Soundgarden
Biography
Soundgarden made a place for heavy metal in alternative rock. Their fellow Seattle rockers Green River may have spearheaded the grunge sound, but they relied on noise rock in the vein of the Stooges. Similarly, Jane's Addiction were too fascinated with prog rock and performance art to appeal to a wide array of metal fans. Soundgarden, however, developed directly out of the grandiose blues-rock of Led Zeppelin and the sludgy, slow riffs of Black Sabbath. Which isn't to say they were a straight-ahead metal band. Soundgarden borrowed the D.I.Y. aesthetics of punk, melding their guitar-driven sound with an intelligence and ironic sense of humor that was indebted to the American underground of the mid-'80s. Furthermore, the band rarely limited itself to simple, pounding riffs, often making detours into psychedelia. But the group's key sonic signatures -- the gutsy wail of vocalist Chris Cornell and the winding riffs of guitarist Kim Thayil -- were what brought them out of the underground. Not only were they one of the first groups to record for the legendary Seattle indie Sub Pop, but they were the first grunge band to sign to a major label. In fact, most critics expected Soundgarden to be the band that broke down the doors for alternative rock, not Nirvana.
However, the group didn't experience an across-the-boards success until 1994, when Superunknown became a number one hit.
For a band so heavily identified with the Seattle scene, its ironic that two of its founding members were from the Midwest. Kim Thayil (guitar), Hiro Yamamoto (bass), and Bruce Pavitt were all friends in Illinois who decided to head to Olympia, WA, to attend college after high school graduation in 1981. Though none of the three completed college, all of them became involved in the Washington underground music scene. Pavitt was the only one who didn't play -- he founded a fanzine that later became the Sub Pop record label. Yamamoto played in several cover bands before forming a band in 1984 with his roommate Chris Cornell (vocals), a Seattle native who had previously played drums in several bands. Thayil soon joined the duo and the group named itself Soundgarden after a local Seattle sculpture. Scott Sundquist originally was the band's drummer, but he was replaced by Matt Cameron in 1986. Over the next two years, Soundgarden gradually built up a devoted cult following through their club performances.
Pavitt signed Soundgarden to his fledgling Sub Pop label in the summer of 1987, releasing the single "Hunted Down" before the EP Screaming Life appeared later in the year. Screaming Life and the group's second EP, 1988's FOPP, became underground hits and earned the attention of several major labels. The band decided to sign to SST instead of a major, releasing Ultramega OK by the end of 1988. Ultramega OK received strong reviews among alternative and metal publications, and the group decided to make the leap to a major for its next album, 1989's Louder Than Love. Released on A&M Records, Louder Than Love became a word-of-mouth hit, earning positive reviews from mainstream publications, peaking at 108 on the charts, and earning a Grammy nomination. Following the album's fall 1989 release, Yamamoto left the band to return to school. Jason Everman, a former guitarist for Nirvana, briefly played with the band before Ben Shepherd joined in early 1990.
Soundgarden's third album, 1991's Badmotorfinger, was heavily anticipated by many industry observers as a potential breakout hit. Though it was a significant hit, reaching number 39 on the album charts, its success was overshadowed by the surprise success of Nirvana's Nevermind, which was released the same month as Badmotorfinger. Prior to Nevermind, Soundgarden had been marketed by A&M as a metal band, and the group had agreed to support Guns n' Roses on the fall 1991 Lose Your Illusion tour. While the tour did help sales, Soundgarden benefited primarily from the grunge explosion, whose media attention helped turn the band into stars. The band was also helped by the Top Ten success of Temple of the Dog, a tribute to deceased Mother Love Bone singer Andrew Wood that Cornell and Cameron recorded with members of Pearl Jam. By the spring release of 1994's Superunknown, Soundgarden's following had grown considerably, which meant that the album debuted at number one upon its release. (A year before its release, Shepherd and Cameron released an eponymous album by their side project, Hater.) Superunknown became one of the most popular records of 1994, generating a genuine crossover hit with "Black Hole Sun," selling over three million copies and earning two Grammies. Soundgarden returned in 1996 with Down on the Upside, which entered the charts at number two. Despite the record's strong initial sales, it failed to generate a big hit, and was hurt by grunge's fading popularity. Soundgarden retained a sizable audience -- the album did go platinum, and they were co-headliners on the sixth Lollapalooza -- but they didn't replicate the blockbuster success of Superunknown. After completing an American tour following Lollapalooza that was plagued by rumors of internal fighting, Soundgarden announced that they were breaking up on April 9, 1997, to pursue other interests. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Down On The Upside
1996

