Sinead O'Connor
Biography
Sinéad O'Connor ranked among the most distinctive and controversial pop music stars of the 1990s, the first and in many ways the most influential of the numerous female performers whose music dominated airwaves throughout the decade. Brash and outspoken -- her shaven head, angry visage, and shapeless wardrobe a direct challenge to the popular culture's long-prevailing notions of femininity and sexuality -- O'Connor irrevocably altered the image of women in rock; railing against long-standing stereotypes simply by asserting herself not as a sex object but as a serious artist, she kick-started a revolt which led the way for performers ranging from Liz Phair to Courtney Love to Alanis Morissette.
O'Connor was born in Dublin, Ireland, on December 8, 1966. Her childhood was often traumatic: her parents divorced when she was eight, and she later claimed that her mother, who was killed in a 1985 automobile accident, frequently abused her. After being expelled from Catholic school, O'Connor was arrested for shoplifting and was shuttled off to a reformatory; at the age of 15, while singing a cover of Barbra Streisand's "Evergreen" at a wedding, she was spotted by Paul Byrne, the drummer for the Irish band In Tua Nua (best known as protégés of U2). After co-writing the first In Tua Nua single, "Take My Hand," O'Connor left boarding school in order to focus on a career in music, and began performing in area coffeehouses; she later studied voice and piano at the Dublin College of Music, and supported herself delivering singing telegrams.
Upon signing a contract with Ensign Records in 1985, O'Connor relocated to London; the following year she made her recorded debut on the soundtrack of the film The Captive, appearing with U2 guitarist the Edge. After scrapping the initial tapes for her debut LP on the grounds that the production was too Celtic, she took the producer's seat herself and began re-recording the album, dubbed The Lion and the Cobra in reference to Psalm 91; the result was one of the most acclaimed debut records of 1987, with a pair of alternative radio hits in the singles "Mandinka" and "Troy." Almost from the outset of her career, however, O'Connor was a controversial media figure; in interviews following the LP's release, she defended the actions of the IRA, resulting in widespread criticism from many corners, and even burned bridges by attacking longtime supporters U2, whose music she declared "bombastic."
However, O'Connor remained a cult figure prior to the release of 1990's chart-topping I Do Not Want What I Haven't Got, a harrowing masterpiece sparked by the recent dissolution of her marriage to drummer John Reynolds. Boosted by the single and video "Nothing Compares 2 U," originally penned by Prince, the album established her as a major star, but again controversy followed as tabloids took aim at her romance with black singer Hugh Harris while continuing to attack her outspoken politics. On American shores, O'Connor also became the target of derision for refusing to perform in New Jersey if "The Star Spangled Banner" was played prior to her appearance, a move which brought public criticism from no less than Frank Sinatra, who threatened to "kick her a**"; she also made headlines for pulling out of an appearance on the NBC program Saturday Night Live in response to the misogynist persona of guest host Andrew Dice Clay, and even withdrew her name from competition in the annual Grammy Awards despite four nominations.
O'Connor also continued to confound expectations with her third album, 1992's Am I Not Your Girl?, a collection of pop standards and torch songs that failed to live up to either the commercial or critical success of I Do Not Want What I Haven't Got. However, any discussion of the record's creative merits quickly became moot in the wake of her most controversial and damaging action yet: after finally appearing on Saturday Night Live, O'Connor ended her performance by ripping up a photo of Pope John Paul II, resulting in a wave of condemnation unlike any she'd previously encountered. Two weeks after the SNL performance, she appeared at a Bob Dylan tribute concert at New York's Madison Square Garden, and was promptly booed off the stage.
Now a virtual pariah, O'Connor's retirement from the music business was subsequently reported, although it was later claimed that she had merely returned to Dublin with the intent of studying opera. She kept a low profile for the next several years, starring as Ophelia in a theatrical production of Hamlet and later touring with Peter Gabriel's WOMAD festival. She also reportedly suffered a nervous breakdown and even made a half-hearted attempt at suicide. In 1994, however, O'Connor returned to pop music with the LP Universal Mother, which, despite good reviews, failed to relaunch her to superstar status; the following year she announced that she would no longer speak to the press. The Gospel Oak EP followed in 1997, and in mid-2000 O'Connor issued Faith and Courage, her first full-length effort in six years. Sean-Nós Nua followed two years later, and was widely hailed for its return to the Irish folk tradition as its inspiration.
O'Connor used the press exposure from the album to further assert her pending retirement from music. In September 2003, the two-disc She Who Dwells... appeared through Vanguard. It collected rare and previously unreleased studio tracks, as well as live material culled from a late 2002 date in Dublin. The album was positioned as O'Connor's swan song, though official word was not forthcoming. Collaborations followed in 2005, a compilation of appearances on other artists' records throughout her long career. Later that year she released Throw Down Your Arms, a collection of reggae classics from the likes of Burning Spear, Peter Tosh, and Bob Marley that managed to reach the number four spot on Billboard's Top Reggae Albums chart. O'Connor returned to the studio the following year to begin work on her first album of all-new material since Faith and Courage. The resulting Theology, inspired by the complexities of the world post-9/11, was released in 2007 through Koch Records on the artist's own imprint, That's Why There's Chocolate and Vanilla. ~ Jason Ankeny, All Music Guide
Selected Discography

Theology
2007

Throw Down Your Arms
2005

She Who Dwells In The Secret Place Of The Most High Shall Abide Under The Shadow Of The Almighty
2003

