Philip Glass
January 31, 1937 - born in Baltimore, MD, composed during the Contemporary period
Biography
Philip Glass is generally regarded as one of the most prominent composers associated with the minimalist school, the other major figures being Steve Reich, Terry Riley, and John Adams. His style is quite recognizable, owing to its seeming simplicity of repeated sounds, comprised of evolving patterns of rhythms, which are often quite complex, and rhythmic themes. In some of his early works, like Two Pages (1967), the whole of the piece evolves from a single unit or idea that expands as notes are added. In later works, expansion comes via the lengthening of note values or through other inventive processes. Many describe his music in the minimalist vein as mesmerizing; others hear it as numbingly repetitive and devoid of variety in its simplicity. The latter view of his style is itself simplistic and fails to take into account the many subtleties and complexities found in his methods. Glass' mature style embraces more than just minimalism and thus must be viewed being more eclectic and far less dogmatic. There is greater emphasis on melody, less on controlling rhythmic patterns. His opera Einstein on the Beach (1975) was the first of an important triology of stage works, the other two being Satygraha (1980) and Akhnaten (1983).
He is one of the most popular serious composers of the latter twentieth and early twenty-first centuries.
Glass showed musical talent early on, both on violin and flute. He graduated from the University of Chicago (he moved to Chicago in his teens) at the age of 19. He next enrolled at Juilliard, and had by then rejected serial techniques in composition in favor of more conventional styles, favoring the music of Ives, Copland, and Virgil Thomson. Over the next four years he studied with Persichetti, Milhaud, and Bergsma.
He later studied with Nadia Boulanger in Paris, and it was during this two-year period that he met and worked with sitar player Ravi Shankar, who introduced him to Indian music. He was intrigued by its sound and possibilities and attracted to Asian and Middle Eastern cultures. Eventually, he even converted to Buddhism. Glass later spoke of how greatly his 1966 visit to Tibet influenced his thinking, both musically and spiritually.
After returning to New York in 1967, Glass struggled financially and had to work as a cab driver and plumber for a time. Eventually, he established the Glass Ensemble in the early '70s. This group consisted of seven players and used keyboards, woodwind instruments, and amplification of vocals. Though it also struggled at the outset, it eventually became immensely popular.
Glass' Einstein on the Beach was staged in 1976 and was his first large-scale triumph. By this time, too, his Ensemble was in greater demand, as were a good many of his other works. Since the 1980s, Glass' popularity has grown with the successes of his 1982 Company, for string quartet or string orchestra, the 1987 violin concerto, and the 1997 score, Kundun, written for the Martin Scorsese film. There have been other operas from Glass' pen, including The Fall of the House of Usher and Orphée. Among other works is the remarkable Monsters of Grace, for voices and instrumental ensemble, a mystical composition that uses light and other effects in performance.
Glass has received many awards, among which have been the Chevalier de l'Ordre des Arts et des Lettres in 1995, from the French government. Glass continues to write music and must be regarded as among the most important composers of his time. ~ Robert Cummings, All Music Guide
Selected Discography
I repeatedly had to stop what I was doing and find the composer when The Hours came on Pandora. After several times - I realized it was always the same piece I was intrigued with. Purchased the sound track for myself and have since shared it with several others. Will probably track down some of his other works now. NMB
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I have not laughed at many comment pages, but this one is good. I think I would rather discuss religion or any recent colonoscopy then discuss taste in music.
This is not an alternative station. Pandora allows each of to be as egocentric as possible through the over-rated “power of the web.” Like some others here, it was Koyaanisqats i (great Halloween music) which influenced me to add the P-Glass. |
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I like the "People Listening to this Artist" box on the left side. It lists other stations that they have; Chibihikari, in addition to Philip Glass, apparently enjoys J-pop, listening to Utada (Hikaru? probably?) and Dir En Grey. Monica H is also lesnting to Jay-Z and Jennifer Lopez? I imagine mine probably says I'm listening to something like Depeche Mode and Interpole. It's just amazing to see the variety here... I just find it amusing--not entirely sure why.
