The Zombies
Biography
Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for their era. Indeed, their material -- penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys -- was perhaps too adventurous for the singles market. To this day, they're known primarily for their three big hit singles, "She's Not There" (1964), "Tell Her No" (1965), and "Time of the Season" (1969). Most listeners remain unaware that the group maintained a remarkably high quality of work for several years.
The Zombies formed in the London suburb of St. Albans in the early '60s, and didn't actually entertain serious professional ambitions until they won a local contest, the prize being an opportunity to record a demo for consideration at major labels. Argent's composition "She's Not There" got them a deal with Decca, and the song ended up being their debut release. It was a remarkably confident and original first-time effort, with a great minor melody and the organ, harmonies, and urgent, almost neurotic vocals that would typify much of their work. It did well enough in Britain (making the Top 20), but did even better in the States, where it went to number two.
In fact, throughout their career, the group would experience a lot more success across the waters than they did at home. In early 1965, another piece of classic British Invasion pop, "Tell Her No," went into the Top Ten. Yet that was as much Top 40 success as the group would have for several years.
The tragedy was that throughout 1965 and 1966, the Zombies released a string of equally fine, intricately arranged singles that flopped commercially, at a time in which chart success of 45s was a lot more important to sustain a band's livelihood than it would be a few years down the road. "Remember When I Loved Her," "I Want You Back Again," "Indication," "She's Coming Home," "Whenever You're Ready," "Gotta Get a Hold of Myself," "I Must Move," "Remember You," "Just out of Reach," "How We Were Before" -- all are lost classics, some relegated to B-sides that went virtually unheard, all showing the group eager to try new ideas and expand their approaches. What's worse, the lack of a big single denied the group opportunities to record albums -- only one LP, rushed out to capitalize on the success of "She's Not There," would appear before 1968.
Their failure to achieve more widespread success is a bit mystifying, perhaps explained by a few factors. While undeniably pop-based, their original compositions and arrangements were in some senses too adventurous for the radio. "Indication," for instance, winds down with a lengthy, torturous swirl of bitter organ solos and wordless, windblown vocals; "Remember When I Loved Her," despite its beautiful melody, has downbeat lyrics that are almost morbid; "I Want You Back Again" is arranged like a jazz waltz, with the sorts of sudden stops, tempo shifts, and lengthy minor organ solos found in a lot of their tunes. The group were also, perhaps unfairly, saddled with a somewhat square image; much was made of their formidable scholastic record, and they most definitely did not align themselves with the R&B-based school of British bands, preferring more subtle and tuneful territory.
By 1967, the group hadn't had a hit for quite some time, and reckoned it was time to pack it in. Their Decca contract expired early in the year, and the Zombies signed with CBS for one last album, knowing before the sessions that it was to be their last. A limited budget precluded the use of many session musicians, which actually worked to the band's advantage, as they became among the first to utilize the then-novel Mellotron to emulate strings and horns.
Odessey and Oracle was their only cohesive full-length platter (the first album was largely pasted together from singles and covers). A near-masterpiece of pop/psychedelia, it showed the group reaching new levels of sophistication in composition and performance, finally branching out beyond strictly romantic themes into more varied lyrical territory. The album passed virtually unnoticed in Britain, and was only released in the States after some lobbying from Al Kooper. By that time it was 1968, and the group had split for good.
The Zombies had been defunct for some time when one of the tracks from Odessey, "Time of the Season," was released as a single, almost as an afterthought. It took off in early 1969 to become their biggest hit, but the members resisted temptations to re-form, leading to a couple of bizarre tours in the late '60s by bogus "Zombies" with no relation to the original group. By this time, Rod Argent was already recording as the leader of Argent, which went in a harder rock direction than the Zombies. After a spell as an insurance clerk, Colin Blunstone had some success (more in Britain than America) in the early '70s as a solo vocalist, with material that often amounted to soft rock variations on the Zombies sound.
Much more influential than their commercial success would indicate, echoes of the Zombies' innovations can be heard in the Doors, the Byrds, the Left Banke, the Kinks, and many others. After a long period during which most of their work was out of print, virtually all of their recordings have been restored to availability on CD. ~ Richie Unterberger, All Music Guide
Selected Discography
if someone today made a band called the zombies, it would be bad scary death metal, but in the sixties they are vocally based harmonious band.
times have changed for the worse. |
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These guys were phenomenal! Quite extraordinar y . Smooth vocals. Just awesome.
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tell her no no no no no no no!!
haha great lyrics the zombies classic 60s |
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I love that "time of the season" I'm glad I read thru the write up. I love that 60's rhythem over that DO WOP sound. Keeps me humbing or numbing. I kindofa postal you know...
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I AM A ICE CREAM EATING ZOMBIE IN A LAKE OF FIARE!!!
I really am. And boy, you should hear me sing. |
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I hate to say this but; The Zombies are so sexy. I mean the lead vocals just excite me. Whoo!
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The Zombies only came to be appreciated after their demise. Owing in large part to the song "Time of the Season", many of us purchased "Odyssey & Oracle" and discovered that these guys were damn good!!!!
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I think Artistic One has vampires and zombies confused. The zombies were way before my time but i still love there music
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saw them live recently in san francisco. they still rock! although the lead singer looks a little fragile (also seemed to never know what to do with his arms) and wouldnt let anyone near the stage. still a great show!
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'Time of the Season' was out when I was graduating from High School. What a cool sound to ride around with your 'buds and groove to as you're about to leave home for college - knowing you'll never come back to your small town again. Great memories!
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We really were the luckiest of all generations, in my opinion. It was sweet, happy, and fresh back then and the music helped make you feel that way. You can't knock it if you didn't live it. Although I was barely a teen, I'm so grateful for all the wonderful music and bands that I adored. 'Time of the Season' is my favorite Zombies song. --Kandy-O
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Zombies are scary bloodsuckers and should not be idolized or sensationali z e d .
A good bullet through the brain is the traditional way of sending them on their way to hell. |
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Odyssey and Oracle is one of the best albums of the 60's (or did it come out in '70?)
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if ud herd uv the red krayola its weird its the same song shes not there its the weirdest thng evr. it sound xactly like the zombies shes not there.
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The Zombies are in a special category in my head...I never heard anything like them back in the 60's....esp. the jazz orientation in some of their songs
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I am a new Zombies fan, as I was too young to appreciate them as a child in 1968. I was lucky enough to discover two songs on Pandora, Friends of Mine and I Want Her She Wants Me, from Odessey and Oracle. These songs led me to do more research and to purchase their Anthology. I love Rod Argent and Chris White's material and Colin Blunstone has such a beautiful voice!!! I enjoy their new material as well, from As Far As I Can See. I dream of going to Shepherd's Bush in March for their concer
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there is some sort of new live zombies...wh i c h appeared on pandora recently. It is amazing how these guys have held up. Their voices were still amazingly strong, and they were polished as hell, and they orignally broke up in 1968. Amazing...ho p e the live album comes up in one of your stations.
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they were my favorite group.I'll never forget them. my friends said that am fricked out just listening the Zombies.
Sebon. |
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They tore the roof off durring the 60's !!!!! I remember them well !!!
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I love them so much - quirky, original, melodic, distinctive.
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