Violent Femmes
Biography
The textbook American cult band of the 1980s, the Violent Femmes captured the essence of teen angst with remarkable precision; raw and jittery, the trio's music found little commercial success but nonetheless emerged as the soundtrack for the lives of troubled adolescents the world over. The group formed in Milwaukee, Wisconsin in the early '80s, and comprised singer/guitarist Gordon Gano, bassist Brian Ritchie and percussionist Victor DeLorenzo; Ritchie originated the band's oxymoronic name, adopting the word "femme" from the Milwaukee area's slang for wimps. After being discovered by the Pretenders' James Honeyman-Scott, the Violent Femmes signed to Slash and issued their self-titled 1983 debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like "Blister in the Sun," "Kiss Off" and "Add It Up." Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade in release, it finally achieved platinum status.
With 1984's Hallowed Ground, Gano's lyrics began to reflect his devout Baptist upbringing, while the Femmes' music approached more traditional folk and country structures. Produced by Talking Heads' Jerry Harrison, 1986's The Blind Leading the Naked advanced towards a more mainstream sound; a cover of the T. Rex chestnut "Children of the Revolution" even became a minor hit. After the record's release, the Femmes temporarily disbanded: Gano recorded a self-titled 1987 album with his gospel side project the Mercy Seat, while Ritchie issued a series of solo LPs including 1987's The Blend and 1989's Sonic Temple & Court of Babylon for SST. (I See a Noise appeared on Dali Records in 1990.) In 1989, the group resurfaced with 3, and followed in 1991 with Why Do Birds Sing?, which featured the Femmes' deconstructionist cover of Culture Club's "Do You Really Want to Hurt Me?"
Following the release of the 1993 compilation Add It Up (1981-1993), DeLorenzo exited the Violent Femmes to resume the solo career he began two years prior with the release of Peter Corey Sent Me; his sophomore effort, Pancake Day, appeared in 1996. Former Oil Tasters and BoDeans drummer Guy Hoffman was tapped as DeLorenzo's replacement in time to record 1994's New Times for Elektra Records which proved their sole release for the label. Rock!!!!! was released in 1995 on Mushroom Records only in Australia; the live Viva Wisconsin followed on the American indie label Beyond in 1999, trailed early the next year by a new studio effort, Freak Magnet. In the spring of 2001, the Femmes released their first MP3-only album, Something's Wrong, through the website EMusic.com; it collected an assortment of rarities, including covers, acoustic live tracks, alternate versions, demos, and the like. In 2002, Rhino/Slash reissued their debut as a two-disc Deluxe Edition that featured twenty-two previously unreleased tracks, followed by Permanent Record: The Very Best Of in 2005. ~ Jason Ankeny, All Music Guide
Selected Discography

Viva Wisconsin
2005

The Very Best Of The Violent Femmes
2005

Freak Magnet
2005

BBC Live (Live)
2005

Violent Femmes (Expanded)
2002
Pandora needs to add "Why Do Birds Sing?" to the album list. One of my favorites...
|
||
Well "Add It Up" is a 'best of' album. "The Very Best of...." is obviously a 'best of' album, and it appears "Viva Wisconsin" is a 'best of'. So Mr. Knotts I count at least three. However, only one actually have the words "Best Of" in its title. Way to be literal.
|
||
Did you know that William Dafoe was the orignal drumer but he left to become an actor.
|
||
um...only one 'best of.' They rock, so who cares?...so many good bands from the Midwest during the 80s.
|
||
i wish i could play bass like brian ritchie
i be jealous too much soul hallowed ground is prolly the best alternative album ever |
||
I don't know but I think I took the back route and got into The Murder City Devils and these guys way back when which lead to Against Me! and Fake Problems which led me to Alt-country. The Femmes opened musical doors that, thank god, can never be closed.
|
||
Femmes got me through some s**tty times in my life....LOVE the music...
|
||
f**k a 30 something's playlist im 21 years old and have been listening to the femmes since i was like 5 or so they belong in any self respecting rock collection period regardless of age. the violent femmes are the s**t
|
||
I like American music...do you like american music? I love the Femmes. A must on any 30 somethings playlist.
|
||
I fell in love with blister in the sun the first time i heard it
ah love sweet love... |
||
I only like eggs if they're scrambled. Too oozy. Toast is nice....
|
||
I have been a violent femmes since 1982 and they never have gone out of style~ ever! In fact, they are still ahead of their time. Forever a fan at 40!
|
||
my teenagers have never heard of them, can you belive it?! I was playin some of my music from th 80's and they haave heard of all them except the femmes
|
||
I love the Femmes.
My mom always asked "what the hell are you listening to." "The Femmes Mom. Man you are lame." Long live the Femmes! |
||
I gotta agree with Emily on this. LOVE the femmes! Brings back memories of great college parties in Michigan in the 80's.
|
||
they rule! so much emotion in their songs....for as raw as they are they really get the point across!!
|
||
you just gotta like these guys. they keep goin' and still sound relevant
|
||
these guys,{ femmes }, take music to the raw basic and can crank out good jam- still can listen to them 25 plus years later and enjoy the music. hats off to them!
|
||
I really like this band. I have never gotten tired of listening to their music
|
||
And you cannot f##k with the Violent Femmes - you cannot f##k with this band!
|
||
This discography is incomplete -- the folks at Pandora need to add "Rock" and "Machine"
|
||
Only the best band when it comes to something funny and meaningful. After, twenty years, i still remember the words to "Blister in the Sun".
|
||
| report abuse |



