Smokey Robinson
Biography
If you're looking for the all-time number one purveyor of mainstream romantic soul, Smokey Robinson may well be the man, in the face of some towering competition. With the Miracles in the 1960s, he paced dozens of tuneful Motown hits with his beautiful high tenor. As a solo performer from the 1970s onward, he was one of the staples of urban contemporary music. But his singing gifts, as notable as they are, comprise only one of his hats: he's also one of pop's best and most prolific songwriters. As a songwriter and producer, he was the most important musical component to Motown's early success, not only on the hits by the Miracles, but for numerous other acts as well (especially Mary Wells and the Temptations).
Robinson first crossed paths with Motown founder Berry Gordy, Jr., in the late '50s in Detroit. In retrospect, this may have been the most important meeting in both men's lives. Robinson needed a mentor and an outlet for his budding talents as a singer and songwriter; the ambitious Gordy needed someone with multi-faceted musical vision. Gordy encouraged and polished Robinson's songwriting in particular in the early days, in which the Miracles were one of many acts bridging the doo wop and early soul eras.
Before solidifying their relationship with the embryonic Motown operation, the Miracles issued a few singles on the End and Chess labels, the most successful of which was "Got a Job." There was no national action for the Miracles until "Shop Around" in late 1960. Gordy withdrew the original single in favor of a faster, more fully produced version of the song; it made number two, doing much not only to establish the Miracles, but to establish the Motown label itself. The song also heralded many of the important elements of the Motown sound, with its gospel-ish interplay between lead and backup vocals, its rhythmic groove, and its blend of R&B and pop.
While Robinson is most often thought of as a romantic balladeer, the Miracles were also capable of grinding out some excellent uptempo party tunes, particularly in their early days. "Mickey's Monkey" (which the group gave an athletically electrifying performance of in the 1964 T.A.M.I. Show movie), a 1963 Top Ten hit, is the most famous of these; there was also "Going to a Go-Go" and smaller hits like "I Gotta Dance to Keep from Crying." The 1962 Top Ten hit "You've Really Got a Hold on Me," however, was the key cut in forming Robinson's romantic persona, with its pleading, soaring vocals, exquisite melody, and carefully crafted lyrics. Bob Dylan was impressed enough by Robinson's facility for imaginative wordplay to dub him "America's greatest living poet" (a phrase which has possibly become the most quoted example of one rock giant praising another).
Surveying Robinson's achievements during the 1960s, one wonders if the man ever slept. While the Miracles were never Motown's biggest act at any given time, they were one of its very most consistent, entering the Top 40 25 times over the course of the decade. "I Second That Emotion," "The Love I Saw in You Was Just a Mirage," "The Tracks of My Tears," "Ooo Baby Baby," and "Baby, Baby Don't Cry" were some of their biggest singles, and usually represented Motown at its most sophisticated and urbane. Robinson also was extremely active at Motown as a songwriter and producer for other acts. The number one singles "My Guy" (Mary Wells) and "My Girl" (Temptations) were each Robinson songs and productions (the latter with fellow Miracle Ronnie White), and Robinson also did some excellent work with the Marvelettes and Marvin Gaye. He also toured with the Miracles, and started a family with the Miracles' female singer, Claudette Rogers, whom he married in 1964. Rogers stopped touring with the group in the mid-'60s, although she continued to sing on their records.
Starting in 1967, the billing on Miracles releases was changed to Smokey Robinson & the Miracles, presaging Robinson's solo career. The group continued to spin out hits until the early '70s, however, getting their only number one in 1970 with the upbeat "The Tears of a Clown" (which had actually been recorded back in 1966). Robinson left the group to go on his own in 1972; the Miracles continued without him with limited success, although they had a number one hit in 1976 with "Love Machine, Pt. 1."
Robinson had been made a vice president at Motown near the beginning of his career in 1961. He recorded frequently as a solo artist for Motown in the '70s and '80s, in a considerably mellower vein than his Miracles work, in keeping with the general shift of Motown and soul toward urban contemporary. Robinson, in fact, provided that genre with one of its catch phrases with the title of his 1975 album, A Quiet Storm. "Cruisin'" (1979) and "Being with You" (1981) were his biggest solo hits, although artistically and commercially his solo era wasn't nearly as successful as his music with the Miracles. ~ Richie Unterberger, All Music Guide
Selected Discography
I am getting a little tired of 'Ol smokey. ...it's okay. Let's have a little more variety.
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Mr. Robinson is THE BEST #1 song writer EVER. And his voice??? Oh my GOD, the Best all around.
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Smokey Robinson: handsome, sexy, talented, fabulous, intelligent, what else can I say? He is the man! May you continue to be healthy, happy, and esquire.
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Smokey taught me how to talk and treat women. He taught me the meaning of chivelry. I introduced him to my young son to help him develope confidence in talking to women and treating them with love and respect. Knowing these things is why I have been married to the same women for 25 years and still going strong.
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Only one Smokey Robinson...o n l y one Stevie Wonder...onl y one Marvin Gaye...and on and on with the Motown legends...di s t i n c t voices of EXCELLENCE. The true beauty was that not ONE of them attempted to imitate or duplicate the other... TRUE talent and phenomenal genius!!! Love to them all1!! Thank you!!
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All Time Greatewst! Voice so sweet on every tune!!!!!!!! ! ! ! ! ! ! ! Love Ya Smoke!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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He gets on my nerves about half way through every cd. His daughter is a tramp too.
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as our life changes, music has a habit of marking those changes for a future generator of memories. as Proustian as a madeline cake, songs create a cascade of memories as vivid now as those experiences were many years ago. ove life! listen to music. neutron
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Smokey Robinson, to me, is cool, smooth soul who makes
me feel so fine. |
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What more can be said but,It was a time that music meant something.I' m from a different generation and this my friend is truly classic.
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WOW! As much as I listened to him growing up I didn't know he sang 'Ebony Eyes' ---- I thought Rick James did! Ummmm... well both men did it very well.... I'm loving you Pandora!
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I've been in love with this man since I was about 11 years old. He is the man. Smokey doesn't know that he put me to sleep many nights, just by listening to his voice...He is one in million and I am proud to have been a part of his legacy. I adore him.
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This is truly "The Artist". Combine the lyrics, the voice and the unimagined word
play of some of the finest lyrics ever written, coupled with his production skills and you have what is probably the most accomplished force in music. I must also make reference to Teena Marie who admittedly has learned some technique from Mr. Robinson. She is the female parallel to Smokey. This also confirms that you do not have to have the most record sales to be the best at what you do. |
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Fitzgerald,G A , M A R T H A SAYS:SMOKEY IS ONE OF A KIND,AND ILOVE HIS MUSIC(WOW).
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i have always been in love with Smokey. It started in the 60s...my, my, my.
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SMOKEY I LOVE YOUR MUSIC. IT'S SO SMOOTH AND ROMANTIC I CHOOSE TO WALK OUT TO YOUR SONG "I LOVE YOUR FACE" ON MY WEDDING DAY. THERE WASN'T A DRY FACE IN THE HOUSE. CONTINUE TO KEEP BLESSING US WITH YOUR TIMELESS VOICE.
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