Steel Pulse
Biography
Steel Pulse were one of Britain's greatest reggae bands, rivaled only by Aswad in terms of creative and commercial success. Generally a protest-minded Rastafarian outfit, Steel Pulse started out playing authentic roots reggae with touches of jazz and Latin music, and earned a substantial audience among white U.K. punks as well. Their 1978 debut, Handsworth Revolution, is still regarded by many critics as a landmark and a high point of British reggae. As the '80s wore on, slick synthesizers and elements of dance and urban R&B gradually crept into their sound, even as their subject matter stayed on the militant side. By the late '80s, Steel Pulse had won a Grammy and were working full-fledged crossover territory, but never reached the same degree of commercial acceptance as Aswad or Inner Circle. They subsequently returned to a tough-minded, rootsy sound that nonetheless made concessions to contemporary trends with touches of dancehall and hip-hop.Steel Pulse were formed in 1975 in Birmingham, England, specifically the ghetto area of Handsworth. The founding members were schoolmates David Hinds (the primary songwriter as well as the lead singer and guitarist), Basil Gabbidon (guitar), and Ronnie "Stepper" McQueen (bass). All of them came from poor West Indian immigrant families, and none had much musical experience. They took some time to improve their technical proficiency, often on Rasta-slanted material by Bob Marley and Burning Spear. McQueen suggested the group name, after a racehorse, and they soon fleshed out the lineup with drummer Steve "Grizzly" Nisbett, keyboardist/vocalist Selwyn "Bumbo" Brown, percussionist/vocalist Alphonso "Fonso" Martin, and vocalist Michael Riley.
Steel Pulse initially had difficulty finding live gigs, as club owners were reluctant to give them a platform for their "subversive" Rastafarian politics. Luckily, the punk movement was opening up new avenues for music all over Britain, and also finding a spiritual kinship with protest reggae. Thus, the group wound up as an opening act for punk and new wave bands like the Clash, the Stranglers, Generation X, the Police, and XTC, and built a broad-based audience in the process. In keeping with the spirit of the times, Steel Pulse developed a theatrical stage show that leavened their social commentary with satirical humor; many of the members dressed in costumes that mocked traditional British archetypes (Riley was a vicar, McQueen a bowler-wearing aristocrat, Martin a coach footman, etc.). The band issued two singles -- "Kibudu, Mansetta and Abuku" and "Nyah Love" -- on small independent labels, then came to the attention of Island Records after opening for Burning Spear.
Steel Pulse's first single for Island was the classic "Ku Klux Klan," which happened to lend itself well to the band's highly visual, costume-heavy concerts. It appeared on their 1978 debut album, Handsworth Revolution, which was soon hailed as a classic of British reggae by many fans and critics, thanks to songs like the title track, "Macka Splaff," "Prodigal Son," and "Soldiers." Riley departed before the follow-up, 1979's Tribute to the Martyrs, which featured other key early singles in "Sound System" and "Babylon Makes the Rules," and solidified the band's reputation for uncompromising political ferocity. That reputation went out the window on 1980's Caught You, a more pop-oriented set devoted to dance tracks and lovers rock. By that point, Steel Pulse were keen on trying to crack the American market, and went on tour over Island's objections. Caught You was issued in the States as Reggae Fever, but failed to break the group, and they soon parted ways with Island.
Steel Pulse moved on to Elektra/Asylum, which released an LP version of their headlining set at the 1981 Reggae Sunsplash Festival. Their studio debut was 1982's True Democracy, a generally acclaimed set that balanced bright, accessible production with a return to social consciousness. It became their first charting LP in America, making both the pop and R&B listings. The slicker follow-up, Earth Crisis, was released in 1984 and featured producer Jimmy "Senyah" Haynes subbing on guitar and bass for founding members Gabbidon and McQueen, both of whom were gone by the end of the recording sessions. They were replaced by guitarist Carlton Bryan and bassist Alvin Ewen for 1986's Babylon the Bandit, another Haynes-produced effort that ranked as the group's most polished, synth-centered record to date. Although it featured the powerful "Not King James Version" and won a Grammy for Best Reggae Album, it sold poorly and alienated some of the band's older fans; as a result, Elektra soon dropped them.
Steel Pulse resurfaced on MCA in 1988 with State of Emergency, their most explicitly crossover-oriented album yet. They also contributed the track "Can't Stand It" to the soundtrack of Spike Lee's classic Do the Right Thing. In 1991, they released another heavily commercial album, the Grammy-nominated Victims, which featured the single "Taxi Driver." Backing up the song's views, Steel Pulse filed a class-action lawsuit against the New York City Taxi and Limousine Commission, charging that drivers discriminated against blacks and particularly Rastafarians. Founding member Fonso Martin left that year, reducing Steel Pulse to a core trio of Hinds, Nisbett, and Brown. Their backing band still featured Ewen and was elsewhere anchored by guitarist Clifford "Moonie" Pusey, keyboardist Sidney Mills, and drummer/percussionist Conrad Kelly.
The 1992 live album Rastafari Centennial marked the beginning of a return to the group's musical roots, and earned another Grammy nomination. The following year, they performed at Bill Clinton's inaugural celebration, the first reggae band to appear at such an event. 1994's studio album Vex completed Steel Pulse's re-embrace of classic roots reggae, though it also nodded to contemporary dancehall with several guest toasters and a digital-flavored production. 1997's Rage and Fury continued in a similar vein, and was nominated for a Grammy. In 1999, the group released another collection of live performances, Living Legacy. ~ Steve Huey, All Music Guide
Selected Discography

