Yngwie Malmsteen
Biography
Yngwie Malmsteen is arguably the most technically accomplished hard rock guitarist to emerge during the '80s. Combining a dazzling technique honed over years of obsessive practice with a love for such classical composers as Bach, Beethoven, and Paganini, Malmsteen's distinctively Baroque, gothic compositional style and lightning-fast arpeggiated solos rewrote the book on heavy metal guitar. His largely instrumental debut album, Rising Force, immediately upped the ante for aspiring hard rock guitarists and provided the major catalyst for the '80s guitar phenomenon known as "shredding," in which the music's main focus was on impossibly fast, demanding licks rather than songwriting. Malmsteen released a series of albums over the course of the '80s that, aside from slight differences in approach and execution, were strongly similar to Rising Force, and critics charged him with showing little artistic progression. He was also reviled as an egotist whose emphasis on blazing technique ultimately made for boring, mechanical, masturbatory music with no room for subtlety or emotion. Malmsteen responded by insisting that since he was already playing music he loved, he had no desire to develop any further, and that his love did come through in his playing.
He also vehemently insisted that it was his imitators, not him, who reduced songwriting and composition to merely generic vehicles to show off the guitar player's amazing technique. Toward the end of the decade, Malmsteen fell out of favor with metal audiences, and even some of his musician fan base seemed to tire of him and the incredible amount of practice it would take for them to emulate him. Following a series of personal setbacks, tragedies, and even injuries, Malmsteen eventually resurfaced on small, independent labels and then recorded at a prolific, rapid pace, continuing to play the music he loved in his patented neo-classical style.
Yngwie (pronounced "ING-vay") Malmsteen was born Lars Johann Yngwie Lannerback in Stockholm, Sweden, in 1963, later adopting his mother's maiden name following his parents' divorce. He was an unruly child, and his mother tried without initial success to interest him in music as an outlet. However, when seven-year-old Yngwie saw a television special on the death of Jimi Hendrix featuring live performance footage of Hendrix setting his guitar on fire, he became obsessed with the guitar, learning to play the music of both Hendrix and favorites Deep Purple. Through Purple guitarist Ritchie Blackmore's use of diatonic minor scales over simple blues riffs, Malmsteen was led toward classical music, and his sister exposed him to composers like Bach, Beethoven, Vivaldi, and Mozart. He spent hours practicing obsessively until his fingers bled, and by age ten, his mother allowed him to stay home from school to develop his musical talents, particularly since he was considered a behavioral nightmare. Also at age ten, Malmsteen became enamored of the music of 19th century violinist/composer Niccolo Paganini, as well as Paganini's flamboyant style and wild-man image; this would provide the blueprint for Malmsteen's synthesis of classical music and rock. By the time he was 18, Malmsteen was playing around Sweden with various bands attempting to find an audience for his technically staggering instrumental explorations, but most listeners preferred more accessible pop music; frustrated, Malmsteen sent demo tapes to record companies overseas. When Mike Varney, president of Shrapnel Records -- a label synonymous with the term "shredder" -- heard Malmsteen's tape, he invited the guitarist to come to the United States and join the band Steeler in 1981.
