Rancid
Biography
One of the cornerstone bands of the '90s punk revival, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a bit of post-hardcore crunch. While some critics dismissed Rancid as derivative, others praised their political commitment, surging energy, and undeniable way with a hook. And, regardless of critical debate over their significance, the band's strengths made them perhaps the most popular neo-punk band after Green Day and the Offspring. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record (like the aforementioned bands who hit the mainstream first), that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar.
Rancid were formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy, Armstrong as "Lint" and Freeman as Matt McCall. After Op Ivy disbanded in 1989, Armstrong and Freeman spent a few weeks in the ska-punk outfit Dance Hall Crashers, as well as Downfall; Freeman later briefly joined the hardcore band MDC. Meanwhile, Armstrong was waging a battle with alcoholism (but, fortunately, winning), and to help keep his friend occupied, Freeman suggested they escape their day jobs by forming a new band, which became Rancid. The duo added drummer Brett Reed, Armstrong's roommate and a familiar presence on the Gilman Street scene where Operation Ivy had cut their teeth. Just a couple of months later, Rancid were performing live around the area, and in 1992 they released a five-song debut EP on Lookout! Records.
The EP caught the attention of Brett Gurewitz and his well-respected Epitaph label, which signed Rancid to a highly favorable contract guaranteeing them a generous amount of creative control. The band's eponymously titled, first full-length album arrived in 1993, pursuing an up-tempo, hardcore/skatepunk style with few hints of early British punk. Rancid had been seeking a second guitarist, and Green Day's Billie Joe Armstrong even played live with the group at one show. They pursued Lars Frederiksen, a Bay Area resident who'd joined a later incarnation of U.K. Subs and was performing with the band Slip; Frederiksen initially declined Rancid's invitation to join, but when Slip disbanded, he quickly changed his mind and came along on Rancid's first tour. Frederiksen made his recording debut on the early-1994 EP Radio Radio Radio, a side dalliance on Fat Wreck Chords. Released later that year, Let's Go was the album that made Rancid's name in the punk underground. It marked the beginnings of their fascination with the 1977-era London punk scene, particularly the Clash, and it also provided their first widespread exposure when MTV picked up on the video for the single "Salvation." Let's Go quickly went gold, and with the breakout mainstream success of Green Day and the Offspring that year, major-label interest in Rancid quickly escalated into a full-fledged bidding war (even Madonna's Maverick imprint got in on the action). Ultimately, Rancid decided that no major could offer them the level of decision-making power that Epitaph had given them, and stayed right where they were.
Rancid scored a major success with their next album, 1995's ...And Out Come the Wolves, whose title was a reference to the near-predatory interest in signing the band. The Clash fetish was even more pronounced, augmented with a greater interest in the original Two-Tone ska revival the Clash had helped influence (bands like the Specials). "Ruby Soho" was a major MTV and radio hit, and "Time Bomb" and "Roots Radicals" were hits in their own right. The album went platinum and made Rancid one of the most visible punk bands around. They played the 1996 Lollapalooza Tour, and afterward took a short break, their first since becoming a quartet. During that time, Freeman played with former X singer Exene Cervenka in Auntie Christ, while Armstrong set up the Epitaph subsidiary Hellcat; he and Frederiksen both began doing production work for other bands they hoped to spotlight.
Rancid returned in 1998 with the even more ska-heavy Life Won't Wait, a guest-star-loaded affair that featured members of ska bands the Specials and Hepcat, Dicky Barrett of the Mighty Mighty Bosstones, dancehall reggae star Buju Banton, and Agnostic Front vocalist Roger Miret. While it didn't cross over on the level of ...And Out Come the Wolves, it demonstrated that Rancid retained a substantial fan base. For the 2000 follow-up, their second self-titled release, the group largely scrapped its ska-punk side, recording a visceral, hardcore-influenced album that blasted through 22 songs in under 40 minutes (in contrast to its two lengthy predecessors). Perhaps for that reason, Rancid received a highly positive response from the punk community. The band's installment in the BYO split series arrived in March 2002 alongside NOFX, each band covering six of the other's songs. Rancid's next full-length, Indestructible, followed a year later; though technically released through Hellcat, the album was their first that got additional support from a major label via Warner Bros. The highly personal album (songs were inspired by the deaths of family and friends, and Armstrong's bitter 2003 divorce from Distillers frontwoman Brody Dalle) hit number 14 on the Billboard charts, as "Fall Back Down" did well on radio and MTV.
Following the record's release, Rancid went on something of a hiatus, its members working on various side projects: Armstrong continued work with the Transplants, his band with Rob Aston and blink-182 drummer Travis Barker, and collaborated with various artists, including Pink; Frederiksen further played with his side band Lars Frederiksen and the Bastards; Freeman briefly joined Social Distortion from 2004-2005. By the spring of 2006, a revitalized Rancid regrouped; they toured worldwide starting that summer to the delight of fans. Several shows, however, had to be postponed and rescheduled after Frederiksen collapsed on-stage in Montreal, apparently suffering a seizure. Soon enough, though, he was back and the band continued on. Rancid promised a new record for the following year, and Armstrong released his first solo album, A Poet's Life, that fall through Epitaph by releasing songs online for free download over the course of several months. With the band getting back on track, it then came as a shock in November 2006 when Reed announced he was leaving Rancid after 15 years; the split appeared to be amicable and he was soon replaced behind the kit by ex-Used drummer Brandon Steineckert. ~ Steve Huey, All Music Guide
Selected Discography

