, including the aforementioned Revolting C**ks (with Barker, Barker's brother Roland, Front 242 members Luc Van Acker and Richard 23, and many more), 1000 Homo DJs (with Biafra, Rieflin, and Trent Reznor), Acid Horse, Pailhead (with Ian MacKaye), and Lard (again with Biafra, Paul Barker, Rieflin, and drummer Jeff Ward).
In late 1991, Ministry issued the single "Jesus Built My Hotrod," a driving rocker featuring manic nonsense vocals by co-writer Gibby Haynes of the Butthole Surfers; its exposure on MTV helped build anticipation for the following year's full-length Psalm 69 (subtitled The Way to Succeed & the Way to Suck Eggs, although the only title that appears on the album consists of a few Greek letters and symbols). The record reached the Top 30 and went platinum, producing two further MTV hits with "N.W.O." and "Just One Fix," and Ministry consolidated their following with a spot on the inaugural Lollapalooza tour that summer (joined by new guitarist Louis Svitek). However, drug and legal problems sidelined the band in the wake of its newfound popularity, resulting in the clouded Filth Pig being released in 1995, too late to capitalize on their prior success. More problems with drugs and arrests followed, and Jourgensen returned to some of his side projects, recording a new album with Lard, among others. In 1999, the new single "Bad Blood" was featured prominently in the sci-fi special-effects blockbuster film The Matrix, setting the stage for the release of Dark Side of the Spoon (the title a reference to the band's heroin problems) later that summer. Guitarist William Tucker committed suicide in May 1999.
Ministry were nominated for a Grammy in 2000 for "Bad Blood," but they lost to Black Sabbath and were dropped from Warner Bros. around the same time. They were also added to the Ozzfest tour, but they were kicked off before it even began because of a management change. To compound their sorrows, Ipecac Records announced three live albums to be released with material from the Psalm 69 tour being the main focus, but they only had a verbal agreement and when Warner Bros. caught wind of the project, they stamped it out despite already having the CDs ready for printing. In 2001, Ministry filmed a scene for Steven Spielberg's A.I. and released their contribution to the film on a greatest-hits album, appropriately titled Greatest Fits. The song received a decent amount of promotion, but the single went nowhere and the band signed to Sanctuary Records later in the year. While recording new material, they released the Sphinctour album and DVD in the spring of 2002 to satisfy rabid fans who were disappointed by the Ipecac situation. The next spring Animositisomina was released, advertised as a return to the Psalm 69 style of songwriting and featuring a cover of Magazine's "The Light Pours Out of Me." Houses of the Molé followed in June 2004.
In September 2005 Ministry celebrated their 25th anniversary with Rantology. Jourgensen remixed such past hits as "Jesus Built My Hotrod" and "N.W.O. for the set; it also included live material, rarities, and the new track "Great Satan." An extensive tour with Revolting C**ks in tow followed. The band then released Rio Grande Blood in May 2006, the second installment in what Jourgensen promised to be a George W. Bush-hating trilogy (which began with Houses of the Molé); the album earned Ministry another Grammy nomination (Best Metal Performance) for "Lies, Lies, Lies." In 2007 the bandmembers announced they would be releasing their "final" album, The Last Sucker, by the end of the year. The 2008 compilation Cover Up examined Ministry's long history of destroying other artists' tunes, while the 2009 set The Last Dubber featured The Last Sucker album remixed. ~ Steve Huey, All Music Guide
Selected Discography

