REO Speedwagon
Biography
Three bands were the undisputed arena rock kings of the early '80s -- Styx, Journey, and REO Speedwagon -- yet all weren't overnight success stories (in fact, each group began pursuing different musical styles originally -- prog rock, fusion, and straight-ahead hard rock, respectively, before transforming slowly into chart-topping mainstream rockers). REO Speedwagon first formed in 1968, via a pair of University of Illinois students, keyboardist Neal Doughty and drummer Alan Gratzer. After graduation, the group signed on with then-unknown manager Irving Azoff (who would later guide the careers of such multi-platinum acts as the Eagles and Steely Dan), which led to the outfit building a devoted following in the Midwest due to nonstop touring. By the early '70s, Doughty and Gratzer had welcomed aboard guitarist Gary Richrath, who would soon prove to be the group's sparkplug (and one of rock's more underrated players), in addition to bassist Gregg Philbin and singer Terry Luttrell. It was this lineup to be featured on the quintet's 1971 self-titled debut recording for Epic Records.
The debut failed to break REO through to the mainstream, as the band's future was thrust into uncertainty shortly thereafter, when Luttrell left the band. Newcomer Kevin Cronin got the gig, he was a folksinger/guitarist beforehand, with little to no experience fronting a loud rock & roll outfit. The Cronin-led lineup appeared to be headed in the right direction though, judging from 1972's R.E.O. T.W.O., but the other members grew impatient with their slow progress toward a commercial breakthrough, and gave Cronin his walking papers. Up next as REO's frontman was Mike Murphy, whose debut with the band, 1974's Ridin' the Storm Out, was their first album to chart on Billboard and spawned a concert standard with the rocking title track. Murphy stayed onboard for a couple of more releases -- 1974's Lost in a Dream and 1975's This Time We Mean It -- but neither managed to push REO to the next level.
Once more, a frontman change was required, and instead of searching for a fresh new face, REO welcomed back Cronin. The move paid off almost immediately, as REO found their niche by streamlining their sound and focusing on melodic rockers aimed at radio, as well as power ballads aimed at teenage girls' hearts. 1976's R.E.O. signaled the beginning of the veteran group's winning streak, as both 1977's Live: You Get What You Play For and 1978's You Can Tune a Piano, But You Can't Tuna Fish were REO's first to earn gold and platinum certification. Another live album, Live Again, was also issued in 1978, followed up a year later by another gold-certified hit, Nine Lives. Although REO was slowly inching their way to big-time success, no one (not even the band) could have predicted the massive hit that their next album turned out to be, Hi Infidelity. Issued at the tail end of 1980, it became one of 1981's biggest albums -- spawning one of the best-known power ballads of all time, "Keep on Loving You," as well as such popular rock radio hits as "Don't Let Him Go" and "Take It on the Run." Hi Infidelity would eventually go on to sell more than nine million copies -- catapulting REO to arena-headlining status.
REO Speedwagon continued to score further hit albums (1982's Good Trouble, 1984's Wheels Are Turnin') and singles ("Keep the Fire Burnin'," the number one hit power ballad "Can't Fight This Feeling," etc.), but the hits dried up shortly thereafter. 1987's Life as We Know It managed to go gold, but their fans' sudden disinterest coupled with turmoil between certain bandmembers led to the exit of both Richrath and Gratzer by the end of the decade. REO opted to soldier on, however, with replacement members Dave Amato (ex-Ted Nugent, guitar) and Bryan Hitt (ex-Wang Chung, drums) in tow, as their 14-track 1988 compilation The Hits proved to be a steady seller over the years. Further underappreciated studio releases followed, such as 1990's The Earth, a Small Man, His Dog and a Chicken and 1996's Building the Bridge. With interest at an all-time low, REO was set to pack it up for good, until a sudden wave of renewed interest in classic rock bands of yesteryear began to sweep the U.S. during the late '90s, resulting in REO launching successful co-headlining tours alongside such acts as Styx, Fleetwood Mac, Pat Benatar, Foreigner, Peter Frampton, Journey, Lynyrd Skynyrd, and Bad Company, among others.
