Pixies
Biography
Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. The Pixies weren't accomplished musicians -- Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie guitar rock, classic pop, surf rock, and stadium-sized riffs with singer/guitarist Black Francis' bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture; while the meaning of his lyrics may have been impenetrable, the music was direct and forceful.
The Pixies' busy, brief songs, extreme dynamics, and subversion of pop song structures proved one of the touchstones of '90s alternative rock. From grunge to Brit-pop, the Pixies' shadow loomed large -- it's hard to imagine Nirvana without the Pixies' signature stop-start dynamics and lurching, noisy guitar solos. While the Pixies were touted as the band to bring indie rock into the mainstream, they simply laid the groundwork for the alternative explosion of the early '90s. MTV was reluctant to play their videos, while even modern rock radio didn't put their singles into regular rotation. Furthermore, tensions between leader Black Francis and bassist/vocalist Kim Deal, who wanted to incorporate her songs into the band's repertoire, crippled the band's progress. By the time Nirvana broke the doors down for alternative rock in 1992, the Pixies were effectively broken up.
The Pixies were formed in Boston, MA, in 1986 by Charles Thompson and his roommate, Joey Santiago. Born in Massachusetts and constantly shuttling between there and California, Thompson began playing music as a teenager, before he moved to the East Coast for good during high school. Following graduation, he became an anthropology major at the University of Massachusetts. Half way through his studies at the college, he went to Puerto Rico to study Spanish, and after six months he decided to move back to the U.S. to form a band. Thompson dropped out of school and moved to Boston, managing to persuade Santiago to join him. Advertising in a music paper for a bassist who liked "Hüsker Dü and Peter, Paul & Mary," the duo recruited Kim Deal (who was billed as Mrs. John Murphey on the group's first two records), who had previously played with her twin sister Kelly in the folk-rock garage band the Breeders in her hometown of Dayton, OH. On the advice of Deal, the group recruited drummer David Lovering. Inspired by Iggy Pop, Thompson picked the stage name Black Francis and the group named itself the Pixies after Santiago randomly flipped through the dictionary.
By the fall, the Pixies had played enough gigs to land a supporting slot for fellow Boston band Throwing Muses. At the Muses concert, Gary Smith, an artist manager and producer at Boston's Fort Apache studios, heard the group and offered to record them. In March 1987, the Pixies recorded 18 songs over the course of three days. The demo, dubbed The Purple Tape, was given to key players within the Boston musical community and the international alternative scene, including Ivo Watts, the head of England's 4AD Records. Impressed with the cassette, Watts signed the band and released eight of the demo's songs as the EP Come On Pilgrim in 1987.
The Pixies convened to record their first full-length album, Surfer Rosa, with producer Steve Albini, who had pioneered the thin, abrasive indie-guitar grind with Big Black. Albini gave the band a harder-edged, abrasive guitar sound, yet the group retained its melodic hooks. Released in the spring of 1988, Surfer Rosa earned enthusiastic reviews from the British weekly music press and became a college radio hit in America; in the U.K., the album made inroads on the pop charts. By the end of the year, the buzz on the Pixies had become substantial, and the group signed to Elektra Records. At the end of 1988, the group reentered the studio, this time with British producer Gil Norton. Released in the spring of 1989, Doolittle boasted a cleaner sound and received excellent reviews, which led to greater exposure in America. "Monkey Gone to Heaven" and "Here Comes Your Man" became Top Ten modern rock hits, clearing the way for Doolittle to peak at number 98 on the U.S. charts; in the U.K., it entered the charts at number eight. Throughout their career, the Pixies were more popular in Britain and Europe than America, as evidenced by the success of the Sex and Death tour. The band became notorious for Black Francis' motionless performances, which were offset by Deal's charmingly earthy sense of humor. The tour itself became infamous for the band's in-jokes, such as playing their entire set list in alphabetical order. By the completion of their second American tour for Doolittle at the end of 1989, the group had begun to tire of each other and decided to take a hiatus during the beginning of 1990.
