Tony Bennett
Biography
Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He himself probably would say that, in each phase of his career, he has remained largely constant to his goals of singing the best available songs the best way he knows how. Popular taste may have caused his level of recognition to increase or decrease, but he continued to sing popular standards in a warm, husky tenor, varying his timing and phrasing with a jazz fan's sense of spontaneity to bring out the melodies and lyrics of the songs effectively. By the start of the 21st century, Bennett seemed like the last of a breed, but he remained as popular as ever. Bennett grew up in the Astoria section of the borough of Queens in New York City under the name Anthony Dominick Benedetto. His father, a grocer, died when he was about ten after a lingering illness that had forced his mother to become a seamstress to support the family of five. By then, he was already starting to attract notice as a singer, performing beside Mayor Fiorello La Guardia at the opening of the Triborough Bridge in 1936. By his teens, Bennett had set his sights on becoming a professional singer. After briefly attending the High School of Industrial Arts (now known as the High School of Art and Design), where he gained training as a painter, he dropped out of school at 16 to earn money to help support his family, meanwhile also performing at amateur shows. Upon his 18th birthday in 1944, he was drafted into the Army, and he saw combat in Europe during World War II. Mustered out in 1946, he went back to trying to make it in music, and he attended the American Theater Wing on the GI Bill. By the end of the 1940s, he had acquired a manager and was working regularly around New York. He got a break when Bob Hope saw him performing with Pearl Bailey in Greenwich Village and put him into his stage show, also suggesting a name change to Tony Bennett. In 1950, Columbia Records A&R director Mitch Miller heard his demonstration recording of "The Boulevard of Broken Dreams" and signed him to the label.
Bennett's first hit, "Because of You," topped the charts in September 1951, succeeded at number one by his cover of Hank Williams' "Cold, Cold Heart." Following another five chart entries over the next two years, he returned to number one in November 1953 with "Rags to Riches." Its follow-up, "Stranger in Paradise" from the Broadway musical Kismet, was another chart-topper, and in 1954 Bennett also reached the Top Ten with Williams' "There'll Be No Teardrops Tonight" and "Cinnamon Sinner." The rise of rock & roll in the mid-'50s made it more difficult for Bennett to score big hits, but he continued to place singles in the charts regularly through 1960, and even returned to the Top Ten with "In the Middle of an Island" in 1957. Meanwhile, he was developing a nightclub act that leaned more heavily on standards and was exploring album projects that allowed him to indulge his interest in jazz -- notably 1957's The Beat of My Heart, on which he was accompanied mainly by jazz percussionists, and 1959's In Person! With Count Basie and His Orchestra. By the early '60s, although he had faded as a singles artist, he had built a successful career making personal appearances and recording albums of well-known songs in the manner of Frank Sinatra.
In 1962, Bennett introduced "I Left My Heart in San Francisco," a ballad written by two unknown songwriters, George Cory and Douglass Cross, who had pitched it to his pianist, Ralph Sharon. Released as a single, the song took time to catch on, and although it peaked only in the Top 20, it remained on one or the other of the national charts for almost nine months. It became Bennett's signature song and pushed his career to a higher level. The I Left My Heart in San Francisco album reached the Top Five and went gold, and the single won Bennett Grammy Awards for Record of the Year and Best Solo Vocal Performance, Male. Bennett's next studio album, 1963's I Wanna Be Around..., also made the Top Five, and its title track was another Top 20 hit, as was his next single, "The Good Life," also featured on the album. For the next three years, his albums consistently placed in the Top 100, along with a series of charting singles that included the Top 40 hits "Who Can I Turn To (When Nobody Needs Me)" (from the Broadway musical The Roar of the Greasepaint, the Smell of the Crowd) and "If I Ruled the World" (from the Broadway musical Pickwick).
By the late '60s, Bennett's record sales had cooled off as the major record labels turned their attention to the lucrative rock market. Just as Mitch Miller had encouraged Bennett to record novelty songs over his objections in the 1950s, Clive Davis, head of Columbia parent CBS Records, encouraged him to record contemporary pop/rock material. He acquiesced on albums such as Tony Sings the Great Hits of Today!, but his sales did not improve. In 1972, he left Columbia for the Verve division of MGM Records, but by the mid-'70s he was without a label affiliation, and he decided to found his own record company, Improv, to record the way he wanted to. He made several albums for Improv, including one with jazz pianist Bill Evans (following a disc they made for Fantasy Records), but the label eventually foundered. (Concord Records released the box set The Complete Improv Recordings in 2004.)
By the late '70s, however, Bennett did not need hit records to sustain his career, and he worked regularly in concert halls around the world. By the mid-'80s, there was a growing appreciation of traditional pop music, as performers such as Linda Ronstadt recorded albums of standards. In 1986, Bennett re-signed to Columbia and released The Art of Excellence, his first album to reach the pop charts in 14 years. Now managed by his son Danny, Bennett shrewdly found ways to attract the attention of the MTV generation without changing his basic style of singing songs from the Great American Songbook while wearing a tuxedo. By the early '90s, he was as popular as he had ever been. The albums Perfectly Frank (1992, a tribute to Frank Sinatra) and Steppin' Out (1993, a tribute to Fred Astaire) went gold and won Bennett back-to-back Grammys for Best Traditional Pop Vocal Performance. But his comeback was sealed by 1994's MTV Unplugged, featuring guest stars Elvis Costello and k.d. lang, which went platinum and won the Grammy for Album of the Year as well as another award for Best Traditional Pop Vocal Performance.
Bennett became a Grammy perennial, also taking home Best Traditional Pop Vocal Performance awards for Here's to the Ladies (1995) and On Holiday: A Tribute to Billie Holiday (1997). Bennett Sings Ellington: Hot & Cool (1999) was another Grammy winner in the retitled Best Traditional Pop Album category, as was Playin' with My Friends: Bennett Sings the Blues, an album of duets released in 2001. One year later, Bennett paired off with a single duet partner, recording A Wonderful World with k.d. lang. The Art of Romance followed in 2004. Both albums won the Best Traditional Pop Album Grammy for their respective years. In August 2006, Bennett reached his 80th birthday, and his record label marked the occasion with a series of reissues and compilations. The next month brought Duets: An American Classic, another collection of pairings with other singers on re-recordings of some of Bennett's best-known songs that reached number three in the Billboard chart, the highest placing for an album in Bennett's career. It also won him another Grammy for Best Traditional Pop Album. ~ William Ruhlmann, All Music Guide
Selected Discography

