Rancid
Biography
One of the cornerstone bands of the '90s punk revival, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a bit of post-hardcore crunch. While some critics dismissed Rancid as derivative, others praised their political commitment, surging energy, and undeniable way with a hook. And, regardless of critical debate over their significance, the band's strengths made them perhaps the most popular neo-punk band after Green Day and the Offspring. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record (like the aforementioned bands who hit the mainstream first), that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar.
Rancid were formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy, Armstrong as "Lint" and Freeman as Matt McCall. After Op Ivy disbanded in 1989, Armstrong and Freeman spent a few weeks in the ska-punk outfit Dance Hall Crashers, as well as Downfall; Freeman later briefly joined the hardcore band MDC. Meanwhile, Armstrong was waging a battle with alcoholism (but, fortunately, winning), and to help keep his friend occupied, Freeman suggested they escape their day jobs by forming a new band, which became Rancid. The duo added drummer Brett Reed, Armstrong's roommate and a familiar presence on the Gilman Street scene where Operation Ivy had cut their teeth. Just a couple of months later, Rancid were performing live around the area, and in 1992 they released a five-song debut EP on Lookout! Records.
The EP caught the attention of Epitaph Records founder/Bad Religion guitarist Brett Gurewitz, and Epitaph signed Rancid to a highly favorable contract guaranteeing the group a generous amount of creative control. The band's eponymously titled, first full-length album arrived in 1993, pursuing an up-tempo, hardcore/skatepunk style with few hints of early British punk. Rancid had been seeking a second guitarist, and Green Day's Billie Joe Armstrong even played live with the group at one show. They pursued Lars Frederiksen, a Bay Area resident who'd joined a later incarnation of U.K. Subs and was performing with the band Slip; Frederiksen initially declined Rancid's invitation to join, but when Slip disbanded, he quickly changed his mind and came along on Rancid's first tour. Frederiksen made his recording debut on the early-1994 EP Radio Radio Radio, a side dalliance on Fat Wreck Chords. Released later that year, Let's Go was the album that made Rancid's name in the punk underground. It marked the beginnings of their fascination with the 1977-era London punk scene, particularly the Clash, and it also provided their first widespread exposure when MTV picked up on the video for the single "Salvation." Let's Go quickly went gold, and with the breakout mainstream success of Green Day and the Offspring that year, major-label interest in Rancid quickly escalated into a full-fledged bidding war (even Madonna's Maverick imprint got in on the action). Ultimately, Rancid decided that no major could offer them the level of decision-making power that Epitaph had given them, and stayed right where they were.
Rancid scored a major success with their next album, 1995's ...And Out Come the Wolves, whose title was a reference to the near-predatory interest in signing the band. The Clash fetish was even more pronounced, augmented with a greater interest in the original Two-Tone ska revival the Clash had helped influence (bands like the Specials). "Ruby Soho" was a major MTV and radio hit, and "Time Bomb" and "Roots Radicals" were hits in their own right. The album went platinum and made Rancid one of the most visible punk bands around. They played the 1996 Lollapalooza Tour, and afterward took a short break, their first since becoming a quartet. During that time, Freeman played with former X singer Exene Cervenka in Auntie Christ, while Armstrong set up the Epitaph subsidiary Hellcat; he and Frederiksen both began doing production work for other bands they hoped to spotlight.
Rancid returned in 1998 with the even more ska-heavy Life Won't Wait, a guest-star-loaded affair that featured members of ska bands the Specials and Hepcat, Dicky Barrett of the Mighty Mighty Bosstones, dancehall reggae star Buju Banton, and Agnostic Front vocalist Roger Miret. While it didn't cross over on the level of ...And Out Come the Wolves, it demonstrated that Rancid retained a substantial fan base. For the 2000 follow-up, their second self-titled release, the group largely scrapped its ska-punk side, recording a visceral, hardcore-influenced album that blasted through 22 songs in under 40 minutes (in contrast to its two lengthy predecessors). Perhaps for that reason, Rancid received a highly positive response from the punk community. The band's installment in the BYO split series arrived in March 2002 alongside NOFX, each band covering six of the other's songs. Rancid's next full-length, Indestructible, followed a year later; though technically released through Hellcat, the album was their first that got additional support from a major label via Warner Bros. The highly personal album (songs were inspired by the deaths of family and friends, and Armstrong's bitter 2003 divorce from Distillers frontwoman Brody Dalle) hit number 14 on the Billboard charts, as "Fall Back Down" did well on radio and MTV.
Following the record's release, Rancid went on something of a hiatus, its members working on various side projects: Armstrong continued work with the Transplants, his band with Rob Aston and blink-182 drummer Travis Barker, and collaborated with various artists, including Pink; Frederiksen further played with his side band Lars Frederiksen and the Bastards; Freeman briefly joined Social Distortion from 2004-2005. By the spring of 2006, a revitalized Rancid regrouped; they toured worldwide starting that summer to the delight of fans. Several shows, however, had to be postponed and rescheduled after Frederiksen collapsed on-stage in Montreal, apparently suffering a seizure. Soon enough, though, he was back and the band continued on. Rancid promised a new record for the following year, and Armstrong released his first solo album, A Poet's Life, that fall through Epitaph by releasing songs online for free download over the course of several months. With the band getting back on track, it then came as a shock in November 2006 when Reed announced he was leaving Rancid after 15 years; the split appeared to be amicable and he was soon replaced behind the kit by ex-Used drummer Branden Steineckert. After taking some time to look back at their luminous history with a B Sides and C Sides compilation, a music videos collection, and an online webisode retrospective dating back to the bandmembers' days in Operation Ivy, Rancid returned to the studio to record 2009's Let the Dominoes Fall at George Lucas' Skywalker Sound Studio with Brett Gurewitz producing. ~ Steve Huey, All Music Guide
Selected Discography