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I would LOVE to see The Fog of War soundtrack on here...incre d i b l y moving!
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Koyaanisqats i should not be left off this list. It's far too brilliant to be left out of any mention of Philip Glass.
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yes, the Hours soundtrack is amazing... this man is genious!
haven't even seen the motion picture but i love the music. |
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Though I have not heard enough of Philip Glass and his work ... "The Hours" soundtrack really moves me. Piano and Strings.
I also like Carly Commando's "Everyday". Contemporary Classics |
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if you like This guy, you might want to think about listening to Samuel Barber. Really beautiful stuff, especially Adagio for Strings.
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when he dies, his brain should be preserved till we figure out how to reboot brains.
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if you want more phillip glass, look to "the illusionist" soundtrack and the soundtracks from "powaqasti", "koyannisqat s i " , and "naqoyqatsi. " they are excellent and very powerful.
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"The Hours" is slow and stately. Mesmerizing. I played this after the "Psycho" sdtrk and Deuter.
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His 2nd and 3rd symphonies have slowly become my favorites of the Glass catalog. Like many, I was introduced to Glass with Koyaanisquat s i when I was a wee lad.
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My personal favorites... . . . . . . . . :
Koyaanisqats i : Life out of Balance Powaqqatsi: Life in Transformati o n Naqoyqatsi: Life as war |
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Remarkably engaging music. I thought to listen to it while reading, but it seems to command my attention.
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This caught my fancy when I was scanning channels in my car. Man, this is deep, moody, melodic stuff. I love it!
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on the ground
face the sky white knuckles grass roots slip from the earth and your falling into the blue forever and ever amen |
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Hours - Wonderful piece of music. I am surprised for have never before noticing his delicate and intricate music. He is on my list now.
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Re "repetitive. . . b o r i n g . . . n o development. . . " and like comments- when a perfect vintage has been created, why mess with it? Just enjoy the entire bottle, even if the last drop tastes like the first. Look for the complexity within each sip! But, if a different flavor is desired, try a different bottle! And, like Vivaldi, Glass has mastered his art! SO much wonderful music, so little time...aren' t we all fortunate to have such excellent recordings available to anyone!
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I have always liked Philip Glass. Foreground or background. Nice to get mentally lost in the stuff. Peaceful and even a bit scary at times to realize the affect it has had for the last minutes... It's great.
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brilliant! I just heard his violin concerto, im going out to buy the music now so I can learn it. im addicted to listening to his music now, its mesmerizing.
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Fell in love with his style as soon as "The Hours" began in the theater. Wish I had stumbled onto his music earlier.
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I liked his composition for the "South Park" Christmas play: Happy, Happy, Happy....
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Wichita Vortex, Metamorphose s , Mad Rush are all instances of poetry of harmony. I listen to them often. Good music for writing/read i n g . Something Zen about it.
The soundtrack to The Illusionist is fantastic and draws you in. Einstein on the Beach is an unfortunate composition. But it may have been necessary for his development. As long as it got him to the aforemention e d works. |
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Absolutely amazing, I just listened to "The Hours, Film Score" and fell in love with it.
Phenomenal!! ! ! |
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What about the movie No Reservations ? I've been looking for two tracks that Philip Glass did for the movie, but no avail *anywhere*. :(
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Fantastic... I loved the hours, film score..it makes me want to write..(im a writer)...ve r y inspiring.
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Just listened to "The Hours, Film Score: I'm Going To Make A Cake." What a fantastic song.
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cornucopia of enough elective thoughts that are in constant layers of disarray and the sound is silence,have you ever cried while looking at a rothko or wondered what crows daydream about it is in time and you can depend on it to end for you,time doesn't end it just ends for me and for you.
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