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From early Berlin techno and house through to progressive trance, producer/DJ Paul van Dyk has soundtracked the German electronic dance scene ever since he moved to the city and began mixing in 1988. A native of a German town near Frankfurt, van Dyk first heard house music on the radio during the mid-'80s. Soon he was experimenting with a rudimentary turntable setup, and after hitting Berlin, he gigged around the city. By 1991, he had appeared at the legendary Tresor club; he later set up his own E-Werk club, and debuted on record as Visions of Shiva, with fellow trance wizard Cosmic Baby. He remixed for New Order, Humate, Sven Väth, and others, then signed to the German MFS Records for his first album, 1994's 45 RPM. By the midpoint of the 1990s, van Dyk had become a globe-trotting DJ and remixer. His second album, Seven Ways, resulted in British and German dance chart entries for the singles "Beautiful Place," "Forbidden Fruit," and "Words." While both of his albums were issued in America during 1998, van Dyk added a remix collection (Perspective) and mix album (Vorsprung Dyk Technik) to his discography. 2000 saw the release of the single "Tell Me Why (The Riddle)," the album Out There and Back, and the EP We Are Alive. As a follow-up to global club dates in support of those releases, van Dyk released another EP, Columbia, in mid-2001. After a relatively quiet 2002 (on the recording front), van Dyk returned with a mix-album/greatest-hits/DVD (Global), the soundtrack to a film (Zurdo), and a new production album (Reflections). He released the second volume of his Politics of Dancing mix album series in 2005 and returned with another studio album, In Between, in 2007. The remix effort Hands on in Between followed a year later, and then live DJ gigs, remix work for others, and his own mix albums kept Van Dyk from releasing a studio effort for the next four years. He returned in 2012 with album Evolution along with the single "Eternity" featuring Owl City frontman Adam Young, ~ John Bush, Rovi
from the 45 RPM album...this was the last track on the album but it was definitely the best...you must have this playing on your way to a Rave in the mid 90s to understand how bad a** this song sounds when the sun is coming up and the vibe is alive
I am so not into the glam club scene, yet this music & Juno Reactor & Thievery Corporation and Gotan Project, and Luciano Supervielle are so much more than the superficial (ie. Nichole Richie and Paris Hilton, who I just recently found out is actually smarter than a dolphin) people who are on the admit list. Paul Van Dyk, you're a genius!
Comments
god save Paul Van Dyk
Paul Van Dyk, you're a genius!