Timbaland
Biography
Timbaland ascended to the top of the rap industry in the late '90s, impressively balancing his in-demand hitmaking abilities with his outlandish production style. Few rap producers were capable of such a balance between commerce and craft. Timbaland produced an endless list of hits, primarily for a select group of affiliates (Missy Elliott, Aaliyah, Jay-Z, Ginuwine) though also for a number of other A-list artists (Ludacris, Snoop Dogg, Nas, Justin Timberlake). Even so, he always infused a remarkable sense of individuality and creativity into his productions. When you hear a Timbaland production generally there is no mistaking it for anyone else's work: stuttering bass-heavy bounce beats offset resounding high-end synth stabs, all of this often complemented by his own signature-like quiet murmuring beneath the track; and no sampling. However, over time Timbaland began taking an increasingly assembly-line approach to production, working with a team of co-producers and songwriters including Nathaniel "Danjahandz" Hills, the Clutch, and Justin Timberlake. Plus, he began producing an increasingly wide array of acts, ranging from alternative icons Björk and M.I.A. to MOR pop/rockers the Fray and Ashlee Simpson.
In the late '90s, when Timbaland was still relatively new on the scene, the Virginia native worked extensively with Missy ("The Rain"), Aaliyah ("If Your Girl Only Knew"), and Ginuwine ("Pony"). Later, once he'd established himself with these three, he began working with the top rappers in the industry, namely Jay-Z ("Big Pimpin'"), Nas ("You Won't See Me Tonight"), Snoop Dogg ("Snoop Dogg [What's My Name, Pt. 2]"), and Ludacris ("Rollout [My Business]"). He also worked occasionally with lesser-known regional artists such as Petey Pablo ("Raise Up"), Pastor Troy ("Are We Cuttin'"), and Tweet ("Oops (Oh My)"). As a result of his exceptional success as a producer, Timbaland eventually established his own record label, Beat Club, and began unveiling his own stable of artists (Bubba Sparxxx, Ms. Jade). His records, most co-billed with rapping friend Magoo, spotlighted his access to the top rappers in the business: Missy Elliott, Jay-Z, Ludacris, Wyclef Jean. From 1997 through 2003, he released three Timbaland & Magoo albums, while 1998's Tim's Bio and 2007's Timbaland Presents Shock Value -- the latter featuring a restless mixture of vocalists, rappers, and rock bands -- were solo albums in name. ~ Jason Birchmeier, All Music Guide
Selected Discography
lol i agree with jake haha lol i only like give it to me and the way i are
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Even though he produced a lot of hits, that doesn't mean he's good and on top of that he isnt cute either
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give it to me rox!!!!!!!!! ! ! ! ! ! yea lil weapon hidin in a closet or something? lol tyrone hall
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No one and I mean no one can beat his beats. They are awesome he is the hip hop beat master mind.
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This guy is probably one of the best hip-hop singers that there is. Or at least, I think that he is.
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Timbaland! Awesome artist and producer. Been around since I was kid.. Still making dope beats and songs!
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I made a gang, and I need some gang members. It will have everything a big gang has. I we need is 10 more guys, and 30 more chicks and the gang will be complete, you can reach me at LoveKingDJ@g m a i l . c o m
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That whole s**t with Timberland being the "mistro" at the MTV awards not last year but the year before really really got annoying. By the end of the night I had enough with it and I dont think i'll ever turn it on again. Shock Value was a good record, but a little too much over exposure a little too much shoving it down my throat. I get it. (beat plays......) A Y ! ! ( b e a t plays......) A Y ! ( b e a t plays....) AY!!
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Ever since he produced JT's Futuresex/Lo v e s o u n d album, his pieces became repetitive. They all sound the same. I mean that album was a masterpiece, but now it seems like he can't create anything new. You will automaticall y know its his beat once you hear it. It gets old. It seems like he's selling out.
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Timbaland is the King midas of Hip Hop. Anything he works on turns to gold and boosts careers. Normally I'd say it's all a lot of hype, but his music is actually fantastic, and his prestige well-deserve d .
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I love timbaland, especially the sonf Fantasy off of the newer album Shock Value. He really is an excellent producer.
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timbaland did not write the song. and ryan tedder sounds fine in the original. sometimes to reach success you need to ride someone else's coattails, and thats the case here. onerepublic would have gotten there, but by using timbaland, they got there a little faster.
its the narrow mindedness of the mass audience...c a u s e the measure of good taste is for the precious few and unless someone else tells TMA something is cool, they dismiss it. |
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Timbo's not getting credit for the song. OneRepublic released their self-produce d version in 06 with decent success. Then they worked w/ Timbo for his album and he reproduced Apologize, changing the beat and bass, and yes, adding his typical vocals in the background.. he also makes Ryan Tedder sound onkey unlike in the original song.. it was released Nov 07 and namely due to that the song's better and now had Timbo's name on it, it became the most legally downloaded song in US digital history.
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Maybe because he wrote the song. It has to be deeper than what we know.
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hold up...how does timbaland get credit for this song? all he did was put some constipated "hey"'s in the background with some techno beats. lame.
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yeah i agree. wasnt it One Republic who did the song originally? it should be one republic feat. timbaland. yeah i love that song
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I hate that for a song like 'Apologize' he simply remixes another artist's piece and gets the credit. It should be 'Apologize' by One Republic, featuring Timbaland.
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Loved Timbo from Day 1. I love his whole TEAM! Ms. Hilson is going to blow up too!
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