Nas
Biography
Beginning with his classic debut, Illmatic (1994), Nas stood tall for years as one of New York City's leading rap voices, outspokenly expressing a righteous, self-empowered swagger that endeared him to critics and hip-hop purists. Whether proclaiming himself "Nasty Nas" or "Nas Escobar" or "Nastradamus" or "God's Son," the self-appointed King of New York battled numerous adversaries for his position atop the epicenter of East Coast rap, none more challenging than Jay-Z, who vied with Nas for the vacated throne left in the wake of the Notorious B.I.G.'s 1997 assassination. Such headline-worthy drama informed Nas' provocative rhymes, which he delivered with both a masterful flow and a wise perspective over beats by a range of producers: legends like DJ Premier, Large Professor, and Pete Rock; hitmakers like Trackmasters, Timbaland, and will.i.am; street favorites like Swizz Beatz, Megahertz, and the Alchemist; and personal favorites of his own like L.E.S., Salaam Remi, and Chucky Thompson. Nas likewise collaborated with some of the industry's leading video directors, including Hype Williams and Chris Robinson, presenting singles like "Hate Me Now," "One Mic," and "I Can" with dramatic flair.
Throughout all the ups (the acclaim, popularity, and success) and downs (the expectations, adversaries, and over-reaching), Nas continually matured as an artist, evolving from a young street disciple to a vain all-knowing sage to a humbled godly teacher. Such growth made every album release an event and prolonged his increasingly storied career to epic proportions.
Born Nasir Jones, son of jazz musician Olu Dara, Nas dropped out of school in the eighth grade, trading classrooms for the streets of the rough Queensbridge projects, long fabled as the former stomping ground of Marley Marl and his Juice Crew as immortalized in "The Bridge." Despite dropping out of school, Nas developed a high degree of literacy that would later characterize his rhymes. At the same time, though, he delved into street culture and flirted with danger, such experiences similarly characterizing his rhymes. His synthesis of well-crafted rhetoric and street-glamorous imagery blossomed in 1991 when he connected with Main Source and laid down a fiery verse on "Live at the Barbeque" that earned him up-and-coming notice among the East Coast rap scene. Not long afterward, MC Serch of 3rd Bass approached Nas about contributing a track to the Zebrahead soundtrack. Serch was the soundtrack's executive producer and had been impressed by "Live at the Barbeque." Nas submitted "Halftime," and the song so stunned Serch that he made it the soundtrack's leadoff track.
Columbia Records meanwhile signed Nas to a major-label contract, and many of New York's finest producers offered their support. DJ Premier, Large Professor, and Pete Rock entered the studio with the young rapper and began work on Illmatic. When Columbia finally released the album in April 1994, it faced high expectations; Illmatic regardless proved just as astounding as it had been billed. It sold very well, spawned multiple hits, and earned unanimous acclaim, followed soon after by classic status. The two years leading up to Nas' follow-up, It Was Written (1996), brought another wave of enormous anticipation. The ambitious rapper, who had begun working closely with industry heavyweight Steve Stoute, responded with a significantly different approach than he had taken with Illmatic: where that album had been a straightforward hip-hop album with few pop concessions, the largely Trackmaster-produced It Was Written made numerous concessions to the pop-crossover market, most notably on the two hit singles, "Street Dreams" and "If I Ruled the World (Imagine That)." These singles -- both of which drew from well-known songs, Eurythmics' "Sweet Dreams (Are Made of This)" and Kurtis Blow's "If I Ruled the World," respectively -- broadened Nas' appeal greatly and awarded him MTV-sanctioned crossover success. This same crossover success undermined some of his hip-hop credibility, however, and a minor backlash by purists resulted.
Nas addressed his critics on "Hate Me Now," the second single from his next album, I Am (1999). The album had originally been planned as a double-disc concept album comprised of autobiographical material, but when some of the tracks were leaked, I Am was scaled down and released as a single disc, with the DJ Premier-produced "Nas Is Like" chosen as the lead single. Besides "Nas Is Like" and "Hate Me Now," which both broke into the Billboard Hot 100, "You Won't See Me Tonight" and "K-I-S-S-I-N-G" also charted as singles. Originally scheduled by Columbia as a follow-up album comprised of the pirated material from the I Am sessions, Nastradamus (1999) -- released in time for the holiday shopping season, roughly six months after its predecessor -- was instead comprised almost entirely of new material, recorded quickly to meet the late-November release date. Nastradamus signaled a drop-off in quality as well as sales. The album failed to garner the abundance of critical praise that had become customary for Nas. Moreover, unlike its two predecessors, Nastradamus failed to debut at number one on the Billboard 200 album chart, peaking at number seven instead, and failed to go double platinum. Though relatively disappointing on these counts, Nastradamus still went platinum and spawned two charting singles, "Nastradamus" and "You Owe Me," so the album wasn't a failure, just disappointing.
