Mountain
Biography
The breakup of Cream in late 1968 had consequences that rippled across the rock music world -- in its wake were formed directly such bands as Blind Faith (whose tragedy was they never had a chance to actually become a band) and Ginger Baker's Air Force, as well as the rich solo careers of members Eric Clapton and Jack Bruce. And it yielded -- by way of Cream associate and producer Felix Pappalardi -- something of a successor band in 1969, in the form of Mountain.
The band's history all started with a Long Island-based psychedelic/garage band called the Vagrants, who'd acquired a serious local following and always seemed poised to break out, without ever actually doing so. Their lead guitarist, Leslie West, was a physically outsized figure as well as a musician extraordinaire whose playing had been completely transformed by his experience of hearing Clapton's playing in Cream. The Vagrants and West first crossed paths with Pappalardi in 1968, when he saw their potential and got them signed to Atlantic Records, where he was working as a producer. He had already made a name for himself producing Cream's Disraeli Gears album, and had played numerous background instruments on their follow-up, Wheels of Fire (and on the studio tracks that would form their Goodbye album). He did produce some of the best work that the Vagrants ever released, but none of it sold; and when West left the band in late 1968 to do a solo album, titled Mountain, Pappalardi produced it for him, as well as played keyboards and bass on the record. The results were the most impressive of West's career up to that time, a solid, blues-based hard rock workout, showing off just how profoundly he incorporated Clapton's playing into his own style -- Mountain sounded a great deal like the now-disbanded Cream, and was satisfying enough for the two to form a partnership, also called Mountain. Their first lineup was built around the one used on the album, with N.D. Smart on drums, and Steve Knight added on keyboards, while Pappalardi concentrated on playing the bass. Following a debut performance at the Fillmore West in July 1969, the group played its fourth live performance ever at Woodstock, in front of an audience of several hundred thousand, on a bill with the likes of Jimi Hendrix, the Who, the Jefferson Airplane, Janis Joplin, Creedence Clearwater Revival, and -- also getting their first national exposure at the same festival -- Crosby, Stills, Nash & Young. The event was an auspicious one, even though it was followed by a personnel shift, as Smart was replaced by Corky Laing, West's oldest friend.
The group was signed to the Windfall label and released their debut LP, Mountain Climbing!, in the spring of 1970, accompanied by their debut single, "Mississippi Queen," which reached number 21 in June of 1970. That chart placement doesn't begin to delineate the impact of that single, a hard rock boogie that was a killer showcase for West's guitar and an unlikely piece of Southern-fried rock & roll, coming from the pens of the Queens- and Brooklyn-born West and Pappalardi, and the Canadian-born Laing -- it was as improbable as the California-born John Fogerty authoring "Born on the Bayou" or "Green River," and almost as enduring in popular culture. The single may not have reached the Top 20, but the album it was on peaked at number 17, driven by listeners drawn to the single but wanting more from the band behind it, and the high-energy mix of hard rock and blues they generated. And the debut album offered some surprises, such as the quartet's successful digression into progressive rock with "Theme from an Imaginary Western" (co-authored by Cream's Jack Bruce, which only further emphasized the indirect connections and musical debt owed the other band). The latter got lots of play on FM radio, as did "Never in My Life."
Equally important to the band's fortunes, they were able to deliver on-stage what they promised on their records -- indeed, their records were a surprisingly accurate representation of their actual sound, except that Mountain was even louder live than they were in the studio. The group scored another hit at the Atlanta International Pop Festival in 1970, alongside the Allman Brothers, Cactus. and others. Mountain's second album, Nantucket Sleighride, was equally successful commercially and unveiled the title track, which would take on epic proportions in concert. Flowers of Evil followed in November of 1971, just ten months after its predecessor, and it began to clearly show the strain of the pace the band had been keeping up since July of 1969 -- half of it consisted of lackluster studio originals, while the other half was a live medley and a concert version of "Mississippi Queen." Lackluster sales and reviews were inevitable, and the impression of a band running on empty was reinforced by their next release, Mountain Live (The Road Goes Ever On) (1972), which had only four cuts on it, all of them characterized by extended solos. Hardcore fans appreciated the record as an extension of their recordings, but many listeners and most critics found it lacking musical cohesion.
The group broke up soon after the release of that album, due in part to Pappalardi's concerns about his hearing, which been damaged by the high volume the band generated in concert. He returned to production, while West and Laing -- staying close to their hard rock roots, as well as the orbit whence Pappalardi had come -- teamed up with ex-Cream bassist Jack Bruce as West, Bruce & Laing, a hard rock power trio that cut a brief but memorable swathe of their own across the musical landscape in the early/mid-'70s. Meanwhile, a Best of Mountain LP released in the wake of the breakup helped to sustain interest in the group. And later in 1973, Mountain was back together, West and Pappalardi reactivating the band with Bob Mann on keyboards and guitar and Allan Schwartzberg on drums for a tour of Japan. This resulted in the live double LP Twin Peaks (1974), a much better representation of the group's concert sound, including a 32-minute version of "Nantucket Sleighride." During 1974, in the wake of the second live album, West, Laing, and Pappalardi revived Mountain again to record a studio LP, Avalanche. In subsequent years, West and Laing revived the group for live shows, sometimes joined by Pappalardi; West also performed with his own Leslie West Band. Sadly, Pappalardi was shot and killed by his wife in 1983. Two years later, West and Laing regrouped with Mark Clarke on bass and recorded an album before once again calling it quits. Laing served as PolyGram's A&R vice president in Canada between 1989 and 1995. In 1996, he reunited with West and Clarke for a new Mountain album, Man's World. West and Laing teamed up again in 2002 for another album as Mountain, Mystic Fire. ~ Bruce Eder & Steve Huey, All Music Guide
Selected Discography

