Ryan Adams
Biography
Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success <em>and</em> the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically as he follows his increasingly prolific muse. Adams was born in Jacksonville, NC, in 1974. While country music was a major part of his family's musical diet when he was young (he's cited Loretta Lynn, George Jones, Merle Haggard, and Johnny Cash as particular favorites), in his early teens Adams developed a taste for punk rock and he began playing electric guitar.
At 15, Adams started writing songs, and a year later he formed a band called the Patty Duke Syndrome; Adams once described PDS as "an arty noise punk band," with Hüsker Dü frequently cited as a key influence and reference point. The Patty Duke Syndrome developed a following in Jacksonville, and when Adams was 19 the band relocated to the larger town of Raleigh, NC, in hopes of expanding its following. However, Adams became eager to do something more melodic that would give him a platform for his country and pop influences. In 1994, Adams left the Patty Duke Syndrome and formed Whiskeytown with guitarist Phil Wandscher and violinist Caitlin Cary. With bassist Steve Grothman and drummer Eric "Skillet" Gilmore completing the lineup, Whiskeytown (the name came from regional slang for getting drunk) released their first album, Faithless Street, on the local Mood Food label.
The album won reams of critical praise in the music press, and more than one writer suggested that Whiskeytown could do for the alt-country or No Depression scene what Nirvana had done for grunge. But by the time the band signed to a major label -- the Geffen-distributed imprint Outpost Records -- the band had undergone the first in a series of major personal shakeups, and in the summer of 1997, when Whiskeytown's Outpost debut, Stranger's Almanac, was ready for release, Adams and Wandscher were the only official members of the band left. Cary soon returned, but Wandscher left shortly afterward, and Whiskeytown had a revolving-door lineup for much of the next two years, with the band's live shows become increasingly erratic, as solid performances were often followed by noisy, audience-baiting disasters. Consequently, as strong as Stranger's Almanac was, Whiskeytown never fulfilled the commercial expectations created for them by others. In 1999, the band -- which was down to Adams, Cary, and a handful of session musicians -- recorded its third and final album, Pneumonia, but when Geffen was absorbed in a merger between PolyGram and Universal, Outpost was phased out, and the album was shelved; shortly afterward, Whiskeytown quietly called it quits.
Following Whiskeytown's collapse, Adams wasted no time launching a career apart from the band, and after a few solo acoustic tours, Adams went into a Nashville studio with songwriters Gillian Welch and David Rawlings and cut his first album under his own name, Heartbreaker, which was released by pioneering "insurgent country" label Bloodshot Records in 2000. The album received critical raves, respectable sales, and a high-profile endorsement from Elton John, and Adams was signed by Universal's new Americana imprint, Lost Highway Records. Lost Highway gave Whiskeytown's Pneumonia a belated release in early 2001, and later that same year, they released his second solo set, Gold, which displayed less of a country influence in favor of classic pop and rock styles of the 1970s. In the wake of the September 11 terrorist attacks, the album's opening track, "New York, New York," was embraced by radio as an anthem of resilience (though it actually concerned a busted romance), and Adams once again found himself touted as the "next big thing."
Always a prolific songwriter, in a bit more than a year following Gold's release, Adams had written and recorded enough material for four albums. Adams opted to whittle the 60 tunes down to a 13-song collection called Demolition, which was released in 2002 as he went into the studio to record his official follow-up to Gold. A year later, Adams' concept album Rock N Roll was released alongside the double-EP collection Love Is Hell. Tours around the globe kept Adams busy into the next year as he maintained momentum writing songs and keeping his ever-changing presence in the music press. In May 2005, Adams released his first of three albums for Lost Highway, the melancholic double-disc Cold Roses. Jacksonville City Nights, a more classic-sounding honky tonk effort, followed in September, and 29 appeared in late December. Always prolific, in the interim period before his next album was released, Adams posted a large selection of tracks -- including several hip-hop tunes -- on his website, but fans were greeted with more straightforward material on 2007's Easy Tiger and 2008's Cardinology with the Cardinals. ~ Mark Deming, All Music Guide
Selected Discography

Heartbreaker
2000
Heartbreaker is still one of my all-time favorite albums! ahhh... the dark poetic lyrics haunted my early college days...
