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Smokey Robinson & The Miracles
Biography
If you're looking for the all-time number one purveyor of mainstream romantic soul, Smokey Robinson may well be the man, in the face of some towering competition. With the Miracles in the 1960s, he paced dozens of tuneful Motown hits with his beautiful high tenor. As a solo performer from the 1970s onward, he was one of the staples of urban contemporary music. But his singing gifts, as notable as they are, comprise only one of his hats: he's also one of pop's best and most prolific songwriters. As a songwriter and producer, he was the most important musical component to Motown's early success, not only on the hits by the Miracles, but for numerous other acts as well (especially Mary Wells and the Temptations).
Robinson first crossed paths with Motown founder Berry Gordy, Jr., in the late '50s in Detroit. In retrospect, this may have been the most important meeting in both men's lives. Robinson needed a mentor and an outlet for his budding talents as a singer and songwriter; the ambitious Gordy needed someone with multi-faceted musical vision. Gordy encouraged and polished Robinson's songwriting in particular in the early days, in which the Miracles were one of many acts bridging the doo wop and early soul eras.
Before solidifying their relationship with the embryonic Motown operation, the Miracles issued a few singles on the End and Chess labels, the most successful of which was "Got a Job." There was no national action for the Miracles until "Shop Around" in late 1960. Gordy withdrew the original single in favor of a faster, more fully produced version of the song; it made number two, doing much not only to establish the Miracles, but to establish the Motown label itself. The song also heralded many of the important elements of the Motown sound, with its gospel-ish interplay between lead and backup vocals, its rhythmic groove, and its blend of R&B and pop.
While Robinson is most often thought of as a romantic balladeer, the Miracles were also capable of grinding out some excellent uptempo party tunes, particularly in their early days. "Mickey's Monkey" (which the group gave an athletically electrifying performance of in the 1964 T.A.M.I. Show movie), a 1963 Top Ten hit, is the most famous of these; there was also "Going to a Go-Go" and smaller hits like "I Gotta Dance to Keep from Crying." The 1962 Top Ten hit "You've Really Got a Hold on Me," however, was the key cut in forming Robinson's romantic persona, with its pleading, soaring vocals, exquisite melody, and carefully crafted lyrics. Bob Dylan was impressed enough by Robinson's facility for imaginative wordplay to dub him "America's greatest living poet" (a phrase which has possibly become the most quoted example of one rock giant praising another).
Surveying Robinson's achievements during the 1960s, one wonders if the man ever slept. While the Miracles were never Motown's biggest act at any given time, they were one of its very most consistent, entering the Top 40 25 times over the course of the decade. "I Second That Emotion," "The Love I Saw in You Was Just a Mirage," "The Tracks of My Tears," "Ooo Baby Baby," and "Baby, Baby Don't Cry" were some of their biggest singles, and usually represented Motown at its most sophisticated and urbane. Robinson also was extremely active at Motown as a songwriter and producer for other acts. The number one singles "My Guy" (Mary Wells) and "My Girl" (Temptations) were each Robinson songs and productions (the latter with fellow Miracle Ronnie White), and Robinson also did some excellent work with the Marvelettes and Marvin Gaye. He also toured with the Miracles, and started a family with the Miracles' female singer, Claudette Rogers, whom he married in 1964. Rogers stopped touring with the group in the mid-'60s, although she continued to sing on their records.
Starting in 1967, the billing on Miracles releases was changed to Smokey Robinson & the Miracles, presaging Robinson's solo career. The group continued to spin out hits until the early '70s, however, getting their only number one in 1970 with the upbeat "The Tears of a Clown" (which had actually been recorded back in 1966). Robinson left the group to go on his own in 1972; the Miracles continued without him with limited success, although they had a number one hit in 1976 with "Love Machine, Pt. 1."
Robinson had been made a vice president at Motown near the beginning of his career in 1961. He recorded frequently as a solo artist for Motown in the '70s and '80s, in a considerably mellower vein than his Miracles work, in keeping with the general shift of Motown and soul toward urban contemporary. Robinson, in fact, provided that genre with one of its catch phrases with the title of his 1975 album, A Quiet Storm. "Cruisin'" (1979) and "Being with You" (1981) were his biggest solo hits, although artistically and commercially his solo era wasn't nearly as successful as his music with the Miracles. ~ Richie Unterberger, All Music Guide
Selected Discography
before rap was it's own genre Smokey was rapping..... . . c h e c k out Baby Baby Don't Cry the man was and still is a genius. Personal opinion..... . . . h i s best tune was Give Her Up....check it out and tell me if you don't agree
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I've been listening to him since I was 9, and I still
love his music!! |
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Smokey is one of the best artist to write and sing the best love songs in the world.
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Smokeeey be still my beating heart. Major crush on Smokey (hello) Smokey and you will know oneday. It's ok my hubby knows how I feel about those green eyes;)
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he i a very loving guy and i love all his musical and when i hear his musical it makes me have a better day and if you can will play more of his musical. thank you
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this man was another great crooner & songwriter and definitely music legend!!
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Seen Smoket Robinson in Pittsburgh and loved it and will always love this motown music
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I believe Basic motown is my favorite stuff. SSmokey is one of the best.
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Mr. Smokey Robinson, you are the living artice and everyone knows it!! S**t there is no one that can stand close to you, this is not only my opinion .
from Mr Rey; |
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It is said that music soothes the "savage beast" and Mr. Robinson has supplied that music beautifully. Poetry set to music. Makes me feel real good....
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someone hold me the f**k back.find me a being with one more drop of authenticity than the man in smoke. though the smoke is ther , it is by miracles that mr robinson lets you inside the truth of love.say it, go with it, and give into it....may love rule your lives
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This GREEN EYED man touches the very bottom of my soul with every lyric he sings!I do love mister smokey and I adore the Temptations, I speak of Otis,David,E d d i e , P a u l And Melvin These guys were to good!I just got to spend some time at a concert with Otis and we talked about the good old days.He is a remarkable Man also very kind and alot of fun.I will soon get to meet smokey and I look so forward to this,I just hope I dont attack him.Love Patsy
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.......What can I say?....Simp l y the best!!!!!!!! ! ! The voice, the face, the LEGEND!! SMOKEY "SWEET VOICE" ROBINSON.
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Bob Dylan called him the greatest living american poet. Says it all! The best of a talented group of songwriters at Motown.
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