Let The Dominoes Fall
2009

Indestructible (Explicit)
2003

Rancid (2000)
2000

Life Won't Wait
1998

Roots Radicals / I Wanna Riot
1995
"Saw Then in 95, in Dallas. Me and my crew Faced off w/ some Nazis in the Pit.
Butt the show was too good to get kicked out, so we all decided to just enjoy the show. one of the best shows i've been to!" You sir, are a Nazi sympathizer. |
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i love rancid. probably my favorite band of all time. there is just one thing that irritates me, matt freeman is an amazing musician, but i don't want to hear him sing, especially an entire song, not even a few lines here and there. his voice is like nails on a chalk board for me.
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Honestly, Rancid is good in 30 minute chunks, otherwise I get bored of them fast. They don't throw you for many loops, and their singer is kinda annoying after too long. It's nice that he stays true to the old school punk style, but lets face it, some of those guys had s**tty voices, like Johnny Rotten. But that being said, ...And Out Come the Wolves is their best album. F**king Ruby SoHo, great bit o' Ska punk there.
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never get sick of Let's Go. First album was pretty good, too. No, hell, I think I like 'em all.
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Saw Then in 95, in Dallas. Me and my crew Faced off w/ some Nazis in the Pit.
Butt the show was too good to get kicked out, so we all decided to just enjoy the show. one of the best shows i've been to! |
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Rancid is definitely one of my all time favorite bands
"Let The Dominoes Fall" and "...And Out Come The Wolves" are the best Olympia,WA.. . H e c k Yes!!!! |
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rancid is one of the first bands i got into... but years later they suck...im wayyy over them
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Jeff, you really should get "...And Out Come the Wolves". Many people consider that their best
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he isnt no victor wooten, but yea, the man has skills on the 4 string.the maxwell murder solo is SO cool
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Matt Freeman shouldn't just be classified as one of the best punk bassists around, but one of the best bassits period. The guy is amazing.
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What is everybody's favorite album? I only have "Let's Go" and their self-titled, so I'd go with Let's Go.
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matt freeman is deffenitley an awesome bassist. i also like tim armstrongs songs better than frederiksens but thats just my opinon
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My old friend Big L he's not doing so well
Me and Big L grew up across the freeway from the track WE spent may days at the track I see Big L come rollin up the street On his little sister's pink ten speed He said "Tim, Tim don't you remember me?" "way back from 1973?" Every time i se him he has to remind me Like i would ever forget Big L Then he's gone Like a flash Then he's gone Like a flash yeah like a flash |
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he said this is a mecca i said this ain't no mecca man, this place's f**ked
3 months go by, he had no home he had no food he's all alone |
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I love you Lars and Tim and opp Ivy and the bastards and Rancid etc. Just love it all
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my god people, it's just music! Enjoy it for what it is. If you don't like it, FINE! If you think a band sold out, FINE! If you don't think a band sold out, FINE! That's why we have differences in life or else this life would sure suck a lot more than it does now. I guess all of you think the Melvins suck because they took some slow-grudge- S a b b a t h type riffs and implemented them into puck. My god, it's JUST MUSIC! Enjoy it for what it is or just SHUT UP!
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how about instead of crying about how sad you are that a punk band actually made it past two records you listen to music we can all agree on. how the f**k does rancid get three pages of total hatred and none of y'alls have even heard of Bomb The Music Industry? The Menzingers? Have any of you even ever been to a show? STOP POSTING THIS MEDIOCRE GARBELAGE IT BORES ME.
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i dont think rancid sold out, in order to sell out, u have to conform to what the record company tells you to do, this is why they stayed with epitaph and hellcat, and just becasue u make money doesnt mean you sell out. its when u care only about the money and whats popular is when you sell out
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I need to think up new words to describe willow. And you are totally right about the whole "selling out" thing. Money makes the world go round. With out money you don't eat. Without food Rancid couldn't live (DUH!) so then there would be no music.
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i know i ain't punk, but is "selling out" REALLY that bad? do the criteria for selling out include signing with a major label and getting ur video played on MTV? i know it's important to not leave and dis ur old fan base, but they just want some moneys, don't they?...yo Ironman, dont call Willow a retard. he'd give retards a bad name...:P i would know personally, because i work with mentally challenged, and at least they're not asses like that douche...
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wow why can't we all just like the f**king music we want to without other people bagging on it...s**t i'm starting to think everyone who makes the sell-out comment on a band is a s**t head...keep it to yourself, some people like it.
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Sorry Weeping Wilow, That Was Kinda Uncalled For.
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