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Paul Oakenfold

Paul Oakenfold is the DJ, remixer, and producer who did more than anyone else to break house music in Britain during the late '80s. During 1987-1988, Oakenfold hosted a series of crucial club nights that introduced thousands of Brits to house music. Just a few years later, he helped push the new dance crossover into the charts by masterminding hit productions by Happy Mondays (among others) and forming one of the most successful dance labels of the 1990s, Perfecto Records. Even well over a decade after his emergence, Oakenfold remained, quite simply, dance music's most popular DJ.

Born in London in 1963, Oakenfold began mixing at the age of 16, and hooked up with friend Trevor Fung to play soul and rare groove at a basement bar in Covent Garden. He also spent some time in New York during the late '70s, working for Arista Records and soaking up the disco scene through Larry Levan's genre-spanning sets at the Paradise Garage. Back in England by the early '80s, Oakenfold worked as a club promoter and British agent for the Beastie Boys and Run-D.M.C. He continued DJing as well, and eventually ended up at the Project, one of the first venues for house music in England, in 1985-1986. With Fung and another friend named Ian St. Paul, Oakenfold was introduced to the exploding club scene on the vacation island of Ibiza (near the coast of Spain) during 1987 and imported the crucial mix of house, soul, Italian disco, and alternative music later dubbed the Balearic style.

During 1988-1989, house music and the Balearic style gestated at several Oakenfold-run club nights (Future at the Sound Shaft, then Spectrum and Land of Oz at Heaven) before emerging above terra firma as a distinctly British entity. Oakenfold and Steve Osborne had been working with new dance converts Happy Mondays, and their production for the 1989 Happy Mondays single "(W.F.L.) Wrote for Luck" was voted Dance Record of the Year by NME. The duo's production for the Happy Mondays' breakout full-length, Pills 'n' Thrills and Bellyaches, placed them squarely in the vaunted territory of other new dance producers like Andrew Weatherall (who achieved similar success with Primal Scream's Screamadelica from the same year). Soon, major labels were lining up to have Oakenfold and Osborne remix their biggest pop stars, including U2, Simply Red, New Order, the Cure, Massive Attack, M People, Arrested Development, the Shamen, the Stone Roses, and even Snoop Doggy Dogg (some as Perfecto, the combination remix service and RCA-connected record label founded by the pair in 1990). The Oakenfold/Osborne team were nominated by BPI as Best Producers from 1990 to 1993.

By the mid-'90s, dance music had reached the mainstream of British radio and culture, with Oakenfold at the front of a new wave of globetrotting DJs; he toured with U2 and supported live gigs by INXS, the Orb, Simply Red, Boy George, and Primal Scream. On Britain's ever-growing club circuit, he inaugurated the London superclub Ministry of Sound early in the 1990s and became a resident at Britain's other superclub, Liverpool's Cream, instead of taking big money for independent gigs. He also cut down his remix schedule to less than five per year, concentrating instead on the release of a half-dozen mix albums, including several volumes in the Journeys by DJ series. Oakenfold left Cream in 1999, after which Virgin commemorated the occasion with the release of Resident: Two Years of Oakenfold at Cream. Perfecto Presents Another World arrived the following year.

A monumental U.S. tour and the fresh Voyage into Trance appeared in early 2000, as did Swordfish: The Album, a soundtrack Oakenfold constructed for the sci-fi film of the same name. In 2002, Bunkka became his first album of new productions. Mix albums like Creamfields (2004) and Perfecto Presents...The Club (2005) appeared before his second production effort, A Lively Mind, landed in 2006. Perfecto: Vegas would arrive in 2009, the same year Oakenfold produced the new title cut to Madonna’s hit collection Celebration. In 2011, it was announced he was working on a new album, Pop Killer, with guest artists Cee Lo Green and the Red Hot Chili Peppers. ~ John Bush, Rovi
full bio

Selected Discography

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Track List: Full Moon Party (Single)

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Track List: Glow In The Dark (Single)

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Track List: Surrender (Single)

