Napalm Death
Biography
The fathers of grindcore, Napalm Death pushed the envelope of metal to new extremes of ear-splitting intensity, rejecting all notions of melody, subtlety, and good taste to forge a brand of sonic assault almost frightening in its merciless brutality. Formed in Ipswich, England, in 1982, the group trafficked in the usual heavy metal fare for the first few years of its existence, but by the middle of the decade they began to expand their horizons by incorporating elements of hardcore and thrash into the mix; ultimately, Napalm Death's sonic experiments evolved into a blistering mutation of metal which they dubbed grindcore, a kind of extremist noise attack characterized by incredibly brief song lengths, demonic vocals, and eye-opening sociopolitical lyrical commentary.
Building their reputation on a series of incendiary radio sessions and live dates, Napalm Death set about recording their debut LP, Scum, issued in 1987 on the Earache label. A series of lineup changes during production resulted in the record's two sides each containing almost completely different rosters: while the first half featured guitarist Justin Broadrick and vocalist/bassist Nick Bullen, the flipside presented new vocalist Lee Dorrian, guitarist Bill Steer, and bassist Jim Whitely; only drummer Mick Harris played on every track. While largely ignored by the mainstream media, Scum proved hugely influential throughout the global metal community; among Napalm Death's most public supporters was BBC Radio One DJ John Peel, who repeatedly played the track "You Suffer" before inviting the group to record a legendary September 1987 Peel Session introducing new bassist Shane Embury.
With 1988's From Enslavement to Obliteration, the band grew even more extreme, issuing some 54 total tracks, many of them clocking in at just a few seconds in length. (The compilation Grind Crusher offered perhaps the ultimate distillation of the aesthetic by including a bonus split single from Napalm Death and the Electro Hippies with each side lasting just one second; the shortest single ever.) More roster shifts followed, as Dorrian exited to form Cathedral and Steer jumped ship to found Carcass; with vocalist Mark "Barney" Greenway (formerly of Benediction) and guitarists Jesse Pintado (ex-Terrorizer) and Mitch Harris (ex-Righteous Pigs), Napalm Death resurfaced with 1990's Harmony Corruption, a nod toward more conventional song structures and a less punishing sound. Apparently unhappy with the results, the group followed later that year with the Mass-Appeal Madness EP, a return to all-out grindcore fury.
Mick Harris, the only remaining member from the unit's earliest lineups, exited Napalm Death in 1992 to mount an acclaimed ambient dub project named Scorn; he was replaced by drummer Danny Herrera for Utopia Banished, followed by a single covering the Dead Kennedys' "Nazi Punks F**k Off." With 1994's Fear, Emptiness, Despair, Napalm Death earned some of the best critical notices of their career, and to the shock of many even found themselves in the Top Ten of the U.S. pop albums chart by virtue of their appearance on the soundtrack to the motion picture Mortal Kombat. The Greed Killing mini-album appeared in 1995 as a teaser for the following year's relatively accessible full-length Diatribes. Greenway was subsequently fired in November 1996 and replaced by Phil Vane of Extreme Noise Terror; however, after recording a split EP with Coalesce, the band reconsidered, and Greenway re-joined in time for the 1997 album Inside the Torn Apart. Next was 1998's live release Bootlegged in Japan, trailed early the next year by the well-received Words from the Exit Wound, which proved to be their final album for Earache (from which they experienced an acrimonious split). 2000 saw the release of the covers EP Leaders Not Followers in mid-summer. Napalm Death returned to its early grindcore roots to a degree with its next full-length, Enemy of the Music Business, which was issued in early 2001. Throughout the remainder of the decade, the band reliably stuck to its guns, releasing high-quality albums -- including Order of the Leech, Smear Campaign, and Time Waits for No Slave -- at a rate of roughly one every other year. ~ Jason Ankeny, All Music Guide
Selected Discography