Sings The Ultimate American Songbook, Vol.1
2007

Tony Bennett Sings For Lovers
2006

Duets: An American Classic
2006

Take My Hand...
2005

The Art Of Romance
2004

A Wonderful World
2002

Playin' With My Friends: Bennett Sings The Blues
2001

Sings Ellington Hot & Cool
1999

The Rodgers And Hart Songbook
1999

Tony Bennett On Holiday
1996

MTV Unplugged (Live)
1994

Steppin' Out
1993

Perfectly Frank
1992

16 Most Requested Songs
1986

If I Ruled The World - Songs For The Jet Set
1965
What a treasure this man is in every way. Not only is he iconic as a singer, no scandal has ever attached to his name. For an entertainer in the public eye for sixty years and more. this is remarkable. Contrast this with today's "stars" who seem to thrive on dissipation, disorder, and controversy. Tony Bennett always brings a smile to my face, for what he does and who he is. Bravo Tony!
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"The Very Thought of You" by Tony Bennet is one of the best rendition of this song ever. Is that Bobby Hackett on the horn?
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Yes, Tony Bennett was special ; that ganre' of music is still special , all these years later - because of the depth of feeling !
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THANK YOU 'janarus' - no better said. However, a vestige of appreciators of this recent art form by the Master are actually teaching our young. There remains faith, hope and charity. Faith is married now, with children; Hope is holding out for the next era; and Charity is still in love with Tony Bennett. Don't give up the ship just yet!
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Even a voice as great as Bennett's doesn't sing out over the young and middle aged fascination with trashy and shallow pop music and mind-numbing l y stupid rap music. Jazz is losing its place amongst Americans. People like Tony Bennett keep America from completely losing its class in the musical world.
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One of my favorites, also rags to riches, not a big fan, but loved his earlier music.
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Tony Bennett has grown on me. I appreciate his mellow style; much more mellow than some of his contemporari e s .
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I have always loved Tony Bennett. So smooth....
Thank you to willunjim for serving your country. My family appreciates it. |
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TONY BENNETT IS SUCH A GREAT SINGER, I REMEMMBER FIRST HEARING HIM ON ARMED FORCES RADIO WHILE IN KOREA BACK IN EARLY 1950s,HIS VOICE HAS LOST ALOT NOW BUT BACK THEN HE HAD A PERFECT VOICE...SO MANY WONDERFUL SONGS, THE ONLY THING WHEN I HEAR HIM NOW I THINK OF BEING IN KOREA IN THE U.S. AIR FORCE..NOT A HAPPY TIME BUT HIS MUSIC HELPED ALOT..THANKS PANDORA
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Recently saw T.B. at the Meyerson Symphony Hall in Dallas...exc e p t i o n a l show with incredible back-up...on e of the most personal entertainers on the stage.
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I remember a conversation once at the Red Door Cafe on Steinway St. Astoria. They called Tony Bennett "The Screamer" I said, "Just wait. That guy, Anthony Bedetto is going places." I said to a friend named Francis Rose, I wish I had his voice and his delivery. He doesn't need lessons. He's got what it takes right now. He has a well modulated voice and knows what to do with it. All he needs is one lucky break." Well I guess I was right. He achieved the greatness he deserved. Tony and I
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I once caught my grandmother getting it on with her boyfriend to Tony Bennett playing in the background.. .
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This is a man and an artist that eptiomizes the best ideals of our country - like Louis Armstrong before him he is truly an ambassador of real Americana. Always a gentleman; he is timeless style, grace, and a pinnacle of character that evokes an America where we said what we meant and did what we said. Tony Bennett is a legend for any generation and that explains his true talent - the singer is as astounding artist of timeless ability and skill. The definition of vocal musicianship and integrit
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Astoria is in New York, borough of Queens. Tony is one of our "all time greats"
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Tony, a golden voice that made him popular from the fifties thru today. Still
performing @ his best. |
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brings back the good old days of frank, belifonte, nat king cole, and many others.....
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Tony Bennett, Perry Como, Jimmy Roselli, Vic Damone, Louis Prima, Frankie Laine, Dean Martin, and of course, Frank Sinatra, all gave the image of the heartfilled but easy going Italian swinger who could infuse a lyric with a tone that resonated for my parent's generation. They sang of broken hearts and hopeful dreams, the wheel of fortune, rags to riches, that old black magic. This was the soundtrack of our lives in the old neighborhood , Flatbush New York.
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One of kind - what a musical gift for all generations past, present and future!
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I grew up in the projects in Mt. Vernon, N.Y. which is a few blocks from "DA Bronx". I've been listening to Tony it seems forever, (I was born in 1949), and Tony is great. I perform as a volunteer and his songs are one of the most requested in the nursing homes, etc. Moon River is one of the most requested. The era of Sinatra, Como, Dean, etc. is alive due to Tony. Thanks!
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One of the best of the current times that still is going strong and making
lots happy to hear from him. |
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he was a perfect guy to sing standard jazz for me he was the greatest standard jazz singer of all time.
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