In the late-'90s wake of the Notorious B.I.G.'s assassination, Nas reigned atop the New York rap scene alongside few contemporaries of equal stature . In addition to his endless stream of hits by the industry's most successful producers -- "If I Ruled the World" (produced by the Trackmasters), "Hate Me Now" (Puff Daddy), "Nas Is Like" (DJ Premier), and "You Owe Me" (Timbaland), among others -- he popularly co-starred in the Hype Williams-directed film Belly (1998) alongside DMX and contributed to the soundtrack. Furthermore, Nas led a short-lived supergroup of New York rappers known as the Firm (also comprised of rappers Foxy Brown, AZ, and Nature, with producers Dr. Dre and the Trackmasters) and assembled a broad coalition of fellow Queensbridge rappers for the QB Finest compilation (2000). Amid all of this publicity, though, criticism began to mount. For every crossover fan Nas won with his dramatic MTV-aired videos, he lost support among purists, some of whom felt he had sold out and abandoned hip-hop ideals in favor of commercial success. The relative disappointment of Nastradamus was symptomatic of this downturn.
A series of incidents in 2001 provided a key turning point for Nas' decline. The rapper's personal life was becoming increasingly complicated, as he encountered relationship trouble with the mother of his daughter and, of greater consequence, as his mother began suffering from cancer. To make matters worse, longtime rival Jay-Z pointedly dissed Nas on "Takeover," the much-discussed leadoff song from his acclaimed Blueprint album (2001). Among other charges, Jay-Z called out Nas for not having put out a "hot" album since Illmatic, and also alluded to sleeping with the mother of Nas' daughter. It didn't help that Jay-Z had risen atop the New York rap scene, giving him ample justification to call out Nas, who had fallen from favor and receded from the public eye while he dealt with his personal issues. Nas responded strikingly in December 2001 with Stillmatic, the title a reference to his classic Illmatic album, which had been released nearly a decade earlier. Stillmatic opened with the song "Ether," a very direct response to Jay-Z, followed by the aggressive lead single "Get Ur Self A...." These two songs in particular rallied the streets while the moving video for "One Mic" received heavy support from MTV. Throughout 2002, Nas continued his comeback with a number of guest appearances, among them Brandy's "What About Us?," J-Lo's "I'm Gonna Be Alright," and Ja Rule's "The Pledge," as well as yet more news-making controversy, this time involving his no-show at popular radio station Hot 97's annual Summer Jam.
Amid all of the drama, Nas managed to salvage his esteemed reputation and reclaim his lofty status atop the New York scene. Stillmatic earned immediate acclaim from fans and critics alike and sold impressively, while Columbia furthered the comeback campaign with two archival releases, one of remixes (From Illmatic to Stillmatic [2002]), the other of outtakes (The Lost Tapes [2002], which notably includes some of the pirated I Am material). Then at the end of the year Columbia released a new studio album, God's Son (2002), and Nas once again basked in widespread acclaim as the album sold well, spawned sizable hits ("Thugz Mansion," "Made You Look," "I Can"), and received rampant media support. Two years later Nas returned with Street's Disciple (2004), a sprawling double album that delved deeply into various issues, most notably politics and his impending marriage to Kelis. The two-sided "Thief's Theme"/"You Know My Style" single dropped in summer 2004, several months before the album's release, and was followed that fall by the proper lead single, "Bridging the Gap."
Street's Disciple came and went, however, without the level of commercial success that had become customary, as it struggled to go platinum. More troubling, new kid on the block 50 Cent took a swipe at Nas on "Piggy Bank," a call-out song on The Massacre (2005), further bringing the veteran rapper's status into question. In a surprising turn of events later that year, Nas made a surprise appearance at Jay-Z's much-hyped I Declare War concert in October 2005. Together the two rivals performed "Dead Presidents," Jay-Z's 1996 debut single; the classic song, produced by Ski Beatz and featured on Reasonable Doubt (1996), features a prominent sample of "The World Is Yours," a 1994 classic by Nas. The reconciliation of Jay-Z and Nas opened the door to a deal with Def Jam. The record label, overseen by Jay-Z as president at the time, signed Nas and, in turn, released Hip Hop Is Dead (2006). The album didn't sell especially well, but it did inspire a lot of commentary about the state of hip-hop and included a much-anticipated collaboration with Jay-Z, "Black Republican." A politically charged self-titled album, at one point considered to be titled N*gger, materialized in 2008, and not without some controversy of its own. ~ Jason Birchmeier, All Music Guide
Selected Discography

