Nina Simone
Biography
Of all the major singers of the late 20th century, Nina Simone was one of the hardest to classify. She recorded extensively in the soul, jazz, and pop idioms, often over the course of the same album; she was also comfortable with blues, gospel, and Broadway. It's perhaps most accurate to label her as a "soul" singer in terms of emotion, rather than form. Like, say, Aretha Franklin, or Dusty Springfield, Simone was an eclectic who brought soulful qualities to whatever material she interpreted. These qualities were among her strongest virtues; paradoxically, they also may have kept her from attaining a truly mass audience. The same could be said of her stage persona; admired for her forthright honesty and individualism, she was also known for feisty feuding with audiences and promoters alike.
If Simone had a chip on her shoulder, it probably arose from the formidable obstacles she had to overcome to establish herself as a popular singer. Raised in a family of eight children, she originally harbored hopes of becoming a classical pianist, studying at New York's prestigious Juilliard School of Music -- a rare position for an African-American woman in the 1950s. Needing to support herself while she studied, she generated income by working as an accompanist and giving piano lessons. Auditioning for a job as a pianist in an Atlantic City nightclub, she was told she had the spot if she would sing as well as play. Almost by accident, she began to carve a reputation as a singer of secular material, though her skills at the piano would serve her well throughout her career.
In the late '50s, Simone began recording for the small Bethlehem label (a subsidiary of the vastly important early R&B/rock & roll King label). In 1959, her version of George Gershwin's "I Loves You Porgy" gave her a Top 20 hit -- which would, amazingly, prove to be the only Top 40 entry of her career. Nina wouldn't need hit singles for survival, however, establishing herself not with the rock & roll/R&B crowd, but with the adult/nightclub/album market. In the early '60s, she recorded no less than nine albums for the Candix label, about half of them live. These unveiled her as a performer of nearly unsurpassed eclecticism, encompassing everything from Ellingtonian jazz and Israeli folk songs to spirituals and movie themes.
Simone's best recorded work was issued on Philips during the mid-'60s. Here, as on Candix, she was arguably over-exposed, issuing seven albums within a three-year period. These records can be breathtakingly erratic, moving from warm ballad interpretations of Jacques Brel and Billie Holiday and instrumental piano workouts to brassy pop and angry political statements in a heartbeat. There's a great deal of fine music to be found on these, however. Simone's moody-yet-elegant vocals were like no one else's, presenting a fiercely independent soul who harbored enormous (if somewhat hard-bitten) tenderness.
Like many African-American entertainers of the mid-'60s, Simone was deeply affected by the Civil Rights Movement and burgeoning Black Pride. Some (though by no means most) of her best material from this time addressed these concerns in a fashion more forthright than almost any other singer. "Old Jim Crow" and, more particularly, the classic "Mississippi Goddam" were especially notable self-penned efforts in this vein, making one wish that Nina had written more of her own material instead of turning to outside sources for most of her repertoire.
Not that this repertoire wasn't well-chosen. Several of her covers from the mid-'60s, indeed, were classics: her revision of Weill-Brecht's "Pirate Jenny" to reflect the bitter elements of African-American experience, for instance, or her mournful interpretation of Brel's "Ne Me Quitte Pas." Other highlights were her versions of "Don't Let Me Be Misunderstood," covered by the Animals for a rock hit; "I Put a Spell on You," which influenced the vocal line on the Beatles' "Michelle"; and the buzzing, jazzy "See Line Woman."
Simone was not as well-served by her tenure with RCA in the late '60s and early '70s, another prolific period which saw the release of nine albums. These explored a less eclectic range, with a considerably heavier pop-soul base to both the material and arrangements. One bona fide classic did come out of this period: "Young, Gifted & Black," written by Simone and Weldon Irvine, Jr., would be successfully covered by both Aretha Franklin and Donny Hathaway. She did have a couple of Top Five British hits in the late '60s with "Ain't Got No" (from the musical Hair) and a cover of the Bee Gees' "To Love Somebody," neither of which rank among her career highlights.
Simone fell on turbulent times in the 1970s, divorcing her husband/manager Andy Stroud, encountering serious financial problems, and becoming something of a nomad, settling at various points in Switzerland, Liberia, Barbados, France, and Britain. After leaving RCA, she recorded rarely, although she did make the critically well-received Baltimore in 1978 for the small CTI label. She had an unpredictable resurgence in 1987, when an early track, "My Baby Just Cares for Me," became a big British hit after being used in a Chanel perfume television commercial. In 1993, her record A Single Woman marked her return to an American major label, and her profile was also boosted when several of her songs were featured in the film Point of No Return. She published her biography, I Put a Spell on You, in 1991, but grew increasingly frail throughout the late '90s and had to be helped on to the stage during a 2001 Carnegie Hall performance. Nina Simone died on April 21, 2003 at her home in Carry-le-Rouet, France, where she had been spending much of her retirement. ~ Richie Unterberger, All Music Guide
Selected Discography