During the hiatus, Black Francis went on a brief solo tour and Kim Deal formed a group with Tanya Donnely from the Throwing Muses and bassist Josephine Wiggs of Perfect Disaster, naming it after her teenage band, the Breeders. The Breeders recorded the Albini-produced Pod, which appeared on 4AD in early summer 1990, shortly after the Pixies reconvened to record their third album with Gil Norton. More atmospheric than its predecessors, and relying heavily on Francis' surf rock obsession, Bossanova was released in the fall of 1990; unlike Surfer Rosa or Doolittle, it contained no songs by Deal. Bossanova was greeted with decidedly mixed reviews, but the record became a college hit, generating the modern rock hits "Velouria" and "Dig for Fire" in the U.S. In Europe, the record expanded the group's popularity, hitting number three on the U.K. album charts and paving the way for their headlining appearance at the Reading Festival. Though the supporting tours for Bossanova were successful, tension continued to grow between Kim Deal and Black Francis -- at the conclusion of their English tour, Deal announced from the stage of the Brixton Academy that the concert was "our last show."
While the Pixies did cancel their planned American tour, due to "exhaustion," the band reconvened in the spring of 1991 to record its fourth album, again with Gil Norton. Hiring former Captain Beefheart and Pere Ubu keyboardist Eric Drew Feldman as an auxiliary member, the band moved back toward loud rock, claiming to be inspired by the presence of Ozzy Osbourne in a neighboring studio. Upon its fall release, Trompe le Monde was hailed by some as a welcome return to the sound of Surfer Rosa and Doolittle, but closer inspection revealed that it relied heavily on sonic detail and featured very few vocals by Deal and none of her songs. The band embarked on another international tour, playing stadiums in Europe but theaters in America. During the spring of 1992, the Pixies opened for U2 on the opening leg of the Zoo TV tour; it would be their last trek through the United States. Upon the conclusion of the Zoo TV tour the Pixies went on hiatus, with Deal returning to the Breeders, who releasing the EP Safari later that spring. Francis began working on a solo album.
As he was preparing to release his solo debut, Francis gave an interview on BBC's Radio 5, announcing that the Pixies were disbanding. He hadn't yet informed the other members; later that day, he faxed them his statement. Inverting his stage name to Frank Black, Francis released his eponymous debut that spring to mixed reviews; over the next few years, Frank Black's audience gradually shrank to a small cult following. The Breeders released their second album, Last Splash, in the fall of 1993. The album became a surprise hit, going gold in the U.S. and spawning the hit single "Cannonball." Soon after, Deal also formed the Amps, who released their one (and only) album, Pacer, in 1995. Santiago and Lovering formed the Martinis in 1995 and appeared on the soundtrack to Empire Records. Although 4AD began issuing archival Pixies releases, including Death to the Pixies 1987-1991, Pixies at the BBC, and Complete B-Sides in the late '90s and early 2000s, those were relatively quiet years for the band's members.
After releasing the disappointing The Cult of Ray for American in 1996, Black shuffled between different labels before ending up at spinART for 1999's Pistolero, where he also released his subsequent solo albums, most of which were met with a fair-to-middling response. Deal and the rest of the Breeders, meanwhile, suffered from problems ranging from substance abuse to writer's block, and only surfaced intermittently, spending time in the studio but only having a cover of the Three Degrees' "Collage" on the soundtrack to 1999's The Mod Squad to show for their efforts until they released Title TK in 2002. David Lovering left the Martinis and became the touring drummer for Cracker, and also appeared on Tanya Donelly's Sliding and Diving, but found himself unemployed in the late '90s. Combining his studies in electronic engineering at Wentworth Institute of Technology and his years of performing experience, Lovering dubbed himself a "scientific phenomenalist," a cross between a scientist, performance artist, and magician, and warmed up the crowds at Frank Black, Breeders, Camper Van Beethoven, and Grant Lee Buffalo concerts. Santiago and his wife Linda Mallari continued the Martinis through the '90s, recording several demos and self-released albums. Santiago also began a career composing soundtracks and incidental music, beginning with the score for 2000's Crime & Punishment in Suburbia, to which Black also contributed a track.