Indestructible (Explicit)
2003

Rancid (2000)
2000

Life Won't Wait
1998

Roots Radicals / I Wanna Riot
1995

...And Out Come The Wolves
1995
Not the BEST, but it's Rancid. These guys make plain GOOD music. Their songs are fun, catchy, and good. No real complaints from this guy.
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Just saw Rancid in Orlando and they rocked the hell out of that place...Long time fan...First time show. And whoever thought they "sold out" is a POSER...get a life and realize that Rancid is the BEST punk band to hit the scene!
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Saw them last night at the masquerade in ATL, packed house, Everybody on the front, can hardly move this morning. Shut up and go see some live music!!!!!
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Hmmm.... I don't belive that Rancid ever sold out; in fact, why even go there?
These guys are doing what they love to do: music. They're a great success! Some of them even have families. They're able to do what they love to do, while keeping their lives straight. Oh yeah, they played in Dallas not too long ago...they f**kin killed it! SOLD OUT SHOW! |
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Im gonna get tickets to a rancid show in august i saw they're playing the Fillmore at Ivring Plaza in NY. i love rancid man, thats what i call REAL 90's punk rock revival!!!
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sure.... they sold out, lord knows that no one that said that would ever want money or fame, ahahaha, what a joke, the music has stayed the same, its not underground anymore, who cares, its still good to me, everything is recycled andres, I'm buyin' Chip a drink, F**kin' A is always runnin' his mouth and never sayin' s**t, heres to money in a great artists pocket!
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change inevitable for better or worse. depends on yer view. personally, i still get a rush from their songs and find tims lyrics always to be interesting views but then again whens the last time hes had to worry about making rent? its hard to keep that edge that hunger when ur plate is full..
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I respectfully disagree with most comments here. To me Rancid is a recycled band that took it's sound an ideas from the early hardcore punk scene and did not give anything new in sound, energy, ideas, etc.
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NOTHING BETTER, PERIOD.
SIDE PROJECTS ARE GREAT AND THE NEW ALBUM IS ON THE WAY! |
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Well, I usually like bands after they release their tenth bland album and sell out.
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I think im in agreement with the crowd here. Rancid early 90's f**king kicks, and yes im gonna say it "Ninja A**"!!! i don;t know where they went, and i dont really care. i heard all the good stuff already. 90's punk, LOL to that
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Yeah, at one point they were cool. What happened to the Op Ivy days, when Tim actually had purpose.
As with most bands, punk or otherwise, the first few albums were good then they lost their edge. Or maybe I got tired of hearing the same thing over and over. Ruby Soho was my favorite song of theirs, but they had tons of good stuff on their first three albums. |
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The Garnia comment Lil Miss Misfit is from the Transplants other than Tim and being released on Hellcat records has nothing to do with Rancid. Plus I read the Transplants were offered a good chunk of money for Garnia to use, plus considering the lyrically content of the song it is funny that it is used to sell shampoo. I have enjoyed Rancids side projects a lot, want a new album though.
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I grew up with the drummer Brett. He became apart of what he stood aganst,go figure..
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old f**kin rancid kicks ninja a** they sold out after lending their song to garnia furtice shampoo but good guys i meet them backstage at one of their shows drunk a** fuckkkkk!!!! no one partys like they do honestly!!!! ! !
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TO waer42, I say the Red Hot Chilli Peppers qualify. They have been rocking hard for twenty plus years. Stadium Arcadium was, a rare good, double album. most of the songs are pretty good and when is the last time anybody's put out a good double album. Plus they have one of the best guitarist and bassist in music, all in the same band. They also put on a great live show.
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I strongly agree with waer42. Hope Rancid comes up with another album, been craving one for the past 4 years.
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I submit to all who care. Rancid is or perhaps now, was, the last great Rock n Roll band. I'd be happy to entertain any good arguments. Those already attempted: Stones (Obviously past their time, although at one time and for many years were probably the world's greatest rock n roll band). O.K. anyone? And by the way, Mr. gsxrem, I don't know where to start, but you are wrong and have no place in here if that is where your interests and desires lie. Grow up.
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