The Verve
Biography
Long acclaimed as one of the most innovative and spellbinding bands on the contemporary British pop scene, the Verve finally broke through to a mass international audience in 1997 with the instant classic "Bittersweet Symphony." By no stretch a study in overnight success, the group's rise was instead the culmination of a long, arduous journey that began at the dawn of the decade and went on to encompass a major breakup, multiple lawsuits, and an extensive diet of narcotics. Perfecting an oceanic sound that fused the exploratory vision of '60s-era psychedelia with the shimmering atmospherics of the shoegazer aesthetic, the Verve languished in relative obscurity while waiting for the rest of the music world to play catch-up, creating one of the most complex and rewarding bodies of work in modern rock & roll long before most listeners even learned of the group's existence -- only to again fall apart at the peak of their success.
Originally known simply as Verve, the group was formed in the small Northern English city of Wigan in 1989. Richard Ashcroft -- a swaggering, shamanic figure in the classic rock star mold -- led the band, whose original lineup also included guitarist Nick McCabe, bassist Simon Jones, and drummer Peter Salisbury. Sharing a collective fondness for the Beatles, Funkadelic, and Krautrock -- as well as a legendary appetite for psychedelics -- the quartet signed to the Hut label within months, debuting in March 1992 with the single "All in the Mind," the first in a series of indie chart-topping efforts featuring the eye-catching artwork of designer Brian Cannon. Subsequent efforts like "She's a Superstar" and "Gravity Grave" captured an original musical identity growing by leaps and bounds, distinguished chiefly by Ashcroft's elemental vocals and McCabe's echoing guitar leads.
While Verve's long, liquid jams found favor on the British indie charts, pop radio looked the other way. Their majestic debut LP, 1993's A Storm in Heaven, was a critical smash, but positive reviews from a variety of critics failed to translate into strong record sales. The following summer, Verve appeared on the second stage at Lollapalooza, a tour tempered by a string of disasters -- not only was Salisbury arrested for destroying a Kansas hotel room, but Ashcroft was also hospitalized after suffering from severe dehydration. Around that same time, the American jazz label also dubbed Verve slapped the band with a lawsuit, forcing the quartet to officially change its name to "the Verve." Sessions for the 1995 follow-up, A Northern Soul, proved to be the last straw -- admittedly recorded under the influence of a massive intake of Ecstasy, the album's harrowing intensity was met with disappointing sales and little media recognition, and just three months after its release, Ashcroft made his exit.
Although Ashcroft quickly reassembled the Verve a few weeks later, McCabe initially refused to return, and was replaced by guitarist/keyboardist Simon Tong. Finally, in early 1997, McCabe came back to the fold, and as a quintet they recorded Urban Hymns, their breakthrough LP. Heralded by the smash "Bittersweet Symphony" -- a single built around a looped sample of a symphonic recording of the Rolling Stones' "The Last Time" -- Urban Hymns launched the Verve among the U.K.'s most popular bands. Even at their peak, however, the curse of the band's past lingered on, as legal hassles awarded 100 percent of the song's publishing rights to ABKCO Music, which controlled the Stones' back catalog. The second single from the album, the haunting "The Drugs Don't Work," became the Verve's first U.K. number one smash, while the hit singles "Lucky Man" and "Sonnet" soon followed. However, when McCabe pulled out of the group's 1998 U.S. tour, the group suffered yet another blow. After months of rumors, the Verve officially split the following spring.
Ashcroft launched a solo career in the early 2000s and enjoyed success with a number of singles, including "Break the Night With Colour." Meanwhile, Nick McCabe remixed a track for the Music and collaborated with British songwriter John Martyn, while Tong and Jones formed a short-lived band named the Shining. Tong later joined the Good, the Bad & the Queen in July 2006, and although he continued to focus on his post-Verve projects, the remaining members of the Verve reunited in 2007 for an international tour. The band also set to work on another studio album, Forth, which was released in August 2008 following a successful year of sold-out concerts and festival dates. ~ Jason Ankeny, All Music Guide
Selected Discography