At the time, rumors circulated that Santiago would join Black on-stage during one of his London dates on the Dog in the Sand tour; though this didn't happen, it at least sparked hopes that the Pixies would eventually reunite. These hopes seemed unfounded until 2003, when Black revealed in an interview that he had considered reuniting the band and that he, Deal, Santiago, and Lovering occasionally got together to jam. Soon after, it was confirmed that the Pixies would reunite in 2004 for U.S. tours in the spring and fall; an appearance at that year's Coachella festival; and gigs in Europe and the U.K. that summer, including performances at the T in the Park, Roskilde, Pinkpop, and V festivals. All 15 of the band's North American warm-up tour dates were recorded and released in limited editions of 1,000 copies, which were sold online and at the shows. The week after the Pixies' Coachella appearance, the long-awaited DVD retrospective Pixies and revamped best-of Wave of Mutilation: The Best of Pixies were released by 4AD. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Best Of Pixies: Wave Of Mutilation
2004

Pixies (Purple Tape)
2002

Complete 'B' Sides
2001

Pixies At The BBC
1998

Trompe Le Monde
1991
HELP ME FIND OUT THE SCARIEST MOVIE EVER MADE..VISIT MY PAGE AND TELL ME WHAT MOVIE YOU THINK IS THE SCARIEST MOVIE YOU EVER SAW. THANKS
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Saw Pixies and Jesus Mary Chain in '90 at Rocky Point Palladium in RI, (sorry to see its demise). It was such a fun show-- my birthday and all-- it was absolutely freezing outside (Dec.), but warm inside. God bless, Pixies! Special thanks to my girlfriend for getting me home...
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I saw them in Colorado @ Red Rocks about three or four yrs ago with the Violent femmes and some other local band. That was one of the best shows I have ever been too. If you get a chance you need to check out Red Rocks. It's the best venue for any show. I freakin love the Pixies!!!!!
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It's Pixies- i.e. just like its not 'The' Meat Puppets
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Of course they're touring I GOT TICKETS!!! or Ticket. I can't enjoy myself when I'm with people-my own personal demons I guess. Anyway, it's funny because I just saw the Breeders on the 18th and they kicked a** and the buzz in the crowd was those November Pixies shows
And yes, I hate knowing the set list before the show-lets be spontanious |
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The Pixies are touring, they're playing three nights in new york city in November. 20 years since Doolittle, I believe they're playing it in it's entirity. I don't like the whole "bands playing albums" thing. I mean, do it if you want but must you tell us before? I wanna be somewhat surprised
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kyle dean kirk the 3rd ..go to http://frank b l a c k . n e t / t a b s /
Has Frank Black as well as Pixies tabs |
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i agree adamseantarr , besides these guys have some great stuff, especially on rosa, good alternative band, especially considering they were pre-nirvana at that point
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geez i just realized, what kind of person would i be if never heard of these guys? seriously!!
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pup you couldnt misunderstan d punk and its progeny more completely if you tried: iggy pop, ny dolls, etc. all show that subverting conventional notions of gender is aggressive and punk.
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not saying this group isn't good, but i don't get the rave, a little overrated in my book. modest mouse predecessors ? kinda gay, and a bad name for punk which is supposed to be more aggressive.
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screaming where is my mind at the top of my lungs, well, it saved my tiny little life way back when ... still hurtin/but livin ...
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One of the most influential bands of all time, and great fun to listen to.
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i recently learned caribou on guitar not as hard as it sounds but still a sweet song
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Yeah they are playing in the UK and Europe, Jay! I do not believe they are playing in the States. Nothing has been confirmed. If they were playing i would be one of the first at their show.
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they wont tour in the united states as the pixies ever again supposedly
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come on pilgrim is the best pixie albumn. and bigshow watch your back frank, joey, dave, and kim are looking to kick your a**!
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This is kind of sad. I wish there was a age limit on the comment pages. Yes I'm talkin about you bigshow5.
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Did I say there was anything wrong with being a heroin addict? Way to read something into someone's comment. That's real good.
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THERES A GIRL IN THE BAND NOW THATS F****** FUNNNY CANT HAVE A BAND WITH A GIRL IN IT
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good point iamphen2, drugs promote creativity. and if you like the music, what does it matter what they were taking when they made it. it doesnt mean you have to go do it too
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bromide...do e s it bother you that they used drugs? if so i implore you to listen to the advice of bill hicks,basica l l y he said that if you hate drugs that much you better go burn most of your music,art and literature,b e c a u s e the people that made that stuff we're reeeeaaallll l y f'ed-up on drugs.not that i think people should use drugs to channel their creativity but...the proof ,as they say,is in the pudding.
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