Heinrich Schütz
October 8, 1585 - November 6, 1672born in Köstritz, Germany, composed during the Baroque period
Biography
Heinrich Schütz, in a way, stood as a bridge between the Renaissance and Bach. He infused his church music with a greater drama than previously heard in Germany by developing and transforming the Italian choral style he had learned in his studies with Gabrieli. Schütz's Psalmen Davids (1619) shows the influence of Gabrieli but also divulges his own unique voice. His melodic invention is in evidence in the Becker Psalter (1626), while his Geistliche Chor-Music (1648), a collection of motets, represents perhaps the greatest such assemblage from his century. A large number of his compositions went unpublished, most of those now lost.
Schütz was born in Köstritz (now Bad Köstritz) and raised in Weissenfels, where his father operated an inn. Young Heinrich probably studied with George Weber, a composer and the local Kantor. At 13, Schütz entered the Collegium Mauritianum in Kassel at the urging of Landgrave Moritz of Hessen, who had established it four years earlier. Schütz became a choirboy in the Landgrave's court and studied under kapellmeister Georg Otto. Shortly after leaving the Collegium in 1608 (such lengthy study was not unusual), Schütz left for Venice to study with Giovanni Gabrieli.






