W.A.S.P.
Biography
One of the heavier bands to come out of the early-'80s L.A. metal scene, W.A.S.P. quickly rose to national infamy thanks to their shock rock image, lyrics, and live concerts. Unfortunately, once the novelty and scandal began to wear off, the band found it difficult to expand, or even maintain, their audience by relying only on their music.
Leader Blackie Lawless (bass/vocals) was already a rock & roll veteran when he relocated to the West Coast and founded W.A.S.P. with guitarists Chris Holmes and Randy Piper and drummer Tony Richards. The band soon established a reputation as a ferocious live act, thanks in large part to Lawless' habits of tying a semi-naked model to a torture rack and throwing raw meat into the audience. And with the release of their self-explanatory independent EP, Animal (F**k Like a Beast), W.A.S.P. became impossible to ignore.
They signed to Capitol Records, and with songs like "I Wanna Be Somebody" (an absolute anthem to blind ambition) and "L.O.V.E. Machine" leading the way, their self-titled 1984 debut was an instant success. W.A.S.P. took their horror show on the road, and their momentum continued to build with the following year's The Last Command, which featured new drummer Steven Riley and the band's biggest hit, "Blind in Texas. " Later that year, the band gained even more prominence as one of the biggest targets of Tipper Gore and the P.M.R.C. (Parents' Music Resource Center), a group of Washington housewives leading a crusade against violent, sexist song lyrics. Though the incident (which included Senate hearings on the issue with guest speakers as disparate as Frank Zappa, John Denver, and Dee Snider from Twisted Sister) would cause more publicity than actual results, it served to make W.A.S.P. a household name -- for good and for worse.
Ironically, the band toned down their act for 1986's Inside the Electric Circus, a lackluster, repetitive album which saw Lawless switch to guitar (replacing the departed Piper) and the hiring of bassist Johnny Rod. The blood and guts were largely gone (as were the good songs), and despite releasing a strong live album entitled Live...In the Raw the following year, the band's popularity began to plummet. The all-time low arrived with the release of Penelope Spheeris' heavy metal "rockumentary" The Decline of Western Civilization 2: The Metal Years. An expose about the L.A. metal scene, the film's most dramatic and depressing sequence showed an inebriated Chris Holmes drinking himself into a stupor in full stage gear while lying on a float in his mom's swimming pool. In a movie filled with debauchery and decadence, this scene was by far the scariest.
1989's Headless Children (featuring ex-Quiet Riot sticksman Frankie Banali) was a return to form, but it couldn't revert the band's slump and W.A.S.P. disbanded soon after. Lawless eventually returned as a one-man show for 1993's The Crimson Idol, an ambitious rock opera/concept album billed as Blackie Lawless & W.A.S.P. Resurrecting the band's old shock rock antics, but alas, not fame and fortune, the album flopped, and the following year's greatest-hits set, First Blood...Last Cuts, seemed like their last chapter.
But the resilient Lawless returned once again, luring guitarist Chris Holmes back into the fold and recruiting bassist Mike Duda and drummer Stet Howland for 1996's Still Not Black Enough. This lineup has continued to tour and record for a number of independent labels, with their albums including 1997's K.F.D., 1999's Helldorado, and 2001's Unholy Terror. The band released Dying for the World in 2002, an exceptional collection of unusually serious material inspired by the terrorist attacks of September 11, 2001. It was followed in 2004 by the conceptual Neon God, Pt. 1 and Pt. 2, with Dominator arriving in 2006. ~ Ed Rivadavia, All Music Guide
Selected Discography

The Sting / Helldorado
2005

The Crimson Idol
1993
I was cool enough back in the day that I appreciated both WASP and SLAYER so when they toured together, it was like they were doing it for me. The first WASP album is solid front to back, and On Your Knees was what they opened with when they were with KIS.. that song rocks me to this day!
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Hey dude; I remember that article!!!! I think it was in Circus. WOW,that was back in the day!!! I just scored some bumper-stick e r s that have a print of Blackie stating "Dont Drive Drunk Or Blind In Texas" from that time period. ROCK ON BRO!!!!!!!
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cjdway: Thanks for answering, dude. I just remember reading an interview with Blackie Lawless in Circus or Hit Parader back in the day and he wouldn't comment on what W.A.S.P. stood for back then. |
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I dont know for sure; but when a youth, I believed it stood for We Are Sexual Perverts;whi c h is backed up on Live,In The Raw. However,on Wasteland, the lyrics say - white,anglo, s a x o n ; but I very seriously doubt thats what they meant;plus he doesnt say prodistant!
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You may be interested in hearing all the other covers WASP have done. The Who, Stones, Jethro Tull, just to name a few. It's truly unfortunate that certain morons come to certain pages to down bands, and then cry on other pages about how evryone downs them because they have an opinion. They are so narcistic that they cant even realize they are doing the exact same thing to others that they are whining about. Salutes to you pcman for having an objective opinion; & of course for appreciating such
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this is the bestvrsion of when the levee breaks i have heard by wasp no body i know has been able to come that close to this version that led zeppelin did this song is awesome i,d like to hear more like that
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Bye far the best of the L.A bands.I loved the way Blackie performed on stage.Still better than the crap they play on the radio today and I mean crap.
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L.A. Metal was just horrible. And these girls were one of the worst bands to come out of L.A.
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just scored an original import album of F**k Like a Beast; before the PMRC got ahold of the cover. Gonna frame it n hang on the wall with the rest of rockophilia as a testament to the era!
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I gotta be honest; back in early 90's when it came out, I actually liked Crimson Idol. It was a different sound for WASP, prob because Blackie did just bout everything on the album except wind the tape; & is a concept album; but thought it was a cool idea to do a concept album during that time without treading on the toes of the ones who had come before with the idea.
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"Headless Children is a masterpiece. "
I agree. Between that and the Last Command, both are great. The Heretic is amazing! |
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While your flippin thru the channels or at ur local movie rental; look 4 Ghoulies,whi c h WASP provided the soundtrck 4. No cinematic masterpiece, b u t during a time during the 80's when Congress was waging war against this band,was a big deal. If 4 no other reason;good chance 2 see Blackie & Co. in thier hay-day
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The bio does suck, & doesnt do justice. I've worn out 3 tapes & on my 2nd CD of Live in the Raw since it came out. I remember the Congressiona l hearings, & how fulfilling it was to see Dee tell them off & to show the world that we are not a bunch of drug induced idiots who cannot make educated decisions without holier than thou politicians doing it for us! The best thing they could have done for Metal was to put those stickers on the front of the albums!P. Spheers can to go to hell;
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We 80's metal fans know that WASP will always be known for F*** like a beast. Rock on!
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I have been jammin so hard on still Not Black Enough lately. The track "I Can't" is hellacious. I think W.A.S.P. are one of the most underrated bands to ever come out of L.A. and the 80's. Headless Children is a masterpiece.
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I saw WASP last weekend at a club called Jaxx in Springfield, VA and they were amazing! They performed the entire Crismon Idol ablum and then did a greatest hits set. This show was so awesome it has renewed my interest in the band. Blackie Lawless rules!!!!!
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What? Where the hell is everybody man? Wasp kicks a**. I know that there are Wasp fans out there. What's up Blackie and Chris. You guys kick a**.
Later man.Slider Vagos MC |