Time Waits For No Slave
2009

Utopia Banished
2008

Smear Campaign
2006

The Code Is Red... Long Live The Code
2005

Punishment In Capitals
2005

Leaders Not Followers : Part 2
2004

Noise For Musics Sake
2003

Order Of The Leech
2002

Enemy Of The Music Business
2001

Leaders Not Followers
2000

Fear, Emptiness, Despair
1994

Death By Manipulation
1991

Harmony Corruption
1990

From Enslavement To Obliteration
1988

Scum
1987
One of the more underrated bands in Metal I think.
Theyve been around FOREVER..... . g o t t a respect that. Im not too familiar with em, but Im starting to listen more, and honestly thiers nothing so far to dislike.... ND ROCKS. |
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diaria injected into willows eyes while vice's crush his knees, I wish he would shut up
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Such pretty music. Love these crazy Welsh motherf**ker s .
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/ignore Willow Wussy Snot Nose Baby Boy - desperate for any attention (especially his mommy's)
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Hey, they left out Diatribes! That's an essential listen! J/k, and I'll always be a Napalm Death fan, regardless of Diatribes...
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"Great music to blast when you're shooting frat-boys paint-ball guns or beating up Neo-Nazis" There should be a Soundtrack with that title, featuring a bunch of Death/Black metal and Death/Grind core.
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Napalm Death is even more awesome live then they are on their albums. Oh and Napalm Death and Slayer both have some pretty heavy punk influence, without the Cro-Mags there would be no Napalm Death or Slayer. Slayer doesn't have the rage that Napalm Death has. Also it's great music to blast when you're shooting frat-boys with paint-ball guns or beating up Neo-Nazis.
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The brutality, too, although grindcore can make Slayer sound like bubblegum pop at times... maybe it's not that much more "brutal". A better comparison, at least around "Seasons of the Abyss", could be based on the angry social criticism that these bands have both done.
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Has anyone ever played Napalm Death full-volume windows rolled down while driving just to freak people out?
I think that would be fun. |
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Are these guys a bunch of angry blacks, that went to Popeyes and found out they were out of chicken?
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I got introduced to Napalm in the third or fourth grade (85/86-ish?) and they definately had a major influence on me. I don't like a lot of this kind of death/grind metal but I've always liked these guys.
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Napalm Death and Dying Fetus Forever..... . . . . . . . anal c**t does blow
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i dont care what you think if your a "metal head" and you hate punk you dont like napalm death because they have as much punk influence as metal thats why its not grind metal but grindocre its something completely different
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Napalm Death has always been one of my favorite bands, ever since I was eight. I applaud Napalm Death for taking on the bullshit Nazi s**t that has corrupted grindcore. Keep up the face melting grindcore, and tell Anal C**t that they can go f**k themselves! Long live the true kings of grindcore, Napalm Death!
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new cd comming out in 09, suggest picking it up, but also utopia banished, wasn't made in 08 they should get there years straight haha
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My face, what has happended to my face?!?!?!?! It has been melted clean off!!! And I had an awesome time doing it!! Napalm Death RULEZ!!!11!1 ! ! ! ! ! 1 !
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i cant stop cmmenting on this band maybe im sick .... good going dont miss out on this exsperiance
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the first "death" metal concert I've ever seen was Napalm with Carcass at the Escape club in Salsbury, Mass. Maybe 1991? Incredible!! I've not seen a comparable show since. Truly awesome!
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Napalm Death ONE OF THE MOST BRUTAL BANDS OF ALL TIME, TOTAL GRIND CORE...
KATON http://www.h i r a x . o r g |
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these guys gone thru some line up changes for years but came out with the value of what we all need with all variation ontothe sheite good ,
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seen this band at a place near ft worth tx.." joes garage" i was about 18 and had band..we played slayer and megadeath... b u t when i seen these dudes i was blown away..i had new respect for speed metal style playing...th e riffs and beats were rigth on..i discovered what a real mosh pit was back then..and it hurt...but on the bright side..i gave some hurt back..
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I'm obviously speakin to idiots! Musicality is what you can create with your instrument anyone can train to play fast while sum guy grunts at the front. Only some people possess true talent that they can show in their music! and if you want crazy speed combined with that listen to prog metal, thos guys have talent. Napalm do not. And a lot of people are obsessed with stickin things up theie asses?
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BARNEY ARRRRRRRRRRR R R R R R R R R R R R R R R R R R G H ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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Met these psychos at Milwaukee metal fest 1991. Cool fux! Pioneers of grind!
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