Stevie Ray Vaughan
Biography
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For the next seven years, Stevie Ray was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.
Born and raised in Dallas, Vaughan began playing guitar as a child, inspired by older brother Jimmie. When he was in junior high school, he began playing in a number of garage bands, which occasionally landed gigs in local nightclubs. By the time he was 17, he had dropped out of high school to concentrate on playing music. Vaughan's first real band was the Cobras, who played clubs and bars in Austin during the mid-'70s. Following that group's demise, he formed Triple Threat in 1975. Triple Threat also featured bassist Jackie Newhouse, drummer Chris Layton, and vocalist Lou Ann Barton. After a few years of playing Texas bars and clubs, Barton left the band in 1978. The group decided to continue performing under the name Double Trouble, which was inspired by the Otis Rush song of the same name; Vaughan became the band's lead singer.
For the next few years, Stevie Ray Vaughan and Double Trouble played the Austin area, becoming one of the most popular bands in Texas. In 1982, the band played the Montreux Festival and their performance caught the attention of David Bowie and Jackson Browne. After Double Trouble's performance, Bowie asked Vaughan to play on his forthcoming album, while Browne offered the group free recording time at his Los Angeles studio, Downtown; both offers were accepted. Stevie Ray laid down the lead guitar tracks for what became Bowie's Let's Dance album in late 1982. Shortly afterward, John Hammond, Sr. landed Vaughan and Double Trouble a record contract with Epic, and the band recorded its debut album in less than a week at Downtown.
Vaughan's debut album, Texas Flood, was released in the summer of 1983, a few months after Bowie's Let's Dance appeared. On its own, Let's Dance earned Vaughan quite a bit of attention, but Texas Flood was a blockbuster blues success; receiving positive reviews in both blues and rock publications, reaching number 38 on the charts, and crossing over to album rock radio stations. Bowie offered Vaughan the lead guitarist role for his 1983 stadium tour, but he turned him down, preferring to play with Double Trouble. Vaughan and Double Trouble set off on a successful tour and quickly recorded their second album, Couldn't Stand the Weather, which was released in May of 1984. The album was more successful than its predecessor, reaching number 31 on the charts; by the end of 1985, the album went gold. Double Trouble added keyboardist Reese Wynans in 1985, before they recorded their third album, Soul to Soul. The record was released in August 1985 and was also quite successful, reaching number 34 on the charts.
Although his professional career was soaring, Vaughan was sinking deep into alcoholism and drug addiction. Despite his declining health, Vaughan continued to push himself, releasing the double live album Live Alive in October of 1986 and launching an extensive American tour in early 1987. Following the tour, Vaughan checked into a rehabilitation clinic. The guitarist's time in rehab was kept fairly quiet, and for the next year Stevie Ray and Double Trouble were fairly inactive. Vaughan performed a number of concerts in 1988, including a headlining gig at the New Orleans Jazz & Heritage Festival, and wrote his fourth album. The resulting record, In Step, appeared in June of 1989 and became his most successful album, peaking at number 33 on the charts, earning a Grammy for Best Contemporary Blues Recording, and going gold just over six months after its release.
In the spring of 1990, Stevie Ray recorded an album with his brother Jimmie, which was scheduled for release in the fall of the year. In the late summer of 1990, Vaughan and Double Trouble set out on an American headlining tour. On August 26, 1990, their East Troy, WI, gig concluded with an encore jam featuring guitarists Eric Clapton, Buddy Guy, Jimmie Vaughan, and Robert Cray. After the concert, Stevie Ray boarded a helicopter bound for Chicago. Minutes after its 12:30 a.m. takeoff, the helicopter crashed, killing Vaughan and the other four passengers. He was only 35 years old.
Family Style, Stevie Ray's duet album with Jimmie, appeared in October and entered the charts at number seven. Family Style began a series of posthumous releases that were as popular as the albums Vaughan released during his lifetime. The Sky Is Crying, a collection of studio outtakes compiled by Jimmie, was released in October of 1991; it entered the charts at number ten and went platinum three months after its release. In the Beginning, a recording of a Double Trouble concert in 1980, was released in the fall of 1992 and the compilation Greatest Hits was released in 1995. In 1999, Vaughan's original albums were remastered and reissued, with The Real Deal: Greatest Hits, Vol. 2 also appearing that year. 2000 saw the release of the four-disc box SRV, which concentrated heavily on outtakes, live performances, and rarities. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

