Sizzla
Biography
Emerging during the latter half of the '90s, the enormously prolific Sizzla was one of the leaders of the conscious dancehall movement. Along with Buju Banton and Capleton, he helped lead dancehall back to the musical and spiritual influence of roots reggae, favoring organic productions and heavily Rastafarian subject matter. A member of the militant Bobo Ashanti sect, he sometimes courted controversy with his strict adherence to their views, particularly his aggressive condemnations of homosexuals and white Western oppressors. Yet overall, his music was generally positive, advocating faith, compassion for poor black youth, and respect for women. He remained something of an enigma to the public at large, rarely granting interviews and keeping his concert appearances to a minimum. Nonetheless, he still ranked as arguably the most popular conscious reggae artist of his time, thanks to a normally high standard of quality control -- all the more impressive given the frequency with which he recorded. A versatile singjay-style vocalist with a gruff, gravelly tone, he was capable of both rapid-fire chatting and powerful, melodic singing, and his best backing riddims were among the strongest in contemporary dancehall.
Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby "Digital" Dixon's Digital B imprint. However, he didn't manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip "Fatis" Burrell. Sizzla released a series of singles on Burrell's Xterminator label, including "Judgement Morning," "Life's Road," "Blaspheme," "We Uh Fear," "I'm Not Sure," and the Shadowman duet "The Gun." His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla's early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.
Creatively speaking, Sizzla really came into his own with the release of his second album, the Burrell-produced Praise Ye Jah, in 1997. Widely considered one of the top conscious dancehall albums of its time, Praise Ye Jah was quickly trumped by the release of the Dixon-produced Black Woman & Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including "Like Mountain," "Babylon Cowboy," "Kings of the Earth," and the Luciano duet "Build a Better World." This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.
1998's Kalonji was issued in the U.S. under the title Freedom Cry, and featured the successful singles "Love Amongst My Brethren" and "Rain Shower." No less than three albums -- Be I Strong, Good Ways, and Royal Son of Ethiopia -- appeared in 1999, with Be I Strong achieving the highest profile among them. 2000 brought three more albums: the double-CD Liberate Yourself (which featured one disc of Sizzla material and another of his protégés), Words of Truth (which featured a bonus live disc), and Bobo Ashanti, a well-received, highly spiritual set with a stronger hip-hop flavor. Refusing to slow down, Sizzla issued four more albums in 2001 -- Black History, Taking Over, Rastafari Teach I Everything, and Blaze Up the Chalwa -- and often displayed a harder edge and a willingness to embrace digital production. That approach changed in 2002, when he concentrated on softer, mellower, more romantic material, which dominated that year's albums: Ghetto Revolution and Da Real Thing. Two more albums, Light of My World and Rise to the Occasion, appeared in 2003. Soul Deep was released in 2005, with both Ain't Gonna See Us Fall and Waterhouse Redemption landing a year later. By the end of 2006 Sizzla released the high-profile The Overstanding, an album with hip-hop impresario Damon Dash as executive producer. I-Space returned the singer to his Jamaican roots in mid-2007. ~ Steve Huey, All Music Guide
Selected Discography

Rastafari
2008

I-Space
2007

Waterhouse Redemption
2006

The Over Standing (Explicit)
2006

Soul Deep
2005
bigg up da best of da best....judg e m a n boy is da greatest ever..no joke..jah knows.....
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DEFINATELY ONE OF RASTAFARI'S MOST BLESSED ARTIST TO COME 2 THE FORFRONT AND IANDI CAN SIGHT THE POWERS IN MY BREDGINS INSPIRATIONA L MUSIC OR SHALL I SAY MESSAGE.FROM Empress Ria also blessed by the most high JAH RASTAFARI PROUD 2 SAY CARRING LIFE RIGHT NOW ENTERING MY 9TH MONTH WITH MY KING!!!!AGAI N THANKS AND NUFF PRAISES 2 TAFARI BLESSED !!!
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sizzla is one of the best reggae artist there is he is the best , he is very conscious and i love that nuff respect
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I think he has made a trimendus contribution to reggae music and has helped to take it to new levels. Much repect to Sizzla
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pure niceness .so keep the good vibe goin black people is a blessing.
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Very touching lyrics delivered with amazing vocals and conviction. Very talented Rastaman!
Dr. Hussein Ahmed |
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sizzla u got it lack...mi lov & respect u man...keep di good work up .. nuff lov, stay bless & positive
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There's not really a whole lot that needs to be said about Sizzla. Since his beginning he has dropped red hot lyrics and riddims. Over the years he has remained consistent, spitting nothing but the best. In 2003 I had the opportunity to see him live and, no surprise, his live performance is hard, straight from the soul, pure raw energy.
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Sizzla is a sensational artist, he speaks the truth of the MOST HIGH.
LOVE~LIFE NATURALMYSTI C 5 0 4 |
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This is not the right song that I'm looking for .The song that I'm looking for is an old old hymn bt a woman group that sang when I was a little girl and I'm 63 years old. Thanks: Mrs. Jackie
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this dude wright here is just one of the most conscious dude that came out of J.A
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I and I contemplate the inspired singing of Sizzla in "Stop All The Violence"
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An avid lover of Kalonji's music. He epitomizes what black consciousnes s is. Bless up.
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Fiona Baker says: Sizzla is one of my favourites. He is the best, in what he does. I love is music, too much to mention. I expecially love is album Waterhouse Redemption. All the music on there is fantastic. I must of played that CD millions of times.
I went to see Sizzla in 2007 in Germany at a festival. He was brilliant, very talented. I can go on forever! |
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yeh sizzla is a concious youth who came at a time where youths and people in general needed to hear the things that sizzla brought out through the music uplifting the black race on a whole and educating us on history that had being stolen and hidden from us and opening our eyes to things thtat that they are doing today still to hold the black race down. Big up SIZZLA more blessing and prosperity pon di I and keep on doing JAH WORKS Bless Up!
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THIS YOUTH YA, ILLEST SINGERJAY OUTTA YARD...CHECK OUT ONE OF IS FIRST RECORDING THE ABLUM "PRAISE YE JAH" THIS YOUTH WAS A STAR AND TILL NOW BIG UP MI YOUTH.
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