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This guy is a genius. I actually purchased Heartbreaker on Gold Disc for $400 and it sounds amazing on my Hi-Fi setup. Anyone know if he has some vinyl releases?
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Go to Ryan Adams & The Cardinals radio for more albums. They're categorized differently.
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So I click on my Ryan Adams station (my favorite) and New York, New York starts it off today on the 8th Anniversary of 9/11. Thank you Pandora. Least we never forget our fallen loved ones. Yea for music; it saves the day.
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Yeah me too! I love him, and hope they bring out the best in each other and have years of happiness.
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Mandy Moore doesn't know how good she's got it with him. I would give anything to trade places with her...
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I was wondering the same thing about the Cold Roses cd- that is a great cd
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Where is Jacksonville City Nights?!?!? Come on, Pandora - Adams has way too much genius to reflect it all accurately in this paltry collection of albums...
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He's nuts! I LOVE him though. Some of the best talent I've seen in a long time. I saw him up in Tulsa and it was the best concert I have ever seen by far. He is by far my favorite musical talent.
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Well said Howie. Many of the greats were/are just like you described. Like his personality or not, the dude can write great, timeless songs.
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I find it very surprising that even though he's a peculiar a**hole in real life, his songs are engaging.
WEIRD! Gotta love him though : / |
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janicem7 - I agree completely. This man is a wonderful talent. I hope he doesn't alienate too many industry folks and continues to blow us away.
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sometimes its hard to tell the difference between Ryan Rdams and Paul Westerburg, especially on songs like Nuclear
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Artists always have such an interesting, dramatic history. That's amazing he's making such great music after so much stuff like that!
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I saw him live at Chicago Theater last year and when he played Sylvia Plath on the piano, it was simlpy breathtaking (for those who thinks he is a bit of an a**, he has cleaned up his act recently, although, he still it nuts, which I admire). Ryan has been my favorite artist for about four or five years - got me through a lot of tough times in college. I've been listening to a lot of Ryan Adams, Neil Young, and Matt Pond PA lately, along with weird electronic stuff (eclectic I guess).
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Ryan Adams is an amazing songwriter. All of his songs have it's own meaning. I love the album Gold. It is one of my favorite albums of all time.
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Ryan Adams is stupid awesome. my head explodes almost every time i listen to him. how much good music can one person make!!?? seriously?? every song is different and its all so freaking legit.
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I went to one of his shows last year and it blew my mind. He is an amazing songwriter and all of his albums are solid.
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Yeah totally we shouldn't let our personal perspective of an idividual artiste be affected by the outward value of excepting remarks made by someone who loves his thesaurus just as much as Ryan adams loves his reflection.. . a n d remember to never blur our nations foresight on a streaming internet radio website, because thats just what the terrorists want....
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...that is, excepting the remarks made by KellieR.... I'm not saying you folks are complete fools, but you shouldn't let the outward value of an individual affect your personal perspective of art. That is the most stupid thing that someone could do, and one of the reasons that blurs this nations foresight...
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wow, all I hear is a lot of f-ing little crybabbies B**CHIN and MOANIN about stupid s**t.... listen to the music, you idiots. ppl are alwasys a**holes, if you don't know that by now, go back, go back I say, to the doldrums and whither away to dust and nothing.
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I've only just heard him for the first time now, but I really like his style. Apparently (from other posts) he's something of a jerk, but my motto is always "love the art, not the artist."
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saw him awhile back and he was such an ungrateful selfish boy-i guess i like his music but he is such a spoiled a**hole
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seems like this guy gets a lot of raves for simply strumming his guitar. I do not see a lot of uniqueness in his composition styles. Not bad, just not as great as I have heard about him.
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Love your music... you are dark sometimes... . . . . I love your songs they are heartfelt
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the first time i saw ryan, he opened up for superunk at the knitting factory.
he was raw,country, p u n k , h o l e s in his boots, stayed in a runned down motel and bummin smokes from the audience. i was instantly impressed, theres no dought he will be around for along time with his talent. |
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