Yngwie Malmsteen
Biography
Yngwie Malmsteen is arguably the most technically accomplished hard rock guitarist to emerge during the '80s. Combining a dazzling technique honed over years of obsessive practice with a love for such classical composers as Bach, Beethoven, and Paganini, Malmsteen's distinctively Baroque, gothic compositional style and lightning-fast arpeggiated solos rewrote the book on heavy metal guitar. His largely instrumental debut album, Rising Force, immediately upped the ante for aspiring hard rock guitarists and provided the major catalyst for the '80s guitar phenomenon known as "shredding," in which the music's main focus was on impossibly fast, demanding licks rather than songwriting. Malmsteen released a series of albums over the course of the '80s that, aside from slight differences in approach and execution, were strongly similar to Rising Force, and critics charged him with showing little artistic progression. He was also reviled as an egotist whose emphasis on blazing technique ultimately made for boring, mechanical, masturbatory music with no room for subtlety or emotion. Malmsteen responded by insisting that since he was already playing music he loved, he had no desire to develop any further, and that his love did come through in his playing.
He also vehemently insisted that it was his imitators, not him, who reduced songwriting and composition to merely generic vehicles to show off the guitar player's amazing technique. Toward the end of the decade, Malmsteen fell out of favor with metal audiences, and even some of his musician fan base seemed to tire of him and the incredible amount of practice it would take for them to emulate him. Following a series of personal setbacks, tragedies, and even injuries, Malmsteen eventually resurfaced on small, independent labels and then recorded at a prolific, rapid pace, continuing to play the music he loved in his patented neo-classical style.
Yngwie (pronounced "ING-vay") Malmsteen was born Lars Johann Yngwie Lannerback in Stockholm, Sweden, in 1963, later adopting his mother's maiden name following his parents' divorce. He was an unruly child, and his mother tried without initial success to interest him in music as an outlet. However, when seven-year-old Yngwie saw a television special on the death of Jimi Hendrix featuring live performance footage of Hendrix setting his guitar on fire, he became obsessed with the guitar, learning to play the music of both Hendrix and favorites Deep Purple. Through Purple guitarist Ritchie Blackmore's use of diatonic minor scales over simple blues riffs, Malmsteen was led toward classical music, and his sister exposed him to composers like Bach, Beethoven, Vivaldi, and Mozart. He spent hours practicing obsessively until his fingers bled, and by age ten, his mother allowed him to stay home from school to develop his musical talents, particularly since he was considered a behavioral nightmare. Also at age ten, Malmsteen became enamored of the music of 19th century violinist/composer Niccolo Paganini, as well as Paganini's flamboyant style and wild-man image; this would provide the blueprint for Malmsteen's synthesis of classical music and rock. By the time he was 18, Malmsteen was playing around Sweden with various bands attempting to find an audience for his technically staggering instrumental explorations, but most listeners preferred more accessible pop music; frustrated, Malmsteen sent demo tapes to record companies overseas. When Mike Varney, president of Shrapnel Records -- a label synonymous with the term "shredder" -- heard Malmsteen's tape, he invited the guitarist to come to the United States and join the band Steeler in 1981.
Steeler recorded one album with Malmsteen on guitar, but dissatisfied with the band's rather generic style, Malmsteen moved on to the group Alcatrazz, whose Deep Purple and Rainbow influences better suited the guitarist's style. Still not quite satisfied, Malmsteen formed his own band, Rising Force, with longtime friend and keyboardist Jens Johansson. The new band's first album, also called Rising Force, was released in 1984; it was a largely instrumental affair spotlighting Malmsteen's incendiary guitar work and Johansson's nearly equally developed technique. The album was an immediate sensation in guitar circles, winning countless reader's polls in guitar magazines, reaching number 60 on Billboard's album chart (no mean feat for an instrumental album), and receiving a Grammy nomination for Best Rock Instrumental Performance. Malmsteen's subsequent albums, Marching Out and Trilogy, also sold quite well and consolidated his reputation and influence as a composer as well as a soloist. However, on June 22, 1987, a speeding Malmsteen crashed his Jaguar into a tree; in breaking the steering wheel with his head, he received a blood clot in his brain that nearly killed him and extensively damaged the nerves leading to his picking hand. In the course of recovery, he learned that his mother had died and that his manager had swindled him out of his earnings. Undaunted, Malmsteen regained the use of his hand and recorded Odyssey, his most accessible, radio-friendly collection to date; the single "Heaven Tonight" widened his audience beyond a devoted core of guitar fans and helped push the album into Billboard's Top 40. Following a world tour including the then-Soviet Union, the Rising Force unit disbanded and Malmsteen formed a new band in his native Sweden for 1990's Eclipse. The album was a success in Europe and Japan, but stiffed in the U.S. without much promotion.
An angry Malmsteen left PolyGram and, prior to the release of 1992's Fire and Ice, he was married to and divorced from a Swedish pop singer. Fire and Ice debuted at number one on the Japanese charts, and Malmsteen toured the world again. However, disaster struck frequently over the next two years. Hurricane Andrew destroyed Malmsteen's Miami property; his manager of four years died of a heart attack; Elektra dropped him from their roster; a freak accident left the guitarist with a broken hand, in addition to frequent bouts of tendinitis caused by his lightning technique; and in August 1993, Malmsteen's future mother-in-law, opposed to his engagement to her daughter, had him falsely arrested for holding the woman hostage with a gun. The charges were quickly dropped, and Malmsteen secured a deal with the Japanese label Pony Canyon after his hand had healed completely. He returned to recording with a vengeance, releasing The Seventh Sign in 1994, as well as two mini-albums (Power and Glory and I Can't Wait), and then Magnum Opus in 1995 and the all-covers album Inspiration in 1996.