The Real Deal: Greatest Hits Vol.1
2006

Martin Scorsese Presents The Blues: Stevie Ray Vaughan
2003

The Essential Stevie Ray Vaughan And Double Trouble
2002

Blues At Sunrise
2000

3 Pak: Texas Flood / Couldn't Stand The Weather / Soul To Soul
1999

Greatest Hits
1995

The Sky Is Crying
1991

Soul To Soul (Remaster)
1985

Couldn't Stand The Weather
1984

Texas Flood
1983
Saw him at Summerfest in 84 and the night before he died at Alpine. He was great in 84 and was even better in 90. There's Jimi and SRV everyone else pales in comparison. How could anyone even mention Zappa as a equal to SRV!? Gimme a break.
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must have been something in the water in those days, todays guys do not match up
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Undoubtedly SRV was a relevant guitarist with an affliction for the blues. I have scrolled down and read references to Duane, Clapton, Hendix, Edgar and Johnny. The guitar god that is left out of practically every debate involving the greats "Zappa", probably the most influential, cerebreal guitarist of all time. For those that are unfamiliar, I would suggest "Thing fish" or "Shut up and play Guitar" as a starting point. Back to SRV "Life without you", it's just not the same; RIP!
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pcudone-
duane allman was "one of a kind" - played everything with everybody - saw him do the live album at the fillmore - never saw anything better & i have seen it all including blind faith live - |
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the music flows from SRV -
he doesnt need a "road map" - he draws them as he plays - comparing anyone to hendrix for similar style doesnt count - without hendrix doing what he did - there is no one else to compare - |
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paul cudone
stevie ray and jimi were both great but i think duane allman was a better all around guitar the anyone especially on slide. He could play anything and with anybody, just look and listen to his Anth. albums. He does not get the credit he deserves. |
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I saw Stevie twice once at Taste Of Chicago Navy Pier Blues Stage. I also saw Stevie at Poplar Creek with Jimmy's band opening the show!! He was the best!! RIP Stevie!!!
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Miss you!!!The best white blues guitarist besides Jimmy Hendrix, oh ya Jimmy's black. Okay besides Edgar and Johnny Winter, now they are white for sure.
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SRV is awesome but far to formulaic I know exactly what he going to do next unlike jimi. and on top of that SRV has so many covers of jimi's songs which tells me he isnt a good song writer you know the truth is I can only listen to a few SRV song before I'm tired of it. sorry guys :(
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black willow is the biggest f**got i've ever seen on this pandora. he listens do godsmack first of all. obviously doesn't play any instrument if he does he sucks. becuase SRV is the man. this little kid needs to stop looking at youtube and instead do his homework. keep blues alive. p.s. neither stevie or jimi is better then the other. they are both beautiful musicians whoe play beautiful electric blues.
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SRV played blues better than anyone, including Hendrix. But Hendrix did stuff SRV didn't do, earlier, too. They were both geniuses, just different. Overall, tough to say who was "better". Let's listen again in 40 years and see whose stuff is still revered.
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Happy Birthday Stevie! You are still a true guitar legend. STEVIE RAVE ON!
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What a legend. Stevie Ray I hope you're still playing up there my man, cause when I get up there, hopefully in my old age, I want front row tickets. God bless.
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he is the best Texas blues electric guitarist ever. i remember when he was killed, it was like OHHHHHHHHHHH H H H H H H H H H NOOOOOOOOOOO O O O O O O O O O O O O O O O . there will never be another Stevie Ray and although his bro is a good guitarist i would hate to have to live in hte shadow of a brother like stevie
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The blues are created in one mind to be heard and felt in another bodies soul........ . . . . this IS the way it should be......
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texas flood11 its not a race thing its a music thing but you wont understand that
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1984!!!He opened up for Heart!Baltim o r e civic center!!!
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Why even compare, Jimmy and Stevie both are great.I didn't know they were competing in some cosmic contest. Both artists were from another world and when they played they channeled that s**t from the heavens.
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how do i get this f*g off my station, he doesnt belong with steve vai and satriani
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When Clapton's helicopter went down, I was like "oh man." When I found out it was Stevie on the chopper I was like" NOOOOOOOOOOO O O O NoOOOOOooOoo o o o " .
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i truly believe that jimmy called for stevie, he was bored with all the greats in heaven and needed someone to dual with. miss and love you stevie. you too jimmy.
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For those comparing Jimi and Stevie, Jimi is truly the better artist, not t disrespect Stevie but he was INFLUENCED by Jimi, but Jimi did it all first. Hendrix was more than a great guitarist he was the perfect package as a producer, songwriter and musician and in 4 years innovated and experimented with more ideas than any artists have been able to do in thier entire careers.
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A fantastic artist who has done the best justice to Jimi Hendrix than anyone before or after him. He was a brilliant artist with a deep respect towards not only the more popular players before him but their influences also. Music lost one o its most promising stars in a terrible tragedy that seems all too common in the vicious underbelly of the music world
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i wish he didnt try to be jimi hendrix, he was not better, he was good, but on another level
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SRV was in the middle of a great comeback from drugs and alcohol when he died. It is impossible to comprehend the loss to music that occurred from his death.
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I like most Kurt Cobain / Nirvana stuff, but he is nothing compared to most of the other guitarists mentioned on the lists on other posts here.
SRV was so incredible. He really didn't need a band, he could do the whole thing himself. He could play rhythm, chord, and fill while bending strings all at the same time. He was a master vocalist giving some of the most haunting vocals I've ever heard. He was a wizard of jazz time signatures and arrangements . I could go on and on. |
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Stevie Ray Vaughn is by far the greatest guitar player of all time. His style of being so connected with his guitar is un matched and remains unbeaten if there is such a thing.Someti m e s there are things that cannot be done any better. Stevie had that locked down.
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