Rastanthology II: The Sequel
2006

Earth Crisis
2005

True Democracy
2005

African Holocaust
2004

Steel Pulse: The Ultimate Collection
2000
Just joined and I truly impressed thanks for what you do love yhe artist
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You cant go wrong with this band!!!! Just burn one & enjoy there sound!
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i love steel pluse music very much.i first meet him in st thomas virgin island.he had give me two tickets for his concert.he's a great artist.
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first time hearing this band they sound real nice just like reggae should.
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Those are not the dates the albums were originally released. I remember listening to True Democracy (Reggea bandwagon, Chant a Psalm)in the early 80's (I am 40).
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I remember listening to Steel Pulse as a child. The True democracy album has to be way earlier than 2005 cause Im 32.
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Some of the Best reggae since our beloved brother mr.Music himself BobMarley. Respekt the Pulse !!! Much love
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best band ever,, saw two times in puerto rico,, livivg legacy album experience
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love dem,they are da definition of a reggae band...Irie, b l e s s e d STEEL PULSE!!!!!!! Y O U MUST BE ABKLE TO FEEL DEM MUSIC.....
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One of the greatest...I saw them in Santa Cruz years ago and had a great time. Classic!
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one of the best live reggae acts ever, albums are killer too. their style was always pretty tuff. such a great upbeat sound. very high energy,wants to get you skankin' Jah!
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I was honored to see them in a free concert during the "Bite of Seattle" in '99. I would like to thank Steel Pulse very much, and all the people who made it possible.
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CHANT MY BREADA'S.... . . I F WE ALL WOULD DO THIS EACH DAY....THIS WILL WASH AWAY ALL WICKEDNESS.. . . P E A C E TO THE WORLD OF ALL RIGHTEOUS PEOPLE....MA J
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JAH RASTAFARI!!! . . . H a l i Sellassi I STEEL PULSE jam on mon......... . . . . . s t a y hi
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reggae reggae reggae.liste n to them i feel brand new,my pulse going steel.thx david
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Anyone know where you can buy a greatest hits CD or a dual with all their songs?
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Steel Pulse sound was unique to me as I first started listening to reggae. Earth Crisis and True Democracy carved a spot in my soul and refreshed my ears long after the music stopped. Thanks Kindly Steel Pulse
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gonriel! steel pulse its a legacy of pure revolution, love for all people...... . I R I E E E E E E E
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Steel Pulse is still fighting the good fight through music. Word, sound and power!!! Peace.
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I've been a fan since 1985.. STEEL PULSE!!!!!!! PLEASE!!! PLEASE!!! START BACK TO WHAT GOT ME HOOKED ON REGGAEEEEE!! ! !
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