The Strokes
Biography
Equally inspired by classic tunesmiths like Buddy Holly and John Lennon as well as the attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U.K. music press, whose adulation for the group rivaled their fervor for Oasis in the early '90s. Barely in their twenties by the time their debut album, Is This It, arrived in 2001, singer/songwriter Julian Casablancas, guitarists Nick Valensi and Albert Hammond, Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti's success wasn't quite of the overnight variety, but it still arrived pretty swiftly.
Casablancas (the son of Elite Model Agency Group kingpin John Casablancas), Moretti (who began playing drums at age five), and Valensi started playing together in 1998 while they attended the Dwight School, a private prep school in Manhattan. Soon thereafter they met Fraiture, who attended the Upper East Side's Lycee Français, and added him to their ranks. Hammond (the son of singer/songwriter Albert Hammond, whose songs include "It Never Rains in Southern California," "When I Need You," and "To All the Girls I've Loved Before") came from Los Angeles to attend film school at NYU and was invited into the band by Casablancas; the two met at L'Institut le Rosey in Switzerland when they were kids.
Casablancas officially christened the quintet the Strokes in 1999, and the group spent most of that year writing and rehearsing material in New York City's Music Building. They made their live debut that fall at the Spiral, and word of mouth about the Strokes' incendiary live show propelled them to gigs at venues like Under the Acme, Lower East Side clubs such as Arlene Grocery, Baby Jupiter, and Luna. The Strokes' December 2000 dates at the Mercury Lounge and the Bowery Ballroom not only gained them a manager (Ryan Gentles, who booked them at those clubs), but also helped Strokes mania reach critical mass in New York. Rough Trade released the group's three-song demo as The Modern Age EP in January 2001, which sparked a bidding war from which RCA emerged as the victors.
Meanwhile, the Strokes' acclaim reached the U.K. and grew to massive proportions over the course of the year. NME quickly became their champions, profiling them several times that spring and summer as the Strokes' live act and singles like Hard to Explain (which debuted at number 16 in the U.K. charts) won them a rabid British following. That spring, the band also completed its first U.S. tour as the opening act for the Doves and proceeded to play dates with Guided by Voices and ...And You Will Know Us by the Trail of Dead in the U.S. and the U.K. The group's popularity continued to snowball in the U.K., with a side-stage slot at the NME Carling Weekender changed to a main-stage performance for fear of people trampling each other to see the band.
In late summer of that year, Rough Trade released Is This It with an album cover featuring a sexy, Helmut Newton-esque photo of a woman's nude behind and hip with a leather-gloved hand resting on it; the U.K. chains Woolworth's and HMV objected to its controversial nature. The U.S. version of Is This It was released in October and featured a few changes from the U.K. edition. The Strokes opted for an abstract pattern on the cover and removed the song "New York City Cops," feeling the song was inappropriate in the wake of the terrorist attacks that struck New York prior to the album's release; the planned B-side, "When It Started," took its place. The group closed out the fall with an extended tour of the U.S., culminating with a Halloween gig at New York's Hammerstein Ballroom.
The remainder of 2001 and 2002 saw the group's profile continue to rise. Is This It and the Strokes were lauded in many ways, ranging from This Isn't It, an EP of instrumental versions of some of the album's songs performed by a mystery band called the Diff'rent Strokes (Pulp's Jarvis Cocker was rumored to be a member) to 2001 NME Carling Awards for Best New Act, Band of the Year, and Album of the Year. The band toured extensively throughout 2002, including a series of dates that summer in New York and Detroit with the White Stripes, summer festivals at Reading and Leeds, and a string of gigs supporting Weezer, some of which were canceled due to a leg injury Casablancas suffered. During these shows, their fall tour, and their dates opening for the Rolling Stones, the Strokes debuted some new songs, including "Meet Me in the Bathroom," "You Talk Way Too Much," and "The Way It Is."
By March 2003, the band was ready to start recording its new album, but instead of working with Is This It producer Gordon Raphael as previously reported, the Strokes began recording with Nigel Godrich of Radiohead and Beck fame. That May, however, the Strokes' sessions with Godrich came to an end, and they returned to Raphael to finish the album, Room on Fire. The single 12:51 introduced the more meticulous, new wave-inspired sound of Room on Fire, which arrived in fall 2003. Just before the album's release, the Strokes hit the road once again, taking Kings of Leon with them. Early in 2006, they returned with the even poppier and more polished First Impressions of Earth. ~ Heather Phares, All Music Guide
Selected Discography
Yeah HOW the hell does hootie and the blowfish relate to the strokes??? WOW!!