Adios P**as Madres (Live)
2009

The Last Sucker
2007

Rio Grande Blood
2006

Rantology
2005

Houses of the Mole
2004

The Mind Is A Terrible Thing To Taste
1989

The Land Of Rape And Honey
1988

Twitch
1986

With Sympathy
1983
What are you saying? I happen to also like Cinderella and Duran Duran...
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folks ignore moomoo he likes getting attention first "w was the best" then the beaner comment. just remember he like cinderalla and duran duran!
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GGGGGGGGGGGG G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S M M M M M M M M M A A A A A A A A A A A A A A A C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C K K K K K K K K K K K K K K K K K K K K K K K K K ! ! ! ! ! ! TRUE METAL!!!!!!! ! !
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Just heard "Jesus Built My Hotrod" for the first time on Pandora - I know the song inside and out of course but to finally hear it on Pandora... made me giddy in my office!
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This is by far one of my most favorite bands of all time. No one can compare. come see my Al.
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Saw them in 1996. One of the most intense shows I have ever seen!! The mosh pit was comparable to a SLAYER show. Paramedics busy everywhere. Temperature must have been 120 degrees in an auditorium that held 8k people (yes, show was Sold Out). I am very fortunate to have gotten to see the original band members line up. This band will always be a major staple in Industrial music!! Land of Rape and Honey is still my favorite album by them.
Saw NIN once, might have been Depeche Mode; cant tell d |
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Shadow Keriphin- I recommend sticking to what you know. You sound like a fool.
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I'd like to see Al Jourgensen and Rob Zombie get in a fist fight. Not for any particular reason but the flailing crusty dreadlocks would be epic.
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took a dive after Filth pig. The anger made their music. 89 they were gods, 95, ....just another band. i guess Alan Got Married or somthing. I turned to pot, didn't feel like beating people up anymore. My, how things change!
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...What is he going to do now that Obama's in office? Switch over to sunshiney acoustic pop?
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yeah - ministry is hardcore over-rated.. . . but so are a lot of things! :) like - fraking everyhing haha but if they are to be looked at as creators of industrial origins then over-rated. Yeah - they borderline punk/industr i a l . Don't get me wrong - they are really good but to be idolized as industrial gods? No.
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any band that dares icorprates diversity in their musical style is cool by me KMFDM,Minist r y , N I N , R a m m s t e i n its all good to me... Phuck The Bull Shiit
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ministry put on a dangerous show! i've seen both, nin puts on a good show but ministry is INSANITY!! chaos compared to nin
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Was listening recently and holy damn I forgot how good the whole album of Houses of the Mole is. Freaking ear gold right there...
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So this is where NIN gets the sound from. Both get street cred but Ministry was first.
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i only kill to know im alive!
we say...we say... SO WHAT!!! ministry f**king rules over all!!! |
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suck it homo nin are u kidding me this band is what nin are all about no ministry NO NIN! F*g!
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What a band. Never managed to catch them live, have always regretted that. I haven't enjoyed the later albums as much as the more "seminal" albums Al & Co. have made but that's more of a personal preference. If I ever want to speed around, this is one of the first bands I load into the car.
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That little bit at the end of "We Believe" is still epic. One of the best pure industrial songs ever recorded. Just thought you all should know that.
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DSOTS does appear to be out of print; amazon lists it as "discontinue d by the manufacturer . " There are still copies floating around on ebay and such, and import copies.
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i dont even think u can buy dark side anymore, i went to sam goody among other cd stores couldnt find it anywhere.... . b u m m e r
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Ministry's insane repetition was part of what made them who they were, not to mention it helping with their huge, pounding sound that crushes innocent, helpless little babies. :)
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yeah, ministry does like nobody else. sometimes a little repetitive, but then, that's part of the point, isn't it? always awesome live... although the one mosh pit i was in was definitely the most out-of-contr o l & dangerous i've ever seen-- i personally prefer pits where they pick you up when you fall instead of stomping on you. but hey, i understand, it's a nihilism thing...
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I think I scared my friends listening to this stuff. Partly because they found it so rough and I guess it was against some 80s rule to be a Spanish chic listening to such anger. I wish I would of known that Jourgensen was Cuban. HA! That would have shut them up.
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133 - yeah - I agree that each end of the Filth Pig disc has the best moments with some notable highlights along the way. It is too bad that so many still focus on the early albums, complain about Filth Pig, and barely even notice the next two albums (Spoon and Animosi) which I thought were fantastic overall. The last three albums have some terrific moments as well.
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I remember driving faster and faster to a louder and louder "Mind." Thanks Al.
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Chris - I disagree some. Filth Pig has variety - it starts with Reload, which is two minutes of hyperfast thrashyness. Then it goes into the title track, which is all sloooow plodding stuff. Stuff like Lava maintains the same kind of tempo but it's not nearly as sludgy/plodd i n g as Filth Pig. Useless has Paul Barker on vocals and he provides an extremely "weird", throbbing feeling to it. Then Lay Lady Lay and The Fall both have only melodic vocals absent in previous tracks. Etc etc etc. :P
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I've loved Ministry for... oh Golly almost 20 years? There are a lot of tracks I just can't listen to anymore cause I've worn them out. I remember when Filth Pig came out I was super excited and that excitement held until track 3 or 4 when I realized it was all the same. Individually I think most of the tracks are excellent but as an album it just falls flat. I felt the same thing about Rio Grande Blood actually. Despite the misses, though, Ministry is gold.
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Connect the goddamned dots, you f**kers! This is one of my all-time fave bands.
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