Sly & The Family Stone
Biography
Sly & the Family Stone harnessed all of the disparate musical and social trends of the late '60s, creating a wild, brilliant fusion of soul, rock, R&B, psychedelia, and funk that broke boundaries down without a second thought. Led by Sly Stone, the Family Stone was comprised of men and women, and blacks and whites, making the band the first fully integrated group in rock's history. That integration shone through the music, as well as the group's message. Before Stone, very few soul and R&B groups delved into political and social commentary; after him, it became a tradition in soul, funk, and hip-hop. And, along with James Brown, Stone brought hard funk into the mainstream. The Family Stone's arrangements were ingenious, filled with unexpected group vocals, syncopated rhythms, punchy horns, and pop melodies. Their music was joyous, but as the '60s ended, so did the good times. Stone became disillusioned with the ideals he had been preaching in his music, becoming addicted to a variety of drugs in the process. His music gradually grew slower and darker, culminating in 1971's There's a Riot Going On, which set the pace for '70s funk with its elastic bass, slurred vocals, and militant Black Power stance.
Stone was able to turn out one more modern funk classic, 1973's Fresh, before slowly succumbing to his addictions, which gradually sapped him of his once prodigious talents. Nevertheless, his music continued to provide the basic template for urban soul, funk, and even hip-hop well into the '90s.
Sly Stone (born Sylvester Stewart, March 15, 1944) and his family moved from his home state of Texas to San Francisco in the '50s. He had already begun to express an interest in music, and when he was 16, he had a regional hit with "Long Time Away." Stone studied music composition, theory, and trumpet at Vallejo Junior College in the early '60s; simultaneously, he began playing in several groups on the Bay Area scene, often with his brother Fred. Soon, he had become a disc jockey at the R&B station KSOL, later switching to KDIA. The radio appearances led to a job producing records for Autumn Records. While at Autumn, he worked with a number of San Franciscan garage and psychedelic bands, including the Beau Brummels, the Great Society, Bobby Freeman, and the Mojo Men.
During 1966, Stone formed the Stoners, which featured trumpeter Cynthia Robinson. Though the Stoners didn't last long, he brought Robinson along as one of the core members of his next group, Sly & the Family Stone. Formed in early 1967, the Family Stone also featured Fred Stewart (guitar, vocals), Larry Graham, Jr. (bass, vocals), Greg Errico (drums), Jerry Martini (saxophone), and Rosie Stone (piano), who all were of different racial backgrounds. The group's eclectic music and multiracial composition made them distinctive from the numerous flower-power bands in San Francisco, and their first single, "I Ain't Got Nobody," became a regional hit for the local label Loadstone. The band signed with Epic Records shortly afterward, releasing their debut album, A Whole New Thing, by the end of the year. The record stiffed, but the follow-up, Dance to the Music, generated a Top Ten pop and R&B hit with its title track early in 1968. Life followed later in 1968, but the record failed to capitalize on its predecessor's success. "Everyday People," released late in 1968, turned their fortunes back around, rocketing to the top of the pop and R&B charts and setting the stage for the breakthrough success of 1969's Stand!
Featuring "Everyday People," "Sing a Simple Song," "Stand," and "I Want to Take You Higher," Stand! became the Family Stone's first genuine hit album, climbing to number 13 and spending over 100 weeks on the charts. Stand! also marked the emergence of the political bent in Stone's songwriting ("Don't Call Me N**ger, Whitey"), as well as the development of hard-edged, improvisational funk like "Sex Machine." The Family Stone quickly became known as one of the best live bands of the late '60s, and their performance at Woodstock was widely hailed as one of the festival's best. The non-LP singles "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)" b/w "Everybody Is a Star" became hits, reaching number two and number one respectively in late 1969/early 1970. Both singles were included on Greatest Hits, which became a number two record upon its fall 1970 release. While the group was at the height of its popularity, Sly was beginning to unravel behind the scenes. Developing a debilitating addiction to narcotics, Stone soon became notorious for arriving late for concerts, frequently missing the shows all together.
Stone's growing personal problems, as well as his dismay with the slow death of the civil rights movement and other political causes, surfaced on There's a Riot Goin' On. Though the album shot to number one upon its fall 1971 release, the record -- including "Family Affair," Stone's last number one single -- was dark, hazy, and paranoid, and his audience began to shrink slightly. During 1972, several key members of the Family Stone, including Graham and Errico, left the band; they were replaced by Rusty Allen and Andy Newmark, respectively. The relatively lighter Fresh appeared in the summer of 1973, and it went into the Top Ten on the strength of the Top Ten R&B hit "If You Want Me to Stay." Released the following year, Small Talk was a moderate hit, reaching number 15 on the charts and going gold, but it failed to generate a big hit single. High on You, released in late 1975 and credited only to Sly Stone, confirmed that his power and popularity had faded. "I Get High on You" reached the R&B Top Ten, but the album made no lasting impact.
Disco had overtaken funk in terms of popularity, and even if Sly wanted to compete with disco, he wasn't in shape to make music. He had become addicted to cocaine, his health was frequently poor, and he was often in trouble with the law. His recordings had slowed to a trickle, and Epic decided to close out his contract in 1979 with Ten Years Too Soon, a compilation of previously released material that had the original funky rhythm tracks replaced with disco beats. Stone signed with Warner Brothers that same year, crafting the comeback effort Back on the Right Track with several original members of the Family Stone, but the record was critically panned and a commercial failure. In light of the album's lack of success, Stone retreated even further, eventually joining forces with George Clinton on Funkadelic's 1981 album The Electric Spanking of War Babies. Following the album's release, Stone toured with Clinton's P-Funk All-Stars, which led him to embark on his own tour, as well as a stint with Bobby Womack. The culmination of this burst of activity was 1983's Ain't but the One Way, an album that was ignored. Later that year, Stone was arrested for cocaine possession; the following year, he entered rehab.
Stone appeared on Jesse Johnson's 1986 R&B hit "Crazay." The following year, he dueted with Martha Davis on "Love & Affection" for the Soul Man soundtrack; he also he recorded "Eek-a-Bo-Static," a single that didn't chart. Stone was arrested and imprisoned for cocaine possession by the end of 1987, and he was never able to recover from the final arrest. Stone continued to battle his addiction, with varying degrees of success. By his 1993 induction to the Rock & Roll Hall of Fame, he had disappeared from public view. Avenue Records gave Stone a recording contract in 1995, but nothing would be recorded. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