Superunknown
1994

Badmotorfinger
1991

Screaming Life / Fopp
1990

Ultramega OK
1988
Chris Cornell is probably 110 pounds soaking wet and has a voice better that 99% of the rest and more power. A band that made a difference.
|
||
Great band. I've heard their music on the radio my whole life and i never get tired of it.
|
||
Gotta agree with alot of people on the superunknown album. I have been a fan for years, but the classic stuff os the best, and the heaviest, "Louder than love" or check out "FOPP" classic sub-pop stuff!
|
||
audioslave rocks my a** off!! truly original and exactly what i was looking for. lyricly,musi c a l y they top any crap on the radio
|
||
Soundgarden is one of the most powerful musical influences, at least to me. They will always be in my music library- YOU GUYS F**KIN ROCK!!! THANK YOU!!!
|
||
BACK IN THE LATE 80S I HAD THE PLEASURE OF SEEING SOUNDGARDEN AT A PUB IN PIONEER SQUARE SEATTLE WA. THEY WERE THE MOST PROGRESSIVE BAND THEN AND UP TILL SUPERUNKNOWN THEY REMAINED MY FAVORITE GRUNDGE BAND.
|
||
Superunknown was their most overrated album ever, and black hole sun was their most hyped song. Their older stuff is much more better just listen to the vocals on beyond the wheel or jesus christ pose.
|
||
macmeatbalz says:Thier movement through was truly a movent from the bright static light of metal/punk to the true darkness of the failing human emotion and mind. In my darkest days I was truly lucky to hear Chris crying out from the depts and I knew that I was not suffering alone. Chris has been there and was able to create art out of it. Best writer in rock in last 15 yrs.
|
||
Too bad Chris Cornell can't find a place to call home. He has excellent vocals
|
||
Superunknown ' s my fav Super Cheese but this is one of the greatest grunge metal bands ever, only matched to Nirvana and Pearl Jam.
|
||
louder than love is the s**t. i love you... at least suzane thinks i do
|
||
Butthole sun??? lol anyway, soundgarden rocks! best albums are Superunknown and Down on the Upside, in my opinion.
|
||
Damn, I miss the 90s! Love SG and Chris Cornell has the best voice. Wish he would find some of the intensity of his youth, regardless, if he's singin' I'm listenin'.
|
||
Soundgarden was the ultimate blight on 90's era music. With the exception of Stone Temple Pilots. Nothing would make me turn off the radio faster. Except Alanis Morisette. Did I spell her name right? Who cares. It doesn't matter. Oh, anyway Soundgarden sucked. So did Bush. And Temple of the Dog.
|
||
Sorry Jay Porks but I have to disagree. I think they fit right into the group you listed. All lending, equally, their own contribution to the era. I would much rather jam to Soundgarden than STP but that's just my opinion. I always dug Cornell's voice.
|
||
Not as good as the hype whould lead you to believe. I like Soundgarden, and i love a few of there songs but they just were too much in a time where they were surrounded by legendary bands like Nirvana, Alice in Chains and Stone Temple Pilots. If not for these bands Soundgarden would be known as they should be, a an okay band with a lead singer too focused on side projects,sol o careers and just being a weirdo.
|
||
tell me if you think it's uglyyyyyyyyy y y y ! ! ! ! ! god i love chris cornell's soundgarden days (don't you wanna touch it anyways)
|
||
i just KNOW that Chris will go back to screaming... . b e c a u s e he's just so good at it!!
|
||
Kind of bizarre -- I heard a Chris Cornell Christmas tune on a Delta in-flight channel a couple of years ago. Hard to put an adjective on it....
|
||
Chris Cornell needs to stop f'ing around and get Kim Thayil and the boys on the horn and get this group back together. Heavy and smart to boot. Great live band. Caught them at Lollapalloza . And people please, enough with the "G" word!! AHahahahahah a h a ! !
|
||
chris' voice gels so well with the guitars, drums, and bass in soundgarden, he truly does not belong anywhere else...an amazing band
|
||
i dont know about any of you guys, but i definitely feel that soundgarden is cornell's best work.. i like soundgarden way more than audioslave and especially his solo stuff.. his voice meshes with the style of rock soundgarden pumps out better than his other efforts..
|
||
Amazing band, Chris's vocals are stunning, Love Kim Thayil's tone.
Amazing band. |
||
Is it just me, or do the best bands come from the west coast (especially Seattle)?
|
||
Awesome band! Easily the best grungers. Chris , one of, if not the best rock singer ever. Matt was a great drummer too. The break up was tragic but required as the last album seemed to have lost the edge, still alright but not a patch on the others. One of my fav bands of all time. Id love a reunion tour! By the way Audioslave is nowhere near Soundgarden' s standard, different league entirely!
|
||
Audioslave is good...but come on man...soundg a r d e n had that hard dark edge that audioslave does not. I even like the guitar work better on audio slave tunes (how can you not!) but soundgarden as a whole is better IMHO.
|
||
