Danny Elfman
May 29, 1953 - born in Amarillo, TX, composed during the Contemporary period
Biography
Danny Elfman is easily the most successful of those rock musicians who have made the jump to serious film composition. Born Daniel Robert Elfman on May 29, 1953 in Amarillo, Texas and raised in Los Angeles, his mother, Blossom Elfman, was a novelist and later a screenwriter. Elfman was always musically inclined, and while living in France with his brother Richard in the early 1970s, he joined a theatrical company, where he first began learning how to orchestrate. He also spent some time living in Africa, until a bout with malaria forced him to return to the United States in the late 1970s. In 1980, he was asked to write the music for the low-budget horror-fantasy spoof Forbidden Zone, which was directed and co-produced by his brother Richard. This marked more the beginning of a career in rock music for Elfman than in film music -- Forbidden Zone, which didn't see wide release until 1983, never acquired more than a tiny cult audience, but the ensemble that had been assembled by Richard Elfman for the film, The Mystic Knights of Oingo Boingo, remained together and achieved a following as a New Wave band under the name Oingo Boingo. Danny Elfman continued with the group as a guitarist, singer, and songwriter for the next few years, establishing himself as a rock musician.
Then, in 1985, he was approached by director Tim Burton to score his first full-length feature, Pee-Wee's Big Adventure. Elfman's first chance to work on a film with a substantial budget, for a major studio, opened a new chapter in his career, as both the film and the music succeeded beyond anyone's expectations. His music, orchestrated by his fellow Oingo Boingo member Steve Bartek, was a mix of the comical, offbeat, and serious, and seemed to capture every nuance the Burton was looking for in a movie that was, essentially, a cartoon brought to life. Thus began Elfman's career in movie music, which at first had him confined to more of Tim Burton's fantasy films, including Beetlejuice, and offbeat comedies like Jonathan Demme's Something Wild -- the closest he got to mainstream, frontline movies were the comedies Back To School and Summer School. Over the those next few years, he honed his own skills as a composer, and when Burton approached him with the movie Batman, he was ready. It was with Batman that Elfman showed what he could really do as a composer, establishing his ability to justice to a major film -- his music, almost all of it dark hued in keeping with the subject, yet laced with warmth and humanity, was vital in fixing the dramatic tone of the film and keeping its human dimension, despite the larger-than-life characters and ominous look to the movie. The film became one of the top-grossing movies of all time and in the wake of its success (which earned him a Grammy Award), Elfman found himself in demand for a vast range of movies and subjects, from the mega-budgeted Dick Tracy in 1990 to period dramas such as Sommersby in 1993. His knack for scoring offbeat movies wasn't lost, however, as evidenced by his Academy Award nominations for comedy spoof Men In Black and for the drama Good Will Hunting, both from 1997, the same year he scored the gimmick comedy Flubber. Elfman has also occasionally returned to musical idioms somewhat closer to his original roots in rock music, as with his songwriting and singing in his score for Burton's The Nightmare Before Christmas. ~ Bruce Eder, All Music Guide
Selected Discography
Itsa deadmans party... who could ask for more.... (great stuff, across multiple music genres)
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I heart danny elfman! absolutely amazing music. I honestly get excited to see his name in the opening credits of a movie.
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I would love to see the Fable 2 soundtrack added. Danny Elfman worked on a few of the tracks, but Pandora does not seem to have it. Great music!
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Thank goodness for Danny Elfman, the musical world would be a lot less without him.
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that smile looks wicked evvvvvvvvvvv v v v i i i i i i i i i i i i i i i i i l l l l l l l l l l l l l l l .
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u guys think he's hot? well, i agree to disagree. he reminds me of roarschak from the watchmen. like when he was younger and he would partically kill bullies. love him. anyhoo, danny is fu(kin' awesome!! i have yet to hear one single piece by him that i did not like. guy's insane!!
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OMG I was totally thinking that he looks like the joker in that pic...creepy , but good!
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It is a creepy pic, but it kinda turns me on in a Heath Ledger-Joker kind a way. I've been a fan of his since Oingo Boingo. His solo stuff has been fabulous from the very beginning. Oh my god, he is one intensely sexy MF!!
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Do I hear undertones of Dvorak and Wagner? Elfman has great compositiona l talent!
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Danny Elfman is the best! The only composer who ties with him is John Williams. Danny Elfman has done someof my favorite music, which includes Batman and the Nightmare Before Christmas. This guy is a genious.
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I just wish he had more of his nightmare before christmas stuff...
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O MY GOSH BATMAN FILM SCORE IS AWESOME!!! i love danny elfman!!! <3
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hey tho...
i think john williams and danny elman are both great minds! doesnt matter which one is "better".... i t s not a contest....h a h a yeah....appl e s and oranges LOL |
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i think Hans Klaviermann is the bomb when it comes to songwriting
hes had 4 years of musical experience on the piano, and already he has people who want him to write songs for him. even his works are respected by professional composers who have been composing for years |
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Guys, I think John Williams can be compared to some other artists. Just because he did famous movies doesn't mean he's that much better. Elfman has an incredible style that can ONLY BE HIS! Who else could have written the simpson's theme?
IMO, the Simpsons is BETTER than some other John Williams songs, because it is so creative! |
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Seems to me that these are comparisons of the movies rather that the actual artists. Williams has a cookie-cutte r approach to his compositions with the acceptation of Jaws (which by the way was thought up by Spielberg and expanded by Williams). Granted that most of Elfman’s work with Burton sounds the same, look beyond that and even Oingo Boingo. A variety of themes come from Fable, Tales From The Crypt, Chicago, Charlotte’s Web, Hell Boy II, and Doh!!! THE SIMPSONS.
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Although I do enjoy Danny Elfman's scores, I really think Williams is in a league of his own. Just think of all the familiar tunes that have become commonplace that have stemmed from his films (Indiana Jones, Star Wars, Jaws, Harry Potter...you could keep going). John Williams definitely wins hands down with musicality and orchestratio n he knows exactly how to get the most of every instrument and combine the sounds to get something fantastic... h e ' s also written for the Olympics!
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I have seen both John Williams in concert and Danny Elfman (with Oingo Boingo), and to me, it's like comparing apples with oranges. Danny can be equally moving (Edward Scissorhands , case in point), but Williams does get more of the blockbuster movies. They're both phenomenal scorewriters . And I like the freaky picture. :D
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williams is more emotionally moving, but Elfman is without a doubt the more interesting of the two.
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It could be said his music is fairly distinct from John's.. Hard to decide which is better, though William's movies are better (Star Wars, Indiana Jones, etc.)
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I think Danny Elfman vs Sir John Williams would be an interesting 'fight'. Any takers?
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danny's awsome but whats with the freaky picture? it looks cool though.
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Guess there's not many Danny fans on Pandora. His music is usually much better than the movies it accompanies. I enjoy watching the movie in my head when I listen to his scores.
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YESSS first to comment: Dannys music has been my companion all the years of my life; it's everywhere, and he's great!
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