Forth
2008

This Is Music: The Singles 92-98
2004

Urban Hymns
1997

No Come Down (B Sides & Outtakes)
1994

A Storm In Heaven
1993
Their new song is so good! what thoughtful lyrics! Next wedding song for people!
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A Storm in Heaven is my favorite, although Urban Hymns is excellent too. I don't think their 2008 album measures up, but it's not bad.
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Wow. Should've guessed from Bittersweet that the band had a tumultuous history. Hopefully they'll produce some more music.
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I think I listened to Bittersweet Symphony on a loop for the better part of a year when it first came out. I'm still entranced by it whenever I hear it.
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Love this band, northern soul, as well as a storm in heaven are extremely underrated. Saw them live when i was 10/11 in 98', im now 21, and I will always love this band. So many good memories.
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i hate to break it to you desperate listeners but this is terrible i have heard one song and hopefully that never happens again. and if ramosd thinks this is the best band ever ramosd is exteremly tone def.
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the vocals sound like a band I know but I can't put my finger on it and it's mad annoying
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no. We only report it when The Verve does it. Sorry man, that's how it goes.
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I see a lot of comments refering to the Verve ripping off the Stones and I have to recall how the Glitter Twins asked John and Paul to tutor them in the art of song writing. Rock and Roll is all about influence, I guess the Stones needed the money. The Verve have a song called, "The Drugs Don't Work", beautiful, beautiful,be a u t i f u l ! Has anyone reported this one stolen?
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One of my all-time favorite bands. Bittersweet Symphony and Velvet Morning rule!!!
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frankly these guys were a radio pop band my first year o college. for me the song i hear just reminds me of trying to get my drivers license. its a cool throw back, but the lyrics dont mean jack s**t so f**k this crap. kidding. i think.
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nobody knows any of their other songs...try love is noise from forth or lucky man from urban hymns
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why do you faggots leave comments just to be haters? If you don't like the music then f**k off! there's plenty of other music to listen to.
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Actually, the Verve got PERMISSION and negotiated with the Stones before the album was released. They legally licensed the sample from the orchestral version of "The Last Time" and Verve embellished on the sample and added to it (and wrote WAY BETTER lyrics) but then when the song became a huge f'ing hit, the Stones got p!ssed and sued despite the prior agreement. So basically, the Stones reneged on an agreement and screwed the Verve out of ALL royalties for their biggest hit.
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The orchestra bit in Bittersweet Symphony was also taken from a Stones song. From an orchestra version recorded. Look at all the comments, and scroll down and you will see I posted about it before.
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The Verve...Cana d a ' s red headed stepchild. They finally did something when what? Yeah, they ripped off the stones. Nice, very original.
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Don1983 is correct on the Stones song. If you want to check it out - YouTube the 2 songs. There is a video of "The Last Time" on there and you can decide for yourself.
Personally enjoying Forth, but have to admit that "Urban Hymns" is still my favorite album |
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The appropriated song in question is "The Last Time" an arrangement done by Andrew Loog Oldham who was the manager of the stones in the 60's. But if you are going to rip someone off it might as well be one of the greats.. right?
Apart from that the Verve is what they is. |
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llettiere is right I've been listening to them since Istarted to listen to pandora and I agree they may have two or three song I thought were ok and one that was wow!
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I would never stick up for bromide01, but this this case, he actually has something. The orchestra part to Bittersweet Symphony was taken from/based off of a piece from a Rolling Stones song orchestrated version. No lie. I remember when there was a possible lawsuit and it was on the news...don't know if anything ever came of it.... The Verve is ok in my book...they have some great songs, but those tend to get lost in the bigger batch of their mediocre songs. But I have to say...when they're good
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this band was and is the best band in the world , wow richard is god !!!!!!! from a true fan !!! and i think since he split up with his old band .he has only got better!!! all his songs old and new touch the heart in ways u will never know ,unless u have been there !!! .D.
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