Steeler recorded one album with Malmsteen on guitar, but dissatisfied with the band's rather generic style, Malmsteen moved on to the group Alcatrazz, whose Deep Purple and Rainbow influences better suited the guitarist's style. Still not quite satisfied, Malmsteen formed his own band, Rising Force, with longtime friend and keyboardist Jens Johansson. The new band's first album, also called Rising Force, was released in 1984; it was a largely instrumental affair spotlighting Malmsteen's incendiary guitar work and Johansson's nearly equally developed technique. The album was an immediate sensation in guitar circles, winning countless reader's polls in guitar magazines, reaching number 60 on Billboard's album chart (no mean feat for an instrumental album), and receiving a Grammy nomination for Best Rock Instrumental Performance. Malmsteen's subsequent albums, Marching Out and Trilogy, also sold quite well and consolidated his reputation and influence as a composer as well as a soloist. However, on June 22, 1987, a speeding Malmsteen crashed his Jaguar into a tree; in breaking the steering wheel with his head, he received a blood clot in his brain that nearly killed him and extensively damaged the nerves leading to his picking hand. In the course of recovery, he learned that his mother had died and that his manager had swindled him out of his earnings. Undaunted, Malmsteen regained the use of his hand and recorded Odyssey, his most accessible, radio-friendly collection to date; the single "Heaven Tonight" widened his audience beyond a devoted core of guitar fans and helped push the album into Billboard's Top 40. Following a world tour including the then-Soviet Union, the Rising Force unit disbanded and Malmsteen formed a new band in his native Sweden for 1990's Eclipse. The album was a success in Europe and Japan, but stiffed in the U.S. without much promotion.
An angry Malmsteen left PolyGram and, prior to the release of 1992's Fire and Ice, he was married to and divorced from a Swedish pop singer. Fire and Ice debuted at number one on the Japanese charts, and Malmsteen toured the world again. However, disaster struck frequently over the next two years. Hurricane Andrew destroyed Malmsteen's Miami property; his manager of four years died of a heart attack; Elektra dropped him from their roster; a freak accident left the guitarist with a broken hand, in addition to frequent bouts of tendinitis caused by his lightning technique; and in August 1993, Malmsteen's future mother-in-law, opposed to his engagement to her daughter, had him falsely arrested for holding the woman hostage with a gun. The charges were quickly dropped, and Malmsteen secured a deal with the Japanese label Pony Canyon after his hand had healed completely. He returned to recording with a vengeance, releasing The Seventh Sign in 1994, as well as two mini-albums (Power and Glory and I Can't Wait), and then Magnum Opus in 1995 and the all-covers album Inspiration in 1996.
After several years in near obscurity, Malmsteen returned to the headlines in 2002, after a fellow airline passenger threw water on him after he allegedly made a slanderous comment about homosexuals. This incensed Malmsteen, who had to be escorted away by security, all the while screaming to the passenger that she had "unleashed the f*cking fury." This stint proved to be so popular in revitalizing his career that his comeback album in 2005 appropriated the phrases as its title. While his popularity has largely faded in the U.S. due to a backlash against the excesses of '80s shredders, Malmsteen still finds audiences in Europe and is more popular in Japan and Asia than ever. Instru-Mental was released in February 2007. ~ Steve Huey, All Music Guide
Selected Discography

