William Byrd
1543 - July 4, 1623born in Lincolnshire, England, composed during the Renaissance period
Biography
Even in an era so richly stocked with great names, William Byrd demands particular attention as the most prodigiously talented, prolific, and versatile composer of his contemporaries. Byrd was born in about 1543, and it is assumed that he was a chorister in the Chapel Royal (his brothers were choristers at St. Paul's Cathedral) and a student of Thomas Tallis. He was named organist and master of choristers of Lincoln Cathedral at the age of 20, where he wrote most of his works in English and music for Anglican services. This music and his anthems provided the young English church with some of its finest music. In 1570 he was appointed a Gentleman of the Chapel Royal, where he shared the post of organist with Thomas Tallis. Queen Elizabeth I, despite Byrd's intense commitment to Catholicism, was one of his benefactors, and granted him and Tallis a patent to print music in 1575. Their first publication was a collection of five- to eight-part, Latin motets, but they published little else. Around the same time, Byrd began composing for the virginal. His contribution to the solo keyboard repertoire comprises some 125 pieces, mostly stylized dances or exceptionally inventive sets of variations which inaugurated a golden age of English keyboard composition.
Selected Discography

Byrd: 3 Masses

Byrd: Consort and Keyboard Music; Songs and Anthems

Byrd: Mass for Four Voices; Mass for Five Voices; Infelix ego

Byrd: My Ladye Nevells Booke

Music Of William Byrd

The Byrd Edition 4: Cantiones Sacrae 1575

The Byrd Edition, Vol. 1: Early Latin Church Music & Propers for Lady Mass in Advent

The William Byrd Edition, Vol 2: Early Latin Church Music & Propers For Christmas

The William Byrd Edition, Vol. 5: The Masses

The William Byrd Edition, Vol. 7: Cantiones Sacrae 1589 & Propers for Lady Mass from Christmas to Purification