Comments

Dont care wut ne1 sayz played out or not im drunk s**t hitz F**K U!!!
This guy is so damn good!!!!!!
#1
the best
u2girlpoet
Astonishing Oakenfold
Hi
i go to vegas once a year, every year im out there i make it a point to go to PLANET PERFECTO, sat night at the palms!
i have so much wax from this man. he has been my soul inspiration since i was 16 and is the main reason why i still spin today.
All hail oakenfold. The one true king
djstory7
since when was swordfish a sci fi its action thriller durp durp
Am I the only one who thinks he looks a little like The Terminator on the Bunkka album cover?
He sucks
ahnirv5927
i wish pandora had his full library in the rotation, what a legend
Love it! -Want to wake up? Listen to Spell (original mix)- Kind of reminds me of the older trance stuff.
A new album with RHCP? :D Love it already.
*DJ Paul Oakenfold* is just that amazing! ; )
suzyqmurphy
I love Oakenfold... I do have a few questions about the bio facts on him...Has anyone else noticed them? 1. It says he was born in 1963, cool, so was I. 2. then is says he started mixing at 16, AWESOME, that's 1979...3. It says in the late 70's he worked for Artista records....h m m m , how old was he? I thought he didn't start mixing till he was 16 in 1979. The bio goes on to say that he worked as a promoter in the early 80's. I believe the facts, I don't believe the time line...
Instant Summer( original mix ) is a powerful transcendent a l experience in sound.
DRIVE IS SUCH extraordinar y GOOD SONG. Soundtracks for your life.I relate to this style of music and this artist in paticular is super talented. In the future Oakenfold will be an example of fine music from our culture and time period just like Bach or The Beatles.Car culture music. I mean where is the best place to listen to music with friends other than a club or festival?Roa d trip : Any Paul Okenfold album would be a top 5 CD selection for my road trips.
duh..he did the whole soundtrack for Requiem for a dream..try reading!
Mahadeva of breakbeats
sendmessage
OMG, he totally ripped off the theme from Requiem for a Dream. What a f*g!
nambiar.nikh i l 1 1
Very Interesting. Lot of influences taken in Requiem for Dream.
Paul Oakenfold Live at Cream is one of the best trance cd's ever made. I will treasure it forever!
cgsreport
part of zoo york is from escala's requiem for a tower.
Don't worry Johnjc, Tangerine Dream is given due credit for being at the forefront of the electronica movement. This is a subtext in the larger influence TD had. Think of it as a language tree diagram... Sanskrit may be pretty high up there, but there are other significant roots to otehr major language groups below it also. :)
Electronic/t r a n c e (though not called that at the time) music in Risky Business by Tangerine Dream was back in 83. Maybe not the first in a major film, but pretty early for this style.
jeanjacque2
Ready Steady Go was in the first Jason Bourne film, The Bourne Identity. Its the first time I ever heard electronic/t r a n c e in an major action film (2001). Now its very common.
kingranch9
Amazing to think back to the 80's when i first got into the electronic scene and how it has progressed to the point it is at today. Amazing music, there is no other way to express it.
adambikes
Collateral Damage scene instantly back in my mind with goosebumps. http://www.y o u t u b e . c o m / w a t c h ? v = F h A B M C t q V y c & f e a t u r e = r e l a t e d
Yo, Oakenfold is so sick. this is the first i've heard of him. i'm on Escala radio, they're also great at making music, that's if your in to violins. peace everybody. Happy New Year! Hare Krishna!
Such great memories of dancing my a** off to this...those were the days!
minds are listening, frequency nearing cold state release outside the mind.
Excellent addition to my Fatboy Slim Radio. lol and @doc you're an idiot. no question. you have to read this from left to right for it to make sense sequentially .
I have believed in this track since I first heard it on bpm years ago. Bravo Brittney Murphy R.I.P.
You have to read all these posts from bottom to top for them to make sense sequentially .
Then along comes 'Xterminator ' , bizarre, engaging, repellant, all those things but something in there says something to me. The final track, is I'm 5 Years Ahead Of My Time. I know Bobbie was deeply effected by the death of Kurt Cobain, and prhaps he felt his number had come up on the Karmic Wheel, if there is such a thing. I know because years before Bobbie and I had started a pen pal type of friendship. VERY very infrequent letters'd arrive from G.B. or somewhere out on the road,con't
But it of course wasn't that that impressed me about P/S. They evolved, sometimes fir the better, sometimes for the worse. Their first release was simply unlistenable , I found i it in the cut-outs box, Come Together in '90 was brilliant for an EP, Give Out But Don't Give Up added even more soul and gospel into the mix, then Vanishing Point where it seems like they WANT to alienate their stoner audience, even more evident on Evil Heat the most ambitious and brilliant thing , con't
Just walked away as though that sort of thing happened to him in London or Leeds all the time, and that's how he always dealt with it, but being a gay man who witnessed this small bravery just took my breath away. I've been OUT for over 30 years, and have dealt with plenty of bullies, and have not since high school, had to face that sort of naked aggression. I carried a weapon for YEARS, having to commute from CT to the NYC shows, a legal one. But would I have used it? Bobbie didn't
You could almost see the air around him turn a different color. He stomped up noses to noses with this idiot, who was 50 lbs his advantage anyway, and as calmly and menacingly as I've ever then or since heard a human speak, If you mean 'Gays', most of them are good friends of mine and my bands, and if you want to have private opinions about them as a group, do that privately, because you just never know when the straight guy you just called a f*g has just gutted you like a fish. That's all.
Elected to be the sober driver when bands wanted to do club crawls, which's to say every night for most. My all time favorite was Bobbie Gillespie from Primal Scream, who had a hollow leg, and endless spliffs (never knew WHERE they came from, it was like a magic trick for him! ) Funny, cute in that skinny British kid way, funky dresser, what you'd call retro now. Never a harsh word from him at all, until one day we're leaving MacDougal's , 2 AM, and a yabbo from the street called him a f*g.
HA! Finally Killed off the gremlins invading my keyboard (coffee doesn't help them ONE bit!) But went and got a really cool white background board, w/l natch, that has more functions than I'l live to see used. Now to comment more in detail, as a radio station flunky and a stringer Details and for Metroline, which I think is gone now, I had whole bunches of A-List passes hanging on my neck for the better part of the years from 91 to 2004. Liking only the herbal, don't drink, was often-con't
This guy made similar music, but the video is soo stupid, though! http://youtu . b e / 5 w t O q 0 8 W _ L w
Back in the late 8-'s, I was working as a volunteer at college radio station, just a lackey/gofer type, but ate about a year so much new stuff was coming in, so much f it really good~to great~to OMG This is AMAZING?! The station gave me a four hour slot on Sundays, 10am to 2pm, PRIME stoner time! In thinking it through the night before with some herbal help, my best hook was Primal Scream's Come Together, and stayed for TEN YEARS! I got press passes to just about everything, Paul #1.
seeing Mr. Okenfold tomorrow night in Clearwater, FL CANT WAIT!!!!
historyofthe h e m p s e e d dot blogspot dot com
tranceport is the best by far
guru.dld
Rock and Roll
Madeline I believe you are correct
Love Oakenfold. Cant get enough. Have seen him 6 times now and he never disappoints live.
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