The Definitve Collection
2006

Forever Young, Gifted & Black: Songs Of Freedom And Spirit
2006

Nina Simone Sings The Blues
2006

Silk & Soul
2006

Remixed And Reimagined
2006

For Lovers
2005

Nina Simone Love Songs
2005

The Soul Of Nina Simone
2005

Nina Simone: The Jazz Biography
2004

The Diva Series: Nina Simone
2003

Anthology
2003

Nina Simone's Finest Hour
2000

After Hours
1995

Nina Simone
1995

The Essential Nina Simone
1993
Well I am shocked the top listeners are listening to outcast and blige and not patsy cline and howlin wolf...Hmmph . . . w e l l ok then thats cool too
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...closing time in a smoky club, an empty whisky in one hand, my heart in the other.
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My all-time favorite artist. Nina takes me places I never even knew existed, sending us her soul through her voice...SHE IS RAW EMOTION.
Thank you, Nina, your music will always live on. |
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Augh, her voice sends me into the sky above. I treasure someone who uses the talents they were given, and this classy Gal for sure is sharing her given gift to us. Her voice sends finger nails up my spine - and puts me into a mood for a sniffer of brandy and night of passion. Just perfume - thats it!
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Nina, changed my life. To be quite honest, I don't know if we have had a finer musician walk this earth. She stuck a chord that has rattled my soul, like some church bell off in the distance. Beautiful, in every sense of the word.
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A dear friend brought the music of Nina Simone into my life. I am forever grateful. My friend and I were fortunate enough to see Nina both in Ann Arbor and Chicago before she died. Ann Arbor was amazing, I was brought to tears several times. Chicago was a good performance, but the crowd was SO disrespectfu l . She came out, did the show and that was that. I am so happy I got to see the real Nina Simone, not the one simply going through the motions for the ticket holders.
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In college, we knew all of her songs, especially Four Women. We all wanted to be "Peaches"!!!
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In the late 60's or early '70's I saw (rather experienced) Nina in a tiny venue, Page Hall at the "then" SUNYA. We were 2 of possibly six white faces in an essentially all black audience. The air was electric, it was during the Nam/Black Panther SDS era. It may well have been just after the horrific FBI raid on the Panthers which killed so many protesters. ( I ceased long ago to see them as terrorists) I was very young and naive` then and as I type this (today 40 yrs later) I am washed over
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she has done literally Sublime songs...
Check especially.. . I n the morning !!!!!!!!!!!! |
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oh, also, check out Simone, her daughter is an amazing performer in her own right. She released "Simone on Simone" in the past year and it is fantastic.
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Anybody have a copy of the album "A Single Woman"? I burned through my cassette, and can't find a cd anywhere. help- it's one of my favorites! thruthetrees @ h o t m a i l . c o m .
thanks! |
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WITH HER REGAL BEARING AND COMMANDING STAGE PRESENCE, NINA SIMONE, "THE HIGH PRIESTESS OF SOUL" IS WITHOUT A DOUBT ONE OF MY ALL-TIME FAVORITE VOCALIST. HER SONG, "FOUR WOMEN", DEALS WITH FOUR DIFFERENT STEREOTYPES OF AFRICAN-AMER I C A N WOMEN IS SUPERB. LONG LIVE HER MUSIC!!!!
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NINA SIMONE'S VOCAL STYLE IS CHARACTERIZE D BY INTENSE PASSION, A LOOSE VIBRATO, AND A SLIGHTLY ANDROGYNOUS TIMBRE, IN PART DUE TO HER UNUSUALLY LOW VOCAL RANGE WHICH VEERED BETWEEN THE ALTO AND TENOR RANGES (OCCASIONALL Y EVEN REACHING BARITONE LOWS.)
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i really love this artist of music....I'm 45 years old and I actually crave this music. i do not remember my parents listening to this but I really feel like I was there when this music was actually being sung...Prais e God for people of this status. He really shines through the dark clouds of cloudy and confused days of the early 1900's...... . . . K e e p this music playing and we will continue to have hope..
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She made an album in the 70s that you don't hear about very often called Emergency Ward. One entire side is a live recording of Lennon's "My Sweet Lord". It's absolutely beyond belief!!!
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How many singers today make you feel the emotions like Nina? One can enjoy others music, but hers is quite different. One is really taken into her realm. Thank you Nina.
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I love the way she gets in your mind to make you feel like that soul singing is your life that she is talking about
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truly one of the most sincere voices in the jazz/blues/s o u l genres. she's immortal.
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I have loved me some Nina Simone since I was 9 years old, now I'm 51 years old and I STILL LOVE HER!
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She came to my home town, when she was at the end of her life. Her voice wasn't at the end ... still at the highest. Amazing ARTIST!
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I LOVE NINA SIMONE! HER MUSIC IS CAPTIVATING! I WANT SOME SUGAR IN MY BOWL!
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I love Nina Simone's rendition of Porgy I Loves You so much she is without a doubt the best at showing the emotion of this song, her way of expressing the mood of this song is so incredible. I wish I could have met her. ....
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"strange fruit" is a song which will always make me sit down and listen. this lady is truly that, a lady. what a talent. words can go only so far in describing her talent for vocal emoting. mmmmmm..... Nina!
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One of the greatest singers of all time that fit's NO genre! There isn't enough that can be said about her! Truly an American original!Her birth name was Eunice Waymond...I' m so glad she changed it
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