Angels Of Love
2009

20th Century Masters - The Millenium Collection: The Best Of Yngwie Malmsteen
2005

Attack!!
2002

Alchemy
1999

Concerto Suite For Electric Guitar And Orchestra In E Flat Minor Op. 1
1998

Fire And Ice
1992

The Yngwie Malmsteen Collection
1992

Eclipse
1990

Trilogy
1986

War To End All Wars
1984

Rising Force
1984
great musician great player incredible talent who writes the cheesiest lyrics in the universe since the big bang, but he writes great music.
I believe he is up there with Beethoven, Mozart, Wagner, and Bach. too bad not everyone has the capacity to comprehend his music. |
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if you can play guitar that amazingly you dont need to be a good singer sportsprophe t is completly right
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What a great player. His lyrics however, are among the worst in the history of the musical universe. Magnum Opus has some great playing on it as well as the first few albums.
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I love Yngwie, my only problem with him is his lyrics. Many of his song lyrics aren't all that great.
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my one qualm is that 99% of his songs are in a harmonic minor key. If he'd just break outta that shell more often he'd be so much more fun to listen to.
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The first three or four albums are just epic. I really love his work with Alcatrazz as well. But the quote that he feels no need to progress b/c he's already playing the music he loves says it all. If you buy Rising Force, Marching Out and Trilogy plus a greatest hits to get nuggets like "Riot in the Dungeon" or "Perpetual," that's all you really need. Everything since has been in the same vein but not quite as good to me. But those early records are definitely must-own.
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A complete virtuoso of indescribabl e quality and innovation. A modern-day Paganini. Especially DVD with Japan Philharmonic ; impeccable musicianship . No rehearsal beforehand ! Flawless !
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There will always be overrated guitarists and underrated ones. I think out of my top favorite guitarists, Yngwie is the most inspiring though. Not because his style of music so much but,the fact that,he was born with the gift to shred.
Not many people can just pick up instruments like he did and be good at them. |
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schecterboss 7 7 you nailed it i have been a fan when he was in steeler his music is boring all records sound the same after fire and ice it got boring i still buy his stuff butt the new disc has the best solos he has ever done but songwriting is played out he needs to let someone help out the writing of songs join up with dio and start a metal heros band you would be huge you egomaniac or just be an insrumental band ps the song #8 on the new disc is the best he has ever played the rest s**t and w
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I appreciate Yngwie's skill and mastery of the guitar, but the majority of his songs sound the same. There just isn't much diversity in his playing. I think that since he was like the first to combine classical music and shredding, he gets credit for being the greatest guitarist that has ever lived. He introduced a new genre, and that does deserve recognition, but not to the extent that some people take it to. Don't get me wrong, I think that he is a really good guitar player. Just overrated.
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I like him and I don't like him...I likke him for being who he is, with his good and evilish sides. Without them, he could not be this exceptional. Have 5 of his albums; once in a while, I need a kick in the a** so I play them, especialy earlier ones. Quit bying his music after they all seem alike. His problem is, I think in the fact that he wants to control every aspect of his performing and recording bands. If he gave musicians more freedom, his music would be second to none.
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Quote from the Biography:
"...boring, mechanical, masturbatory music..." Am I the only one who thinks it is weird that they used masturbatory ? I think the music rockin'. Yes it is mechanical, we call that technique. If you play guitar that insanely, I am surprised anybody criticizes him. But masturbatory ? o . O Never. |
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i saw him the very day after the release of fire and ice in bogarts cincinnati he was the most intense live performer ever his songs do not get the justice they deserve until you hear them live they rock louder i still love fire and ice as well as the first four and his last two unleeash the fur and perpetual flame have been a great return to form for yngwie i think after he sobered upo he has made quite a dramatic comeback- STILL THE BEST! EVER!@
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Malmsteen's playing of the guitar brings me to tears.... I recently had the priveledge of seeing him perform live, he is amazing.
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Pandora, thank you! Never heard of this dude, he's excellent! I cut my teeth on the old master's. I thought you were putting me on about the massive collection of tune's. This is starting to be more fun than gawking at tourist's attempting the "Duval Crawl." Thank you!
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Dispite all of Yngwie's negative manifestatio n s - he is a Master and Virtuoso of the highest order. The Beauty of his playing brings tears to my eyes and was THE vanguard guitarist of the 80's. He has paid for his Art in almost indescribabl e pain. Thank you Yngwie, keep giving these Jewels !!
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not a fan of anyyyy of his songs that involve singing
but he is a god that combines my two favortie genres |
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Yngwie / with Ripper? I'm checking this out, it could be what I've been hoping for from Yngwie for a long time.
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The new album is superb. Imagine War to End All Wars with amazing production and Ripper on vocals. His soloing is really refreshing too.
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Oddly, I got directed to http://www.p a n d o r a . c o m / p e o p l e / n e a s n i h i l # when I did the same with the word 'troll'. Funny that...
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Ah, so this is where I get redirected to if I click the link on webster.com for "Pretentious " interesting.
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The next album is already out. It's called Perpetual Flame and it rules!
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did anyone know that tim ripper owens is his next singer he is awsome cant wait for the disc
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I disagree with Pharaoh and other critics: this is Ingwie's style and sound. He's a great composer and I like the way he combines classical music with heavy metal. Why should he change his sound into one that is practiced by numerous other bands? Diversity is a good thing and he should hang onto his style.
I especially love his instrumental s . |
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Well seeing as death metal is almost the opposite of what he usually plays, I dont think thats asuch a good idea.
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This guy rapes the guitar, but his music is too 80's. He needs to incorporate his skill as a musician into a a more death metal style.
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