Sizzla
Biography
Emerging during the latter half of the '90s, the enormously prolific Sizzla was one of the leaders of the conscious dancehall movement. Along with Buju Banton and Capleton, he helped lead dancehall back to the musical and spiritual influence of roots reggae, favoring organic productions and heavily Rastafarian subject matter. A member of the militant Bobo Ashanti sect, he sometimes courted controversy with his strict adherence to their views, particularly his aggressive condemnations of homosexuals and white Western oppressors. Yet overall, his music was generally positive, advocating faith, compassion for poor black youth, and respect for women. He remained something of an enigma to the public at large, rarely granting interviews and keeping his concert appearances to a minimum. Nonetheless, he still ranked as arguably the most popular conscious reggae artist of his time, thanks to a normally high standard of quality control -- all the more impressive given the frequency with which he recorded. A versatile singjay-style vocalist with a gruff, gravelly tone, he was capable of both rapid-fire chatting and powerful, melodic singing, and his best backing riddims were among the strongest in contemporary dancehall.
Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby "Digital" Dixon's Digital B imprint. However, he didn't manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip "Fatis" Burrell. Sizzla released a series of singles on Burrell's Xterminator label, including "Judgement Morning," "Life's Road," "Blaspheme," "We Uh Fear," "I'm Not Sure," and the Shadowman duet "The Gun." His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla's early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.
Creatively speaking, Sizzla really came into his own with the release of his second album, the Burrell-produced Praise Ye Jah, in 1997. Widely considered one of the top conscious dancehall albums of its time, Praise Ye Jah was quickly trumped by the release of the Dixon-produced Black Woman & Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including "Like Mountain," "Babylon Cowboy," "Kings of the Earth," and the Luciano duet "Build a Better World." This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.
1998's Kalonji was issued in the U.S. under the title Freedom Cry, and featured the successful singles "Love Amongst My Brethren" and "Rain Shower." No less than three albums -- Be I Strong, Good Ways, and Royal Son of Ethiopia -- appeared in 1999, with Be I Strong achieving the highest profile among them. 2000 brought three more albums: the double-CD Liberate Yourself (which featured one disc of Sizzla material and another of his protégés), Words of Truth (which featured a bonus live disc), and Bobo Ashanti, a well-received, highly spiritual set with a stronger hip-hop flavor. Refusing to slow down, Sizzla issued four more albums in 2001 -- Black History, Taking Over, Rastafari Teach I Everything, and Blaze Up the Chalwa -- and often displayed a harder edge and a willingness to embrace digital production. That approach changed in 2002, when he concentrated on softer, mellower, more romantic material, which dominated that year's albums: Ghetto Revolution and Da Real Thing. Two more albums, Light of My World and Rise to the Occasion, appeared in 2003. Soul Deep was released in 2005, with both Ain't Gonna See Us Fall and Waterhouse Redemption landing a year later. By the end of 2006 Sizzla released the high-profile The Overstanding, an album with hip-hop impresario Damon Dash as executive producer. I-Space returned the singer to his Jamaican roots in mid-2007. ~ Steve Huey, All Music Guide
Selected Discography

Addicted
2008

Rastafari
2008

I-Space
2007

Waterhouse Redemption
2006

The Over Standing (Explicit)
2006
Sizzla Rocks!!! I have been listening to his music since I was mad young, he is a phenomenal artist. I love his music. Keep on doing ya thing! …Bless Up !
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my sister put me on to sizzla, my first song i heard was taking over and it grab me. continue on
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when you talk about creator of good music,this is no buck or mistake,defi n i t e l y good food to the soul.carry on the work of your heroes my broder,RASTA F A R I LIVE
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Thanks and Praise for the mon called Sizzla... "Ern-One" say so...
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Sizzla jah bless you to make mind blowing music an you keep doing your thing CAUSE I LOVE IT. Jah bless and nough love 2 you!
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Sizzla is flat out hands down my favorite. Dont have all his music but, have heard most of it. Gotta be one of the best.
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I dont know if it is pride or overconfiden c e , Thats putting it mildly this guy has a terrible personality in real life, but he is a good artist. Ten years from now we will wonder why Sizzla isnt a household name, that is if he doesn't become the Burnin' Spear of our generation.
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sizzla is the best lyrical artist on the carts today!!...ye a h man this i know from ras, gabriel from cincinnati,o h i o .
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Da music he plays get me on top of ma world!!He sets one world into two worls apart
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These are just a few of Sizzla's works. There is much more that he has recorded. The amount of music this man puts out in a year is just amazing and the fact that it is consistently of top quality is incredible. I've seen him live a couple of times as well and his live show is something to see as well.
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...some how I think there was a spliff involved prior to that best of album shot being taken.
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Sizzla at reggae on the river aka reggae rising was so sick. If he plays again at Reggae I would recommend traveleing from anywhere to NorCal and enjoying one of the best reggae festivals on Earth. Nothing like Reggae for three days among the tallest trees in the world on the Eel River
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i am a jamaica mi love sizzla must see him in new jersey.next month
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Thank U MOMMA BIG TUNE JAH BLESS THE QUEEN Thank you mom
SIZZLA BIG UPS |
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bigg up da best of da best....judg e m a n boy is da greatest ever..no joke..jah knows.....
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DEFINATELY ONE OF RASTAFARI'S MOST BLESSED ARTIST TO COME 2 THE FORFRONT AND IANDI CAN SIGHT THE POWERS IN MY BREDGINS INSPIRATIONA L MUSIC OR SHALL I SAY MESSAGE.FROM Empress Ria also blessed by the most high JAH RASTAFARI PROUD 2 SAY CARRING LIFE RIGHT NOW ENTERING MY 9TH MONTH WITH MY KING!!!!AGAI N THANKS AND NUFF PRAISES 2 TAFARI BLESSED !!!
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sizzla is one of the best reggae artist there is he is the best , he is very conscious and i love that nuff respect
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I think he has made a trimendus contribution to reggae music and has helped to take it to new levels. Much repect to Sizzla
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