Simon & Garfunkel
Biography
The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic and electric guitars, and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum and was sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.
Simon & Garfunkel's recording history actually predated their first mid-'60s hit by almost a decade. Childhood friends while growing up together in Forest Hills, NY, they began making records in 1957, performing (and often writing their own material) in something of a juvenile Everly Brothers style. Calling themselves Tom & Jerry, their first single, "Hey Schoolgirl," actually made the Top 50, but a series of follow-ups went nowhere. The duo split up, and Simon continued to struggle to make it in the music business as a songwriter and occasional performer, sometimes using the names of Jerry Landis or Tico & the Triumphs.
By the early '60s, both Simon and Garfunkel were coming under the influence of folk music. When they reteamed, it was as a folk duo, though Simon's pop roots would serve the act well in their material's synthesis of folk and pop influences. Signing to Columbia, they recorded an initially unsuccessful acoustic debut (as Simon & Garfunkel, not Tom & Jerry) in 1964, Wednesday Morning, 3 A.M. They again went their separate ways, Simon moving to England, where he played the folk circuit and recorded an obscure solo album.
The Simon & Garfunkel story might have ended there, except for a brainstorm of their producer, Tom Wilson (who also produced several of Bob Dylan's early albums). Folk-rock was taking off in 1965, and Wilson, who had helped Dylan electrify his sound, took the strongest track from S&G's debut, "The Sound of Silence," and embellished it with electric guitars, bass, and drums. It got to number one in early 1966, giving the duo the impetus to reunite and make a serious go at a recording career, Simon returning from the U.K. to the U.S. In 1966 and 1967, they were regular visitors to the pop charts with some of the best folk-rock of the era, including "Homeward Bound," "I Am a Rock," and "A Hazy Shade of Winter."
Simon & Garfunkel's early albums were erratic, but they steadily improved as Simon sharpened his songwriting, and as the duo became more comfortable and adventurous in the studio. Their execution was so clean and tasteful that it cost them some hipness points during the psychedelic era, which was a bit silly. They were far from the raunchiest thing going, but managed to pull off the nifty feat of appealing to varying segments of the pop and rock audience -- and various age groups, not just limited to adolescents -- without compromising their music. Parsley, Sage, Rosemary and Thyme (late 1966) was their first really consistent album; Bookends (1968), which actually blended previously released singles with some new material, reflected their growing maturity. One of its songs, "Mrs. Robinson," became one of the biggest singles of the late '60s after it was prominently featured in one of the best films of the period, The Graduate (which also had other Simon & Garfunkel songs on the soundtrack).
It was unsurprising, in retrospect, that the duo's partnership began to weaken in the late '60s. They had known each other most of their lives, and been performing together for over a decade. Simon began to feel constrained by the limits of working with the same collaborator; Garfunkel, who wrote virtually none of the material, felt overshadowed by the songwriting talents of Simon, though Garfunkel's high tenor was crucial to their appeal. They started to record some of their contributions separately in the studio, and barely played live at all in 1969, as Garfunkel began to pursue an acting career.
Their final studio album, Bridge Over Troubled Waters, was an enormous hit, topping the charts for ten weeks, and containing four hit singles (the title track, "The Boxer," "Cecilia," and "El Condor Pasa"). It was certainly their most musically ambitious, with "Bridge Over Troubled Waters" and "The Boxer" employing thundering drums and tasteful orchestration, and "Cecilia" marking one of Simon's first forays into South American rhythms. It also caught the confused, reflective tenor of the times better than almost any other popular release of 1970.
That would be their last album of new material. Although they didn't necessarily intend to break up at the time, the break from recording eventually became permanent; as Simon began a solo career that brought him as much success as the S&G outings, and Garfunkel pursued simultaneous acting and recording careers. They did reunite in 1975 for a Top Ten single, "My Little Town," and periodically performed together since without ever coming close to generating albums of new material. A 1981 concert in New York's Central Park attracted half a million fans, and was commemorated with a live album; they also toured in the early '80s, but a planned studio album was canceled due to artistic differences. ~ Richie Unterberger, All Music Guide
Selected Discography
takes me me back when i was a kid..and all i worried about if i was going to play with the kids down the street on the weekend//
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SUFFER FROM BIPOLAR OR DEPRESSION? WE TALK ABOUT IT AT...
