Underworld
Biography
Underworld became one of the most crucial electronic acts of the 1990s via an intriguing synthesis of old and new. The trio's two-man frontline, vocalist Karl Hyde and guitarist Rick Smith, had been recording together since the early-'80s new wave explosion; after two unsuccessful albums released as Underworld during the late '80s, the pair finally hit it big when they recruited Darren Emerson, a young DJ hipped to the sound of techno and trance. Traditional pop song forms were jettisoned in favor of Hyde's heavily treated vocals, barely there whispering, and surreal wordplay, stretched out over the urban breakbeat trance ripped out by Emerson and co. while Smith's cascade of guitar-shard effects provided a bluesy foil to the stark music. All in all, the decision to go pop was hardly a concession to the mainstream. The first Underworld album by the trio, Dubnobasswithmyheadman, appeared in late 1993 to a flurry of critical acclaim; the trio then gained U.S. distribution for the album with TVT. Second Toughest in the Infants, the group's sophomore LP, updated their sound slightly and received more praise than the debut. Unlike the first, the LP also sold well, thanks in part to the non-album single "Born Slippy," featured on the soundtrack to the seminal film Trainspotting.
The roots of Underworld go back to the dawn of the 1980s, when Hyde and Smith formed a new wave band called Freur. The group released Doot-Doot in 1983 and Get Us out of Here two years later, but later disintegrated. Hyde worked on guitar sessions for Debbie Harry and Prince, then reunited with Smith in 1988 to form an industrial-funk band called Underworld. The pair earned an American contract with Sire and released their debut album, Underneath the Radar, in 1988. Change the Weather followed one year later, even though little attention had been paid to the first. By the end of the decade, Underworld had disappeared also.
As they had several years earlier, Hyde and Smith shed their skin yet again, recruiting hotshot DJ Darren Emerson and renaming themselves Lemon Interrupt. In 1992, the trio debuted with two singles, "Dirty"/"Minneapolis" and "Bigmouth"/"Eclipse," both released on Junior Boys Own Records. After they reverted back to Underworld, 1993's "Rez" and "MMM...Skyscraper I Love You" caused a minor sensation in the dance community. Instead of adding small elements of techno to a basically pop or rock formula (as many bands had attempted with varying success), Underworld treated techno as the dominant force. Their debut album, Dubnobasswithmyheadman, was praised by many critics upon release later in 1993 and crossed over to the British pop charts. Hyde, Smith, and Emerson impressed many at their concert dates as well; the trio apparently relished playing live, touring Great Britain twice plus Japan, Europe, and the annual summer-festival circuit, where their Glastonbury appearance became the stuff of legend.
Dubnobasswithmyheadman was released in the U.S. in 1995 after being licensed to TVT Records. During the rest of the year, Underworld were relatively quiet, releasing only the single "Born Slippy." Finally, Second Toughest in the Infants appeared in early 1996 to much critical praise. The trio gained no small amount of commercial success later in the year when "Born Slippy" was featured on the soundtrack to Trainspotting, the controversial Scottish film that earned praise from critics all over the globe. Underworld also remained busy with Tomato -- their own graphic-design company responsible for commercials from such high-profile clients as Nike, Sony, Adidas, and Pepsi -- and remixing work for Depeche Mode, Björk, St. Etienne, Sven Väth, Simply Red, and Leftfield. Emerson continued to DJ on a regular basis, releasing mix albums for Mixmag! and Deconstruction. Though Underworld's 1999 LP Beaucoup Fish was initially a disappointment, critically and commercially, the band continued to tour the world. The live album Everything, Everything followed in 2000, after which Emerson left to continue his DJ career. A Hundred Days Off, Underworld's first LP as a duo since 1989, was released in mid-2002. One year later, the stopgap compilation 1992-2002 appeared.
By 2005, the duo had officially been joined by one of Britain's most respected DJs, Darren Price (although he contributed to A Hundred Days Off), and his work also appeared on a series of online-only EPs Underworld released during 2005 and 2006. They also recorded new material for the soundtrack of the Anthony Minghella film Breaking and Entering. Their first "proper" full-length since 2002, Oblivion with Bells, appeared in 2007. ~ John Bush, All Music Guide
Selected Discography

Oblivion With Bells
2007

1992-2002
2003

A Hundred Days Off
2002

Dubnobasswithmyheadman
2001

Everything, Everything (Live)
2000

Beaucoup Fish
1999

Second Toughest In The Infants
1996
words cant describe how much ive fallen in love with the music of underworld. I love a lot of electronica, but underworld has produced some of the sweetest sounds ive ever heard. It kills me that no one ive ever met appreciates this kind of music like I do. Maybe thats just because i live in america?? I dont know and dont care, ill never be able to get enough!!!! **Jumbo*Rive r of Bass**
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technohead had it right, right time right place. They practically defined the genre, the 90's rocked.
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Underworld was there at the right time and place. Dubnobasswit h m y h e a d m a n is the perfect techno album/cd/dig i t a l r e l e a s e / w h a t e v e r . The sound of the synthesizer 90's, baby.
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Actually, Born Slippy seems to be hidden somewhere in Second Toughest in the Infants but it isn't on the album page. Mysterious.. .
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Not so many comments on this page but Underworld is awesome! dubnobasswit h m y h e a d m a n is awesome, but it's too bad they don't have the Born Slippy EP, just the live version. Born Slippy is epic. Actually Underworld in general is epic. Great music.
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As some the most professional l y diverse and talented artists of techno, Underworld is a full on genre of its own.
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Dirty is good. Been a fan since DubnoBass. I will still dance to Cowgirl like my life is about to end.
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Could someone leave a list of Underworld songs that have no lyrics in them?
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Great tune. I wish the track was without singing/word s . Underworld should seriously focus on beats and sounds. They could become very big...if they want.
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I very much like Underworld, but it is a tragedy that they have ruined their great music with their inappropriat e lyrics. Although I recommend the music, beware that their lyrics are inappropriat e and dirty often times.
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With Underworld, I tend to notice that you either LOVE them, or you DESPISE their music. I love it, they combine techno & trance in such a way that, mixed with their knack for heavy, thumping beats, you feel like you want to dance. They know how to use a repetitive song structure without making the song obnoxious or too long. I also like their steady, subtle buildup and breakdown. It gives the song unique electronica style. Great group, great songs. I definitely recommend their music.
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It make me feel dancy. You dance with the me? I will not rub my peener on you, I kind of promise this. I wiggle it at you maybe in time to music making.
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Underworld can not be lumped into a genre they are a genre to themselves. As a producer I can say I strive to create a sound an feel even close to what they have accomplished . . . . .
A.D. www.waxdj.co m / d j s / 9 1 |
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good stuff... not for everybody i agree... but i like. born slippy.
their remixes are good. |
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such a great band,the beat and sound is so sophistacate d what doing this guys
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This has to be the best group/band/t e a m / e t c . . of the entire later half of the 90's continuing into the 00's. These guys wrote the anthem for this decade and a half of some of the best years of my life. "Luke got the wrong bloke"
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ummmm just the way i like it fast and dirty!! pretty amazing s**t i say
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great band. changed my life forever. the dates of the discograghy are wrong.
Harry |
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Beautiful burnout, a tune i think that links to the time this band had me jumping around like a manic to born slippy. Now im in my late 20's and i lve the new album. altho everything everything is posibly the best live album and dvd ever a must buy
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oblivion with bells is mildly lacking compared to their other amazing releases. i dont think anyone can say they dont like these guys, even old people!
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