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their last album was as good as the others but didn't seem to get the recognition- h a v e n ' t made a bad record yet-they're not like hootie but they just popped onto my psychic tv station-go figure-its proably because i reccomended velvet underground- i feel sorry for computer programmes-g o see the movie'' wanted'' its great.
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The Strokes are a blatant rip-off of Hootie & the Blowfish.
Just kidding - that listing is really absurd! |
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xD lulz, Hootie is nothing like the strokes or Radiohead, but I like them anyways.
Funneh~ |
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i would rather put down madonna h&tbf are harmless,the y don't read books they don't understand,m o v e to countries that colonized us or steal little babies from africa.
''pick your enemies with thought and patience because your enemies are thoughtfully and patiently plotting your demise-'' charles manson |
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Hootie and the Blowcocks, WHAT THE F**K? I guess computers can act like they are on crack too. The Strokes- good. Crack (with its dilusional side effects) and Hootie- BAD
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are they're any great songs like the one i'm listening too-you can read my mind, right ? on first impressions of earth ?
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Memo to Pandora: Have HUMANS make the list of similar artists NOT computer programs. If I had a dollar for every time the radio played that retarded December song back in the day. HAHAHAH
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It's almost unfathomable how Hootie and the Blowfish could end up on ANY list which also includes Radiohead, unless it's like "Human beings alive in the early 21st century". Seriously, what the aitch?!?
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In the words Of SoulFly, "No F#%&*#! Hootie and the Blowfish. I hate to admit that I like this band ;reflects the best in 60's roots rock.
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Hootie and The Blowfish...l o v e them but random.
Also nitnoy30 must be retarded because there is no way that Ryan Adams is better than The Strokes at anything. However, I completely disregard his remark because he actually likes Angels and Airwaves, one of the worst bands ever. |
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i really hate hootie and the blowfish.... . . theyre not even similar at all.... theyre like country crap and the strokes are rock. weird choice, Pandora.
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I like thigh highs
and listening to this while I jack off to your mom's porn. |
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The more i listen to the strokes i have to say Ryan Adams kicks there a** at songwriting and overall talent. Long live the new king Ryan Adams!!!!
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The Strokes are a super band no album sounds like the other, you can put 2 is this it and first impreswsions on and listen from start to beginning without cutting them off. Thats hard to come by. Even the great Radio Head hasn't hit me like that. Radio Head is annoying and their going to f**k up lalapalooza this year guaranteed
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Did they copy the riff/chorus on Razorblade from 'Mandy' by Barry Manilow?? Sure they did. Probably copied from the Carpenters as well. (laughing) Yep.
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That comment is coming from somebody who listens to Brittany Spears, among a lot of horrible crap. For real, check out his profile. He also huffs a lot of paint, due to his poor choice of occupation. I guess that explains his lack of vocabulary.
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F**kin A knows about suckin balls. I'm sure F**kin A could go for a nice tight butt on a f*g. Whys F**kin A worried about money? I thought F**kin A was turnin tricks on the corner bootie and the hofish must not pay well.
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Uhm, how are Hootie & The Blowfish similar to the Strokes?
Pandora says: "Hootie & The Blowfish are similar to The Strokes because both bands use instruments and are human males." |
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the strokes are a very good band. they took awhile to get me to put them in my collection because at times i think they lose focus on mixing there songwriting with the musianship in the band.
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I got to swipe Casablancas' VIP pass from his back pocket when he was crowd surfing at a concert in Boise, Idaho. His a** felt like Jello pudding in my hands. We got kicked out backstage cuz they noticed we weren't with the band, go figure.
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My friend made me borrow "Is This it".
It's pretty good. My favorite song is Hard to Explain |
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Hootie and the Blowfish?!?
Blow this! Pandora's mathematical music analysis program must've been seriously malfunctioni n g . I'm not even the biggest Strokes fan, and I'm offended. |
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Hootie and the blowfish sucks hard. What where you guys thinking listing them?
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