The '90s saw the emergence of countless REO compilations, including such titles as The Second Decade of Rock n' Roll: 1981 to 1991, Only the Strong Survive, The Ballads, and a specially priced three-disc set of Live: You Get What You Play For, You Can Tune a Piano, But You Can't Tuna Fish, and Hi Infidelity. Additionally, further in-concert releases cropped up -- Live: Plus, Extended Versions, and a 2001 live set, Arch Allies: Live at Riverport, split 50/50 between REO and touring mates Styx. In a 2001 episode of VH1's Behind the Music series that focused on REO Speedwagon, Cronin and Richrath cleared up any misconceptions of ill will existing between either camp and voiced approval of a possible reunion in the future. When REO returned to the studio later in the 2000s, however, it was without Richrath. Find Your Own Way Home, the band's first studio album of new songs in more than ten years, featured Cronin along with founding member Neal Doughty on keyboards, longtime bassist Bruce Hall, and '80s additions Amato and Hitt. ~ Greg Prato, All Music Guide
Selected Discography
My buddy from the midwest turned me on to REO, glad he did. Great High school memories.
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Reviewer forgot about "Decade of Rock and Roll" a great album which had some big hits on it, especially the best break up song ever - "Time For Me To Fly".
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My husband and I saw REO and Styx about 8 years ago. We're going again in Sept to see them and 38 Special, but this time we're taking our 9 year old, who is a huge REO fan! We can't wait!
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I saw REO in Vegas-MAY 2009 WITH .38 Special & Styx. All three bands kicked a**, I had not been to a concert in about 10 years and it reminded me of my days in the past. There will never be music played like this ever again with rap hitting the airways. KEEP ON ROCKING!!
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REO will be one of the ever lasting bands.their music can be rocked out to or made love to,how many bands can truely say this.Not many people on this planet dont know at least one REO tune.Poor holloway wants to claw his brains out well in my opinion if you have that severe emotions over just music ,do the world a favor go ahead we probably wont miss you! columbia, missouri
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This is so kool!!! I saw them yesterday in consert and it was AMAZING!!!!! ! ! ! ! ! ! ! ! ! !
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I have been following REO since highschool.. . a l m o s t 30 years....sti l l love em as much as I did back then.
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Oh, these guys rock my WORLD! I lost my virginity to a coke bottle and REO!
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I destroy my hearing a little more whenever "Keep on Rollin'" or "Don't Let Him Go" are on the car stereo, gotta crank those up!
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One of the best American bands in the past 30 years. I used to listen to them all the time growing up in Waco, Tx. with my uncle David.
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A beautiful song by an incredibly talented group! REO Speedwagon has been around for many years, and are still great as ever.
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Back on the road agin is on Nine Lives and it is the only song sung by another musocain other than Kevin Cronin. It is sung by Vruce Hall..their bassist.
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I trying to find an old spedwagon song but I can't remember the title or album.It had the lyrics of "I back on the road again, it's time I leave you now, Im on my way". I knew that's not much help but it's all I can remember.It had an awesome guitar solo in it.If you've heard it you'll knew what I'm talking about? Can anybody help with title or album?
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157 riverside avenue is the all time favorate or my 1980's class along with free bird
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I've been a fan since I first heard Like You Do in the early '70s. T.W.O. is my favorite album.
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Request that they get access to 9 Lives - a great underrated album, because it didn't have a huge radio hit. It rocks and the songs have great hooks as well...
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REO Speedwagon keeps rocking on! They have toured ever year since 1967 and there is no end in sight. It's time this band made it to the Rock and Roll Hall of Fame. You go, Neal Doughty!
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I was a student at the University of Illinois when REO was starting out. They and another band called Head East played a bar called the Red Lion. At the other end of campus we saw Dan Fogelberg regularly. Awesome music in those days - hard to study too!
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REO's lyrics edge out Styx by a hair, but nobody had worse lyrics than Journey (well , except for Kiss). And yet I still love 'em all! I was just a kid during the height of their popularity, but these bands recorded some gorgeous, straight-for w a r d rock-n-roll. They made the simple sound sublime. How I miss those days...
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I hate the fact that most people lump REO in with the no talent a** clown club of Journey and Styx.
Reo put out far better lyrics and mucic then they recieved credit for. Their best album still is "You Can Tune a Piano, But You Can't Tune A Fish" Gary Richrath is still a very talented ax-man! |
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i saw them 3 time in wis. ilove their music ican't fight this feeling, in my dreams, time for me to fly,and some other one too.
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Saw REO in St. Louis in 2007, these old boys still know how to rock! I took the wife to the ampitheater for her 35th birthday, and man from the first song, to the last, folks were on their feet rockin' out! As one that feels some of the sixties rock bands keep touring when they should be home with their teeth in a jar, I was so pleasantly rewarded. REO will go down as one of the best all-time bands in my book, and I hope they can keep it fresh in studio to bring us some more albums before Cron
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OH Man I wish they put the song "it's time For Me to Fly" I LOVE that song and I would really enjoy hearing that song.
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LOL..REO Spudwagon has been around alot longer than that song...I guess one of my firsts was "Ridin The Storm Out"
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