WWW.BIPOLARB O A R D S . C O M |
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When my mother and brother passed away suddenly.... I couldn't stop listening to 'The Sounds of Silence'.... . I grieved...bu t , I also healed....
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danasdream76 , anyone who was around when they FIRST came out, doesn't know the internet exists pasts military purposes, and IF they do they have no idea there is radio on it.
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When these guys did the soundtrack for "The Graduate" Roger Ebert commented that the music was highly forgetable. Idiot.
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You don't get better than this.
Some say that Simon didn't "come into his own" until after they broke up. I've heard some of it and it's mainly gibberish. I've never met a gibber, nor seen a book on their language ;-) so perhaps I'm missing out? Even if he's developed skills he didn't have, it almost seems like they're unused, purposeless. Hey, just my take. Ymmv. These guys took music to new levels, and their worst stuff was good. |
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Wait.... what the hell?!?!?!?
I could have sworn these guys were black!!! I mean, blacker than a cauldron at midnight sort of black. But the picture above makes it painfully obvious that these pimps are whiter than Casper The Ghost's taint in the middle of December!! Wow... where did they get their prodigious rap and beat-making skills? It's unbelievable , I tell ya!! . God Bless America. |
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oh my god I remember when these guys first came out. I went back stage and met them in person. I fell in love on the spot.
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Heavy Metal...I think you protest too much....mayb e you're Gaylord Fagglestein inside and just hide behind off-color comments to keep from being truly suspect. Poor kid...
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These guys are some of the best folk bands out there. Their harmonics are like those of Bad Religion, their ozzin' ahhs probably came from Simon and Garfunkle.
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My parents used to make me listen to these guys on road trips and you know what? I'm glad they did, cuz I love em!
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Great harmonies... . I feel like I'm in Lord of the Rings...like not the movie, but actually in a world that exists within the story of Lord of the Rings when I listen to this stuff....
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Wind chanter has some good points. S&G really had some great songs, and Simon has masterpieces as well with Graceland and Rhythm of the saints. I wore those CD's out!
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In the present age dominated by Rap and hip hop`with their 3 central themes of uncontolled sex, drugs, and money obtained by any means and as the center of being a human, on a ship of hardly and vestige of musicality, it's refreshing to go back to inteligent and insightful lyrics. Even as English is not my first language, it's well worth the effort it may cause me to enjoy their lyrics. I wish there would be more inteligent and humanizing music available in the present to listen to. Thank God th
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LOVE IT..MAN I WANNA GO BACK TO MY ELEMENTARY DAYS...I MISS THIS KINDA GREAT MUSIC...LATE R YALL!!
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One time, when I was at the lowest a human could go, this song came on, and I swear, the Lord sang it to me and saved my life. I cry every time I hear it.The song was Bridge over trouble waters.
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paul simmon is an alien geneticly moditfied to play guitar. thats why he is so good
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they could not be more gay if their names were Gaylord Gay McGayhee.... . a n d F*g Fagglestein
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mmm. the sound of silence is so beautiful. and cecillia is just... wonderful. "the neon god they made"... what amazing lyrics and harmonies. absolutely exquisite.
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rasengan47. You appear to be very intelligent. Now go get a High school diploma.
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Simon and Garfunkel are my all time favorite artist and always will be. I was fortunate enough to see them live last time they were on tour and they were awesome! Their songs have helped me though countless rough times. I play their songs and somehow I just feel better. LOVE THEM!
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Paul Simon touches my soul in a way that no other musician does.
I love everything he did. My wish is to hear him in concert again, by himself or with Art Garfunkel... I am 68 years old, and continue to remain an ardent fan |
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Ever notice how Paul is almost always standing in front of Art? Too short for the back row.
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I've always been a huge fan and was blessed to actually see them perform live! It was one of the best concerts i've ever been to...
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My sisters listened to this...good stuff from that era.. Celia is my favorite too!
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simon and garfunkle are so soft with their music
i love them very much scottieb |
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I listen to "the sound of silence" everyday, and play along. It is one of the easiest songs to play on guitar, but is easily one of the most beautiful.
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