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Orchestra Baobab

From inauspicious beginnings as the weekend house band at a Dakar club for government officials, Senegal's Orchestra Baobob, named for the club (which in turn took its name from the native baobob tree), went on to become one of the seminal bands of world music, with an influence that extended far beyond their national boundaries, throughout West Africa and into Europe. Put together by original leader and saxophonist Baro N'Diaye, the first version was a seven-piece group, three of them enticed away from Dakar's biggest band, the Star Band, who had a regular gig at Ibra Kasse's club. While they had a strong Cuban influence -- Cuban music had been a prevalent sound throughout West Africa since the '40s, imported by sailors and played on the radio -- Orchestra Baobob added African music, in large part from griot singer Laye M'Boup, who had a vast repertoire of Wolof material. It wasn't long before the new sound proved so popular that the group wasn't just entertaining on weekends, but every night of the week, being hailed on par with Guinea's legendary Bembeya Jazz for their fusion of sounds. Inevitably, personnel fluctuated and the new musicians brought their own influences, expanding the feel and range of the band with Maninke and Malinke songs, which became integrated into the whole. Perhaps the most important addition was singer Thione Seck, who took over the lead vocalist spot after the death of M'Boup in a 1974 car wreck (although several rumors concerning a jealous husband surrounded his death). They continued to play the Baobob Club regularly, but also entertained at state occasions, such as official New Year's Eve dances and even at the wedding of designer Pierre Cardin's daughter in Paris. Finally, the Baobob Club closed in 1979 (some histories say 1977) and the band went on to make their home at the Ngalam nightclub (or the Djandeer Club, according to some historians). Also during this time, they tried to make their mark in Europe by traveling to Paris in 1978. They recorded On Vera Ca: The 1978 Paris Sessions, one of their best discs and certainly the best-produced, although it leaned too heavily on their Spanish-language material. Other than that, the trip proved to be a disaster, losing money, and they returned home. At the beginning of the '80s, they were indisputably Senegal's biggest band, commanding fees of about $4,500 for a single show. They recorded regularly (two albums, Mouhamadou Bamba and Sibou Odia were edited into Bamba, a 1983 U.S. release), and continued to stretch their limits by bringing in more African influence, which reached its height with the classic Pirates Choice of 1982. But change was on the horizon; their time was beginning to fade as another alumnus of the Star Band, young Youssou N'Dour, was bringing out a new, energetic sound called mbalax, which quickly electrified Dakar and made the more languid Orchestra Baobob seem old and dated. They tried to compete by updating their sound, but it didn't work. Even the 1985 introduction of two female singers didn't change the situation and by 1987, Orchestra Baobob had disbanded. However, everything comes full circle and in 2001, with the European reissue of an expanded Pirates Choice (2002 U.S.), Orchestra Baobob, older and wiser, re-formed and played dates around the globe, going into the studio to make a new album -- produced by the man responsible for their fall from grace, Youssou N'Dour. ~ Chris Nickson
full bio

Selected Discography

x

Track List: La Belle Epoque

Disc 1

1. Ndaga

2. El Vagabonde

3. Kanoute

4. Papa Ndiaye

5. Jarraf

6. Baobab Gouye Gui

7. Geeja Ngala Riir

8. Samaxol Fatou Diop

9. Seeri Koko

10. Bailla Mi Gente

11. Mbeugeul

12. El Nuevo Amor

13. Bes Bo Amee

14. Wango

15. Yen Saay

Disc 2

1. Africa

2. El Son Te Llama

3. Waonna Ma Guiss

4. El Fuego

5. Thiossane

6. Mison

7. Digone Ngama

8. Sibam

9. On Verra Ca

10. Juana

11. Ndeye Coumba

12. Koura

13. Tante Marie

14. Aduna Juci Biram

x

Track List: Made In Dakar

1. Pape Ndiaye

3. Beni Baraale

4. Ami Kita Bay

5. Cabral

6. Sibam

7. Aline

8. Ndeleng Ndeleng

9. Jirim

10. Bikowa

11. Colette

x

Track List: African Classics

1. Cabral

2. Liiti Liiti

3. Ndeleng Ndeleng

4. Yen Saay

5. Diarabi

6. Mbeugel

7. Mbaar

8. Tante Marie

9. Souleymane

10. On Verra Ca

11. Sibam

12. Ndiougou Ndiougou

x

Track List: Specialist In All Styles

1. Bul Ma Miin

2. Sutukun

3. Dee Moo Weer

4. Jiin Ma Jiin Ma

5. Ndongoy Daara

6. On Verra Ca

7. Hommage A Tonton Ferrer

8. El Son Te Llama

9. Gnawoe

x

Track List: Bamba

1. Mouhamadou Bamba

2. Boulmamine

3. Ndiawolou

4. Doomou Baaye

5. Gnawou

6. Bon Bon I

7. Autorail

8. Sou Sedhiou

9. N'diambaane

10. Sibou Odia

x

Track List: Pirate's Choice

Disc 1

1. Utrus Horas

2. Coumba

3. Ledi Ndieme M'bodj

4. Werente Serigne

5. Ray M'bele

6. Soldadi

Disc 2

1. Ngalam

2. Toumaranke

3. Foire Internationale

4. La Rebellion

5. Ndiaga Niaw

6. Balla Daffe

Comments

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This is a real music
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Same stays for the music
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queenmaryama
I just love it all my my visit to west Africa is alway enjoyed here's to mama Africa
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I agree about Cuba: Africa is The Womb of the world.
Mmmmmm what a groove
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One of the most creative,smo o t h , funky, ground-break i n g bands I have ever heard.The best musicianship I have EVER heard....Oh - and of course from Africa...
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james brown called - he said hell yes.
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lavee821
I must disagree with the write up regarding the Cuban influence. Cuban music has an African influence, Cuban music just came back to where it originated from. What a beautiful sound.
Report as inappropriate
beautiful sound here

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