Marc-Antoine Charpentier
1643 - February 24, 1704born in Paris, France, composed during the Baroque period
Biography
Long completely forgotten and then hailed, in the twentieth century, as a Baroque genius, Charpentier was born in Paris, in 1643. In the mid-1660s, he traveled to Rome, where he spent three years studying with Carissimi and mastering the Italian style. Upon his return to Paris, Charpentier accepted employment and patronage from the powerful and pious Marie de Lorraine, known as Mademoiselle de Guise, last scion of the illustrious Guise family. In 1627, already known for his religious music, Charpentier agreed to provide incidental music for Molière's comedies. With astounding facility, the church composer wrote witty, charming, and delightful music in perfect consonance with Molière's comedic genius, as exemplified by the extraordinary score for Le Malade imaginaire. Nevertheless, church music remained Charpentier's primary vocation, and he steadily wrote masses, motets, hymns, and various other liturgical pieces. After Mademoiselle de Guise died in 1688, Charpentier found employment at the college Louis le Grand, where his accomplishments included the Latin oratorio David et Jonathas, a dramatic masterpiece. His next post was at the Jesuit Church of St. Louis, where he composed music for various aspects of the Catholic liturgy.
Selected Discography

Charpentier - Actéon / Visse · Mellon · Laurens · Feldman · Paut · Les Arts Florissants · Christie

Charpentier - In Nativitatem Domini Canticum · Messe de Minuit / Les Arts Florissants · Christie

Charpentier - Noëls & Christmas Motets

Charpentier Oratorios: Caecilia, virgo et martyr; Filius prodigus

Charpentier: Intermedes d'Andromède; Le Ballet de Polieucte



