The Roots
Biography
Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's "hip-hop band" philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. Though their album works have been inconsistent affairs, more intent on building grooves than pushing songs, the Roots' live shows are among the best in the business.
The Roots' focus on live music began back in 1987 when rapper Black Thought (Tariq Trotter) and drummer ?uestlove (Ahmir Khalib Thompson) became friends at the Philadelphia High School for Creative Performing Arts. Playing around school, on the sidewalk, and later at talent shows (with ?uestlove's drum kit backing Black Thought's rhymes), the pair began to earn money and hooked up with bassist Hub (Leon Hubbard) and rapper Malik B. Moving from the street to local clubs, the Roots became a highly tipped underground act around Philadelphia and New York. When they were invited to represent stateside hip-hop at a concert in Germany, the Roots recorded an album to sell at shows; the result, Organix, was released in 1993 on Remedy Records. With a music industry buzz surrounding their activities, the Roots entertained offers from several labels before signing with DGC that same year.
The Roots' first major-label album, Do You Want More?!!!??!, was released in January 1995; forsaking usual hip-hop protocol, the album was produced without any samples or previously recorded material. It peaked just outside the Top 100, but was mostly ignored by fans of hip-hop. Instead, Do You Want More?!!!??! made more tracks in alternative circles, partly due to the Roots playing the second stage at Lollapalooza that summer. The band also journeyed to the Montreux Jazz Festival in Switzerland. Two of the guests on the album who had toured around with the band, human beatbox Rahzel the Godfather of Noyze -- previously a performer with Grandmaster Flash and LL Cool J -- and Scott Storch (later Kamal), became permanent members of the group.
Early in 1996, the Roots released Clones, the trailer single for their second album. It hit the rap Top Five, and created a good buzz for the album. The following September, Illadelph Halflife appeared and made number 21 on the album charts. Much like its predecessor, though, the Roots' second LP was a difficult listen. It made several very small concessions to mainstream rap -- the bandmembers sampled material that they had recorded earlier at jam sessions -- but failed to make a hit of their unique sound. The Roots' third album, 1999's Things Fall Apart, was easily their biggest critical and commercial success; The Roots Come Alive followed later that year.
The long-awaited Phrenology was released in late November 2002 amid rumors of the Roots losing interest in their label arrangements with MCA. In 2004, the band remedied the situation by creating the Okayplayer company. Named after their website, Okayplayer included a record label and a production/promotion company. The same year, the band held a series of jam sessions to give their next album a looser feel. The results were edited down to ten tracks and released as The Tipping Point in July of 2004. A 2004 concert from Manhattan's Webster Hall with special guests like Mobb Deep, Young Gunz, and Jean Grae was released in early 2005 as The Roots Present in both CD and DVD formats. Two volumes of the rarities-collecting Home Grown! The Beginner's Guide to Understanding the Roots appeared at the end of the year. Game Theory, the group's first album for Def Jam, followed in 2006, and two years later the especially politically-charged Rising Down came out. ~ John Bush, All Music Guide
Selected Discography
I went to The Roots Presents The Jam Concert at Highline Ballroom in NYC which they play about 4 times a month and it was insanelly great! These folks are tru ARTISTS in every right. They have the best chemisty onstage I have ever seen and they make there show very initimante and personal. BTW they brought out Mos Def and he performed umi says, yo. Richiereal in BK!
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I'LL AGREE THE BARON YOU ARE RIGHT!!!! BEEN TRYING TO TELL THESE LISTENERS ON HERE THE SAME THING BUT THEY STILL PREFER THAT GARBAGE. LISTEN TO THESE ATL STATIONS ONLINE IF YOU ARE NOT FROM HERE. THEY ARE 89.3FM,91.1F M ON THURSDAYS AT 9PM......COF F E E AND SUSHI AT 12 MIDNIGHT THURSDAYS... . . 8 8 . 5 FM ON SUNDAY NIGHTS AT 10PM AND SATURDAYS AT 7PM WITH JASMINE. ALSO FOR JAZZ TRY 91.9FM WITH RENE MILLER...PEA C E YALL ATL........R O C K ON ROOTS!!!
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This is "real" hip hop. The roots are fresh, intelligent, amazingly talented and relative.
The state of so called "popular" radio freindly, commercial hip hop is truly disgusting. That s**t is about B**ches, Money, Bling, Posturing.EM P T Y CRAP. Like KRS ONE Said so long ago "I'm so and so, I'm this I'm that..but their all just wick wick wack, wick wack" The teacher knows what up so does the roots. Punks like "Lil Wayne" and all that "crunk" junk, all the radio hip hop - should take note! |
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yo there's nothin wrong tho with just a dj and mc, THATS the "real" deal. but that theyre a real band is definitely what makes em one of my faves... among many other great things about em
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THE ROOTS ARE GREAT!!! I LOVE ALL THEIR CD's....WHAT S EVEN BETTER IS THAT THEY PLAY LIVE INSTRUMENTS SO ITS NOT SOME GUY SCRATCHIN ON A TURNTABLE AND A MIC ITS THE REAL DEAL. WHAT YOU HEAR IS WHAT YOU GET....LOVE YALL BROTHERS KEEP UP THE EXCELLENT WORK.....A VERY UNITY RAP GROUP THATS SAYING SOMETHING AND NOT JUST RAPPING ABOUT RIMS ON YOUR CAR.....PEAC E YALL!!!
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sooooooooooo o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o under rated.
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This is my favorite band I love these guys, they are original, cutting edge and their swagger is off the charts. XOXO #1FAN!
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yeah they're trippin. illadelph halflife was the one! I used to listen to that steady back in the day. Respond/Reac t was great but I could never get enough of the hypnotic. He's gotta be the best mc ever. clever, clear and can really paint a picture with his words.
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You guys are ill!!!!!!! i love your music, i listen to you guys whenever i snowboard... nice flowy music! thanks guys!
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where is illadelph halflife in the discography? ! ? ! Classic!!!! Black Thought's verses on Respond/Reac t ridiculous!! !
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The Roots are the s--t.their lives shows are incredible(G r e a t Music).Remin d s me of the groups, back in the day. Black Thought is a beast on the m.i.c. Thought provoking music.
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the roots crew is what keeps hip-hop diversified to its truest form. ?love and blaqthought have this great chemistry. the roots 'live' is the the real deal but do want more is truly a classic.
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you get to see the roots every night. What's wrong with that. It's a dream come true. We're lucky it's not the jonas bros.
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i wouldnt say it has anything to do with the industry...t h e roots hav always done their own thing...they payin them enuff 2 be a house band for his show...damn rite if the money rite they gon be there...duh lol...and it get more ppl to watch and shoot up the ratings...
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Jimmy fallon's show is already good in my opinion, but The Roots are definately a good part of it
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if fallon doesn't get cancelled it will be purely because of the enormous musical talent of the roots! his show reminds me of the old chris farley SNL skit when he would start every question "hey remember when..." and end with "that was cool" he lacks the charisma to connect to the audience the way conan, jon stewart, and stephen colbert do.
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The Roots are the house band for the new Late Night with Jimmy Fallon. Say what you want about Fallon... they make a fantastic house band. Those guys can play anything.
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LOVE THIS GROUP...i have seen them 5 times in concert which they are amazing
and to burlybigball s - i happen to be a black female |
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I actually had to gaffle this chick at a Roots show!!! She came and snatched the dope show poster that I had taken off the wall. I have the poster back, but it's a little wrinkled. I'm not proud, but I couldn't let that aggression go unchecked, man.
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