Untitled (Explicit)
2008

Greatest Hits
2007

Hip Hop Is Dead
2006

Hip Hop Is Dead (Explicit)
2006

Street's Disciple (Explicit)
2004

The Lost Tapes (Explicit)
2002

Stillmatic (Explicit)
2001

I Am... (Explicit)
1999

It Was Written (Explicit)
1996

Illmatic (Explicit)
1994
NAS make his commercial rap sound underground. . L i k e he's not even trying..One the greatest of all time..
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You know WWIII black america is not dead. There are those who don't know there is a purple world they can be part of. Nas depicts that world in his lyrics. So if you know about "blak Amerikka", then you would know it is hard coming from the bottom to the top all along the way you are figting for your right. Black america need to wake up, and join that purple world, they can't stop you. You can only stop your self.
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I searched Nas on pandora, they played N.Y. State of Mind, then a message came up over my station saying "We're sorry, we cannot find a match to the lyrical genuis named Nas, please put something we can actually match"
He's simply THE BEST |
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PEACE2 DA G.O.D MAN!! YOU CANNOT deny my G! sleep is the main cause o da' death!NAS movement 4 EVA!!!
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better than biggie, better than pac, better than jay z. nas ' flow is very fast but every word is perfectly clear.also it is much harder to rap about actual topics not just how rich u r(although he does plenty of that 2)
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Worthy, well educated rapper of all time. This Rapper will be inducted into the hall of fame.
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I got access to the nxt hotttest producer "Glacierboy" Canton,Ms 39046 home of Boo Da Boss PLayer
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NAS IS HIP-HOP PERIOD. IT AIN'T BOUT HOW WELL ALBUMS SOLD BUT THE STORIES HE TOLD. AND IF YOU DON'T UNDERSTAND THAT YOU DON'T UNDERSTAND HIP-HOP.
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Illmatic is definitely one of the best albums ever. Stillmatic, amazing. Street's Disciple, wow.
He might just be the best lyricist in the industry. |
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nas is hip hop. why? because he lyrically paints vivid pictures of the struggles, politics, things in our everyday life, and he's also a lyricist as well. even when nas and jay z had their battles, it was all good. hip hop is classically known for mc battles. nowadays everybody is bouncing to bangin' beats with no good lyrics. i garuntee you that nas has inspired many of todays hip hop artists
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REMEMBER YALL RAP HISTORY HAS A LONG PROFILE. IT GOES WAY BACK PAST SUGARHILL GANG DAYS. YOU CAN TAKE IT EVEN FURTHER BECAUSE RAP HAS ALWAYS BEEN AROUND. EVERYONE HAS THEIR OPINIONS ON RAP MUSIC. JUST BECAUSE RAPPERS RAP ABOUT THE PROJECTS,GUN S , H O E S AND RIMS ON YOUR CAR DOESN'T MAKE THEM GOOD RAPPERS. EVERY RAPPER DIDN'T COME FROM THE GHETTO. SOME RAPPERS RAP ABOUT GANGSTA STUFF BUT HAVE NEVER EXPERIENCE IT. ITS JUST SOMETHING FOR YOUR EARS AND YOUR POCKETS. CHECK OUT ATL RADIO STATIONS 89.3FM,
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NAS IS OKAY BUT HE DID HIS CREW DIRTY LOOK WHAT HE DID TO THE FIRM AND THEM WITH THE BRAVEHEARTS DUDE AINT LOYAL...
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Thats retarded, especally speaking about Nas. F**k off hater. You do not know the depth of the depravation of black america or the system of control that the government has in place to imprison black men to create a genocide on the entire black(NOT AFRICAN or "AFRICAN AMERICA") cluture in America. A system of class inslavement is the same as genocide and the American Government is quite sucessfully trying to keep blacks broke. Rap is a vocal outcry from the black community to help ease the minds
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i like sucking penis and im a guy r there any other gay hot guys out there holla at me
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This kid displays such a mastery of the language that he's got to be "God's Son".
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illmatic is one of the best but u think its nicer than ready to die or only built for cuban linx
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Nas will always be illmatic and hansome!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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Illmatic = epitome of greatness! Every one of his other albums are ok, but I just cannot say anymore about Illmatic, seriously IMO.
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Slug is raw. All those rappers like him and Nas are raw. Lil Wanyne suck dick.
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Now don't get me wrong, I'm a HUGH fan of all three emcees, but I wouldn't be so quick to call them THE BEST alive... At least consider emcees like Gift of Gab, Slug, Eyedea, KRS-One and others before making that claim.
P.S.- I despise rappers like Lil' Wayne just as much as everyone else on this message board! |
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Nas is in the top 10 mc"s alltime. Easily. Untitled is off the chain. Cats want to knock hip-hop. Listen to this cd. Really listen.Dude is a worldly brother. An , he speaks about worldly issues. His flow is outstanding. Incredible Artist.
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nas speaks to me. He talks real and speaks directly to you. I respect him and everything that he tries to stand for.
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I dont know anyone else who has his lyrical ability as well as his creativity. Listen, not just hear, "I gave you power" "Fetus" I mean how does he think of this stuff. Not to mention he actually talks about relevant events happening in the world
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one of the last mainstream rappers holding true to real hiphop and not producing bullshit dance music.
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