Sean-Nos Nua
2002

Faith And Courage
2000

Universal Mother
1994

Fire On Babylon
1994

Am I Not Your Girl?
1992

I Do Not Want What I Haven't Got
1990

The Lion And The Cobra
1987
I'm not the one who's so far away
When I feel the snake bite enter my veins. Never did I wanna be here again, And I don't remember why I came. Candles raise my desire, Why I'm so far away. No more meaning to my life, No more reason to stay. Freezing, feeling, Breathe in, breathe in... I'm coming back again... I'm not the one who's so far away When I feel the snake bite enter my veins. Never did I wanna be here again, And I don't remember why I came. |
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My heart goes out to this woman, no Irish Catholic girl ever goes thru life without breakdowns, she has the integrity of her convinctions , something we don't often see. She is a beautiful, courgeous talent, may life be kind to her always!
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BBBBuuuuhhh. . . . . . . . . . I think I threw up a little in the back of my mouth, you guys are really weird
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Sinead O'Connor has an amazing power to evoke emotions with her voice. Everything she sings is transformed.
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she is going to go down as one of the most unrecognized great artist of her time. i consider myself lucky to be alive when she decided to let us share the true blessing of hearing her sing.
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You mean ... You actually lost your baby? No Just kidding. Are you refferring to Lisa Stanfield's throaty vocal masterpice: " All Around the World" Lynda -Sinead was born in '66, so in the late seventies, she would have been all of 9 or ten years old. I know she started singing early, but where can we here this early stuff... Are you from Ireland?
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Been around the World..And I can't find my Baby is whati am looking for??
Anyone? lauletta@bel l s o u t h . n e t . Sinead is AWESOMEEE! All the way from the Late 70's to Early 80's! GO SIN!! lyns |
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She's a brilliant nutjob, whereas I am just a nutjob and must keep my nutjobbienes s on the down low.
When you are brilliant, people pay you enough money that you can be all nutty and not worrry so much about foods and funs. |
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I like some of Sinead's songs but all the controversy that sorrunded her in all these years I belive was due to attention seeking. I'm just tired to hear people like her blaming religion/pol i t i c s etc..She should only stick to singing and keep a low profile. She's not very much missed :-(
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Artistic one, you are funny. Pandora you better listen to that. You fix the bugs in this system. Specific genres would be good. You know, like popluar country, opera, or pop rock. Instead of for example listening to jazz and getting stinkin' rap.
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I saw her naked and believe me.......... HE is scary.
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Note to Pandora:
Just quit it! You've blown-it once again. You insist on wasting my time. Why in the world do you keep playing her songs on my list? If this is the best you can do, then I'm not the least impressed by your "Genome Project" music analysis. Even my pet rat Binky can do better than this! Perhaps you need to tweak and re-adjust your music identity algorithms. Play Sinodd for those who appreciate her and get her out of the earbuds of those who don't. Thanks Now go fetch my slippers. |
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Streets of London and others define an amazing musical talent. We all have the right to self expression, and she has chosen hers, albeit controversia l . No Judgement here. I appreciate her musicality,C e l t i c roots, and fearless approach to music and life, suicidal attempt excepted and all but forgotten. May she continue not to just produce, but bless.
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Yeah, the Cue Ball is still kinda hot. But her stuff is so damn whiny (it's been two decades, five days, and plenty of hours since she was on the radio).
Why do so many feminists take themselves so damn seriously..? ? I know the problems are real, and significant, but this "wearing your philosophy on your sleeve 24/7" bullshit is just tired (and tiring!). Waste somebody else's time. I don't miss her passing... |
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Don't dis the haircut. She is a feminist. The skinhead haircut is a symbol of her liberation.
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Hey, this bizarro-girl ain't half bad! (even with that nazi concentratio n - c a m p haircut)
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reminds me of a spring mornings in bed with my dog pressing against my back and the smell of fresh wind coming in the window
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I love Sinead and have been a fan since 1990. It is too bad that public opinion of her is negative because of her speaking her mind-which to a large degree is the truth-The Catholic Church is responsible for many deaths of innocent people-in which its people blindly follow a leader(pope) and not Jesus or Jehovah God. More people should question what they are taught and not be afraid to be ostricized for their beliefs.
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I think y'all are having a very hard time categorizing this artist with others, just as she would have it! Pandora combines her with, e.g., Avril Lavigne, Norah Jones, Beth Waters (not familiar with this last one; didn't really like the sample that played). Sinead might have influenced them, but they are not even close to Sinead's style and range. Sinead is more, albeit in different musical categories, Nina Simone, Billie Holiday, Ian Brown (former Stone Roses member). She rocks too, you know!
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I own everything she has ever put out. As a singer song writer Sinead is my muse and my inspiration.
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I find her music extremely original and great oh and her hair cut (referring to mcg metal conquers all)is what makes her unique!
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I myself had the privilage to see Sinead perform live. I lost my voice the next day. It was the best concert of my life. She is a wonderful performer. I have always planned on naming my daughter after her, but since I had a boy and will never go through the torture of child birth again, I will not have that opportunity. : )
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I recently saw Sinead in concert. She gave me goose-dumps as she sang. The audience was on their feet several times and often in the middle of her most favorite fan collections. We missed Troy, but Sinead fans understand it's absence. 'Drink before the war' was incredible and I wish I could see her again - TODAY! I waited 15 years to see her live as I missed her at the height of her success in the early 90's. it was worth the wait, I just hope I do not have to wait that long again!
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not only does her musc suck,whats up with the hair cut?
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