After several years in near obscurity, Malmsteen returned to the headlines in 2002, after a fellow airline passenger threw water on him after he allegedly made a slanderous comment about homosexuals. This incensed Malmsteen, who had to be escorted away by security, all the while screaming to the passenger that she had "unleashed the f*cking fury." This stint proved to be so popular in revitalizing his career that his comeback album in 2005 appropriated the phrases as its title. While his popularity has largely faded in the U.S. due to a backlash against the excesses of '80s shredders, Malmsteen still finds audiences in Europe and is more popular in Japan and Asia than ever. Instru-Mental was released in February 2007. ~ Steve Huey, All Music Guide
Selected Discography
Batio and satriani are good. whoever is saying he's redundant shut up and try to play like that. there are so many DIFFERENT things happening in his music he is a crazy guitar god and dont you forget it!
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wow, everyone, I'd like to see YOU play as good as him. sure, he sticks to one style. but he's doing his own thing, if you don't like it, that's too bad, should he change his style just for you? I think he's incredibly talented, regardless of his ego.
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would not go that far vikas! Yngwie is great, but redundant. Joe has more range and plays far more diverse stuff than Yngwie, Yngwie still living off the first two Rising Force albums, like beating a dead horse, he offers hardly anything new or fresh.But the man has talent to burn, but spins his wheels with the same formula.
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He came by the truckstop outside town, and his crew had on "Yngwie Who?" shirts...
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Yngwie is the man, but is a 1 trick pony. Love this harmonic minor runs and such, but I think Batio is a better overall player. Love'm both though!
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He plays faster than I can think. Makes me want to put the guitar down and say "All hail Yngwie!"
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where's the paul gilbert love?
search for paul gilbert and listen to: "bliss" "I like rock" and "i am satan" all excellent |
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I've got to agree with Marty. I saw the G3 concert in Clearwater with Satch and little Stevie Vai (what a nice little boy); Yngwie just about ruined the show with his wall if indiscernabl e distortion,s l o p p y arpeggios, and that inane guitar in the air manuever. But what I really want to know is how did he squeeze his fat butt into that ridiculous leather rockstar outfit. What a joke!
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I'm listening to "Black Star" right now and reading his biography. Incredible. Really tough. I like it. After listening to Joe and Steve and hearing about Yngwie but never really paying attention, I really feel ignorant right now. Sorry, really, very sorry about this.
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Malmsteen's Rising Force is a timeless masterpiece that changed the course of metal and still rules 24 years after its release. This can be said of very few artists.
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I saw him shredding on YouTube. He was mein Gott.
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Hmm, most-listene d to station or Molten Lead???? Hard call. What fingers!!!
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Who am I to comment on God's favorite creation?. It may be hard to swallow the fenomenal arregment of notes after notes, nearly provocking to be called unhuman.Howe v e r after seeing him so many times live in NYC, I can justifiably defend him of any negatives remarks agaisnt him. Don Yngwie is simply a true modern virtuoso and I'm glad this is happening during my life time frame.
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One of the very best.... Mabey THE best Heavy Metal guitarist in the history of music.
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i saw yngie in lakeland florida, probably 1981 or 1982 he opened for nazareth! (danny joe brown of molly hatchett was the middle act) he was the shi^ then. but not top 25. whether or not he is a good guy has nothing to do with it.
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true about yngwie as i hung out with him at the button south in 93 at the don dokken show and he is an a** hole truley but i dont need him for a friend he is and always will be what other players try to copy
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Yngwie Malmsteen is a guitar GOD....perio d . . . e n d o f story...nuff said...
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one of the greatest musicians of all time........ I saw him in Brooklyn and he was insane
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yea,yngwie is an excellant guitarist,bu t his arrogancy is sick.i mean you go to see this guy and he is just rude to people,i love michael schenkers music,i saw him in cincinnati,i mean this dude is just like one of us ,you normal.this guys car overheated and schenker actually went and got this dude some water so he could put it in his car,yngwie wouldn't do nothing like that.i saw this with my own eyes,and i couldnt believe it either
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Heck, the reason why i chose to marry my wife was because of Yngwie... we were talking about music that we used to listen to back in high school and she told me she was a huge fan of a guitarist that was rather obscure where she used to live because it was an acquired taste. I asked her 'who?' and she said 'Yngwie Malmsteen'.. . I was blown away in disbelief that she actually knew one of my fav guitarists. I proposed that same day.
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He was blowing it away in the early 80's, and peaked in about 1986. Everything since sounds almost the same, except for some wicked blues experimentat i o n . I watched G3 in Denver , and agree that he almost ruined two class acts, but he can hold his own on the fretboard. If he's playing, I'm cranking him up.
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He's alright. I like paul gilbert, Tony MacAlpine, Richie Kotzen, joe stump, greg howe, joe satriani, sammy hagar, marty friedman, jason becker, vinnie moore, and b.b. king. there guys like yngwie j. malmsteen but better.
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