The Woodstock Experience
2009

The Collection (Box Set)
2007

In The Still Of The Night
1999

Anthology
1981

Fresh
1973
I remember watching them on the Mike Douglas show when I was 12. Those were the days of the black groups like BT Express and such, great music for the time...
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The intelligence of the lyrics from the 50 60 70s like gypsies telling of the simpleness of how to get along and see .Example Marvin Gayes,lyrics and awareness of toxic deteration of the earth, he and many cared and tried to warn of this situation which we are in today!!
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Some people don't know why Syl wouldn't "show up". Ask the IRS......... . . . . . . . . . . . . . . . . . . . . . .
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he had a habit of not showing up for concerts or being to twisted to perform
the stand album was the best |
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sly was a true innovator. he influenced pretty much everybody from george clinton to prince. you can hear it in so many musician's work.
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before i heard sly i was just a saltine, after sly i was a standing like a full loaf of white bread. love you man!
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Great stuff. To bad Sly is such a mess these days. Saw them in Santa Rosa, Ca. Possibly the last Sly & The Family Stone Concert ever. It was great, even if Sly was only on stage for just over 20 minutes. When he walked down the aisle, softly singing, "It's a family affair", that was a great moment. Classic exit, too ("I gotta take a piss..."), never to be seen again.
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Did bass player Larry Gram start us off slapping his bass with his thumb ?
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crazy group my kids grew up listening too sly and soul and funk my daughter 40 years old my other 26 she even likes the temptations tought my children well xxx
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The music of Sly & The Family Stone played like the soundtrack to my life back in 1969 and 1970. I will always cherish their music, even into old age.
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Sly and the Family Stone...ther e could only be one!!! Look up the word "funk" in the dictionary, and you'll see a picture of them next to it!!! Thank YOU, Sly.....
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still his music will never die!!!! sadly todays music is dead to the ear.
long live the "family affair" once you have a spirit , you will have soul!!!thank you Jesus |
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remember being 15 Sly came to my hometown and my mom wouldnt let me go because of his reported drug use.alas beautiful youth.one of the greatest funk artist of all time.Stand brother Stand.
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He was one of the few funk artists writing actual songs, not just extended jams. While Stevie Wonder was right there to take over (before himself eventually succombing to songwriting- m e d i o c r i t y ) , it's a shame that Sly took the death of the 60's as the end of something instead of an opportunity for a new beginning, descending deeper and deeper into drug use rather than anything more positive. Alas.
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TELL IT, TELL IT BROTHER! Every time I hear Sly and the band play, takes me back to good times, great parties where people just danced the night away and grooved. 1973 like never before. Sure do miss it. Reed.
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stand... sly stone a giant standing tall
a prolific song writer who was decades ahead of his time |
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I hear Sly and my feet start to shuffle the floor - next thing - I'm dancin' to the music. He is always tryin' to get me higher.
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the influence of sly and the family stone is still felt today. fishbone gave props by covering "everybody is a star" on their "psychotic friends nuttwerx" album. groovy and positive, this music WILL make you move
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I’m sadden that they don’t write music like this any more. Music that fills your soul with happiness and makes you feel good about life.
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Another funk pioneer. Sly,James Brown,& George Clinton faces are on the "funk Mount Rushmore..."
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Truly - I saw that Grammy show two years. Actually, Sly, behind the shades and the blonde mohawk hair-do looked remarkably in good health considering his age (late 50's/early 60's). I remember being so disappointed when he just out of the blue, left the stage in the middle of his performance. Granted, his microphone I think was turned off. Years of drug abuse has definately affected his ability to carry a tune. There were various artist on stage that appeared to be in "aww" for just being on
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