Official Live Mountain Bootleg Series Volume 9 : Live In Karlshamn, Sweden 1994
2006

Official Bootleg Series, Vol. 12: Olympic Auditorium 1970
2006

Offcial Live Mountain Bootleg Series Volume 1
2005

Live At The Capitol Theater 1973
2005

Official Live Mountain Bootleg Series Volume 2
2005

Live At The Pineknob Theater 1985
2005

Live At The Fillmore East 1970
2005

Over The Top
1995

On Top
1974

Nantucket Sleighride
1971

Climbing!
1970
finally got to see Mountain after 35 years of waiting ... excellent show
damn shame Felix couldn't have been there. Leslie IS the king of tone |
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(cont'd) ... Corky Laing and Rev Jones joined him partway through, and they blew the walls out. High energy, high volume, mad skills from this original power trio. Nantucket, Imaginary Western, Mississippi Queen ("Hit that cowbell, Corky!"), even a few scorching minutes of Beat It that Eddie and Michael (RIP) both woulda dug. Mountain is touring this summer - see 'em if they're in your town. My ears were still happily ringing two days later!
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Saw Mountain last week when they closed out Hippiefest. Amazing night of music: singers from four pop bands from the 60s-70s - The Turtles, The Rascals, Badfinger and Three Dog Night. Highly entertaining and nostalgic seeing and singing along to these radio-friend l y bands. Then Leslie West takes the stage solo, ripping out a blistering version of Blowin' in the Wind. (more above)
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I Have Created A Station That Plays Cream,Led Zeppelin,Jim i Hendrix And More,Check It Out Its Called:Early metal (1966−1971)
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one of my favs saw leslie in 1972 @ small club in greenwood lk,n.y. org. jammer
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saw these guys this past fall opening for Joe Satriani, the first time I had heard of the band. seeing just this opening act (who should have their own show) was worth more than the price of my ticket. such an undeservedly unknown group...they should have been one of the biggest bands of their time...what happened?
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Saw Mountain last month in Austin, TX...they opened up for Joe Satriani in a small venue but it was great...firs t time ever I saw Mountain - Leslie and Corky still are with the band...the bassist is from The Michael Schenker Group. Mountain is very entertaining and Leslie joined Joe at the end for a jam session...Ba d A**!!!
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the angel was never hip to them in the sixties-now is..... better late than-nantuck e t sleighride is AWESOME !!!!!!!!!!!! ! ! ! !
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Was blindly lucky enough to see Mountain at Woodstock. One of the better segments there...
But my point here is that as time goes on I appreciate Mountain's recordings even more as time plods on. Similarly more appreciative of Grand Funk Railroad, Johnny Winter, and Deep Purple as Jam-Blues bands, among others. (check out their album "filler" cuts) ~Oatis. |
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My favorite. Saw Leslie way back with the Vagrants, then with West, Bruce and Laing and two nights ago in Albuquerque (11/8/08). What a history and story. He can still kick it. craigo
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The reason I loved this band was they could jam it as hard as anybody around in those days, then would turn around and do Nantuck Sleigh Ride. Sadly, I never got to see them, but I know from some who did that this was on helluva live act. I have seen many of the acts who did Woodstock, Hendrix, the Who, Canned Heat, Ten Years After, CSN, etc. and love the music of the late 60's and Mountain remains a favorite.
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Now I know how Felix died. Leslie used to sqeeze out some serious riffs. God I miss the 70's
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They were great and had it going on.
Although I didn't see anything to write home about, when I saw them 6-7 years ago, at the Akron Rib Burn off. Leslie West was over an hour late,kept everyone waiting, and just then when you thought it would be kick-a**, Leslie was horrible. He was off key, timing was off, and the sound sucked. I was shocked. I also saw them at BB King's place in NYC a few years ago,after a show , in the lounge, and shook hands with Leslie, who seemed to be somewhat aloof |
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I just have to say once more. JFC!!!
WOW!!! You want good rock?.... THIS IS WHERE ITS AT!!! |
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This is the rock stuff I got my sons into and thier friends are like WOW! yea this is jam rock not the sh*t today - these guys played because they wanted to to please people not for the $'s of today I saw these guys FOR $5.OO - and they played as though they were handed a $100. a piece - from a drummer these guys slam it hard down.
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this is the missing sound i've been looking for!
Mountain... You f**king ROCK. |
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Wow, why haven't I heard that kick A** track of Nantucket Sleighride. I should beat somebodies A** for not letting me know about that before. You ain't gotta be 57 to enjoy that JAM!!!!!!30 minutes---go o d GOD, what a JAM
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yeh Mountain!!
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